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Merry Geekmas: What to Watch This Holiday Season

By Arts & Culture

This December, as we’re all sitting around wondering what to watch this holiday season, we do not have to submit ourselves and our families to another viewing of A Christmas Story. Instead, this year, the new holiday releases have been taken over by some pretty nerdy adaptations and original films and TV shows.

That’s good for Utah, which is consistently rated among the, if not the, geekiest state in the nation. Whether it’s the study by a real estate website Estately or this one by Zippia, which both looked at the number of people with nerdy interests listed on their social media profiles, or another study by AT&T, which looked at the number of pop culture conventions and nerd-adjacent retailers. And this year, on-demand streaming services have a gift for Utah: some very, very nerdy content on the list of what to watch this holiday season. 

The Book of Boba Fett premieres Wednesday, December 29, 2021 on Disney+

Disney+

Hawkeye – Season Finale on Wednesday, Dec. 22, 2021

Marvel Studios’ Hawkeye stars Jeremy Renner as Hawkeye, who teams up with another well-known archer from the Marvel comics, Kate Bishop, played by Hailee Steinfeld. The cast also includes Vera Farmiga, Fra Fee, Tony Dalton, Zahn McClarnon, Brian d’Arcy James and newcomer Alaqua Cox as Maya Lopez. Hawkeye is helmed by Rhys Thomas and directing duo Bert and Bertie. Hawkeye debuted on Disney+ on Nov. 24, 2021.

The Book of Boba Fett – Premieres Wednesday, Dec. 29, 2021

The Book of Boba Fett, a thrilling Star Wars adventure teased in a surprise end-credit sequence following the Season Two finale of The Mandalorian, finds legendary bounty hunter Boba Fett and mercenary Fennec Shand navigating the galaxy’s underworld when they return to the sands of Tatooine to stake their claim on the territory once ruled by Jabba the Hutt and his crime syndicate.

LEGO Star Wars Holiday Special – Now Streaming

The LEGO Star Wars Holiday Special reunites Rey, Finn, Poe, Chewie, Rose and the droids for a joyous feast on Life Day. Rey sets off on a new adventure with BB-8 to gain a deeper knowledge of the Force. At a mysterious Jedi Temple, she is hurled into a cross-timeline adventure through beloved moments in Star Wars cinematic history, coming into contact with Luke Skywalker, Darth Vader, Yoda, Obi-Wan and other iconic heroes and villains from all nine Skywalker saga films. But will she make it back in time for the Life Day feast and learn the true meaning of holiday spirit?

Season two of The Witcher premieres December 17, 2021 on Netflix 

Netflix

The Witcher – Season Two Premieres Dec. 17, 2021 

The Witcher returns with Season Two. Convinced Yennefer’s life was lost at the Battle of Sodden, Geralt of Rivia brings Princess Cirilla to the safest place he knows, his childhood home of Kaer Morhen. While the Continent’s kings, elves, humans and demons strive for supremacy outside its walls, he must protect the girl from something far more dangerous: the mysterious power she possesses inside.

Cobra Kai – Season Four Premieres Dec. 31, 2021

Cobra Kai takes place over 30 years after the events of the 1984 All Valley Karate Tournament with the continuation of the inescapable conflict between Daniel LaRusso (Ralph Macchio) and Johnny Lawrence (William Zabka). Season 4 finds the Miyagi-Do and Eagle Fang dojos joining forces to take down Cobra Kai at the All Valley Under 18 Karate Tournament… and whoever loses must hang up their gi. As Samantha and Miguel try to maintain the dojo alliance and Robby goes all in at Cobra Kai, the fate of the Valley has never been more precarious. What tricks does Kreese have up his sleeve? Can Daniel and Johnny bury their decades-long hatchet to defeat Kreese? Or will Cobra Kai become the face of karate in the valley?

Lost in Space – Season Three Now Streaming

In the third and final season of Lost in Space, the stakes are higher than ever and the Robinson family’s survival instincts will be put to the ultimate test. After a year of being trapped on a mysterious planet, Judy, Penny, Will and the Robot must lead the 97 young Colonists in a harrowing evacuation—but not before secrets are unearthed that will change their lives forever. Meanwhile John and Maureen with Don at their side—must battle overwhelming odds as they try to reunite with their kids. The Robinsons will have to grapple with the emotional challenge of not just being lost—but being separated from the ones they love…as they face the greatest alien threat yet.

HBO MAX

The Matrix Resurrections – Premieres Dec. 22, 2021

From visionary filmmaker Lana Wachowski comes The Matrix Resurrections, the long-awaited fourth film in the groundbreaking franchise that redefined a genre. The film reunites original stars Keanu Reeves and Carrie-Anne Moss in the iconic roles they made famous, Neo and Trinity. The Matrix Resurrections stars Keanu Reeves, Carrie-Anne Moss, Yahya Abdul-Mateen II, Priyanka Chopra, Jonathan Groff, Neil Patrick Harris, Jessica Henwick, Parker Posey, Telma Hopkins, Eréndira Ibarra, Toby Onwumere, Max Riemelt, Brian J. Smith and Jada Pinkett Smith. The Matrix Resurrections will be available on Dec. 22 in theaters and on HBO Max, streaming only on the Ad-Free plan in the U.S. for 31 days from its theatrical release.

8-Bit Christmas – Now Streaming

Set in 1980s suburban Chicago, 8-Bit Christmas centers on ten-year-old Jake Doyle’s quest to get the latest and greatest video game system. The film stars Neil Patrick Harris, Winslow Fegley, June Diane Raphael, David Cross, and Steve Zahn. Screenplay is by Kevin Jakubowski, adapted from his debut novel.

Young Justice – Season Four Finale on Dec. 30, 2021

This animated spy drama, Young Justice, explores the entire DC Universe through the eyes and stories of young Dick Grayson/Robin, Kaldur’ahm/Aqualad, Wally West/Kid Flash, Conner Kent/Superboy, M’gann M’orzz/Miss Martian, Artemis Crock/Artemis, Zatanna Zatara/Zatanna, and Raquel Ervin/Rocket. As this core team steps out of the shadows of their mentors and matures into adult heroes – with some joining the Justice League and others taking on new identities Nightwing, Aquaman, and Tigress– they also mentor a new generation of protégés including Forager, Wonder Girl, Blue Beetle, Cyborg, and Halo, all in their ongoing crusade for justice.

The Wheel of Time, based on the high fantasy series by Robert Jordan, is now streaming on Amazon Prime

Amazon Prime

The Wheel of Time – Season Finale on Dec. 24, 2021

The Wheel of Time is one of the most popular and enduring fantasy series of all time, with more than 90 million books sold. Set in a sprawling, epic world where magic exists and only certain women are allowed to access it, the story follows Moiraine (Rosamund Pike), a member of the incredibly powerful all-female organization called the Aes Sedai, as she arrives in the small town of Two Rivers. There, she embarks on a dangerous, world-spanning journey with five young men and women, one of whom is prophesied to be the Dragon Reborn, who will either save or destroy humanity. The first three episodes of Season One premiered Friday, Nov. 19, with new episodes available each Friday following.

Shatner in Space – Premieres on Wednesday, Dec. 15, 2021 

A one-hour special that details the events before, during, and after Shatner’s life-changing flight—which made him the oldest person to ever travel to the cosmos—and the growing friendship between the Star Trek icon and Blue Origin founder Jeff Bezos, whose dreams of space travel, like many, were inspired by the original Star Trek series.

The Expanse – Season Six Premieres Dec. 10, 2021

The sixth and final season of The Expanse picks up with the solar system at war, as Marco Inaros and his Free Navy continue to launch devastating asteroid attacks on Earth and Mars. As the tensions of war and shared loss threaten to pull the crew of the Rocinante apart, Chrisjen Avasarala makes a bold move and sends former Martian Marine Bobbie Draper on a secret mission that could turn the tide of the conflict. Meanwhile, in the Belt, Drummer and what’s left of her family are on the run after betraying Marco. And on a distant planet beyond the Rings, a new power begins to rise. Series stars Steven Strait, Dominique Tipper, Wes Chatham, Shohreh Aghdashloo, Cara Gee, Frankie Adams, Keon Alexander, Nadine Nicole, and Jasai Chase Owens reunite for the most epic season yet.


Read our ideas of how to serve the community this holiday season and where to find the best homegrown holiday light displaysSubscribe to Salt Lake.

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Sundance and Slamdance Announce 2022 Lineups for Dueling Park City Film Festivals

By Film, Sundance

Sundance and Slamdance have released the lineups for their 2022 film festivals. The dueling events—one which has grown since its inception into an international spectacle and the other which adheres strictly to its independent, DIY ethos—will take place concurrently in Park City, beginning on Jan. 20, 2022. Last year’s Sundance and Slamdance Film Festivals were derailed by Covid, but organizers and attendees are banking on vaccination and testing protocols to return the 2022 editions to their former glory with in person screenings and an interactive, welcoming atmosphere.

The Sundance Film Festival, which hardly needs an introduction at this point, has been a midwinter mainstay in Park City since 1981 and returns to the community from Jan. 20-30. Sundance’s profile has risen over the years as the film industry’s glitz, glamour and funding have become part of the production, but the festival’s always been a breeding ground for independent film that would go on to gain wider acclaim. The first edition of what was then called the Utah/U.S. Film Festival included canonical films such as “Deliverance,” “Mean Streets,” “A Streetcar Named Desire” and “Midnight Cowboy,” after all.

Still from “Living;” Photo courtesy Sundance Film Festival

Audiences in 2022 can get excited about an enormous variety of independent film genres and visions. Highly anticipated selections from the lineup include IFC Midnight’s “Hatching,” a suspenseful feature about a young gymnast hiding a mysterious giant egg from her domineering mother, “Living,” a reimagining of Akira Kurosawa’s “Ikiru (To Live),” “Lucy and Desi,” a documentary examining the enduring legacy of the unlikely partners from director Amy Poehler and “Master,” a horror tinted psychological thriller about an elite New England university built on the site of a Salem-era gallows hill. Typical cinema fare these films certainly are not. For more details about the festival schedule and lineup, visit the Sundance website.

Slamdance has become, in its way, the antithesis of Sundance, eschewing the creep of Hollywood influence in favor of an unwavering independent spirit. To be eligible for Slamdance’s competition lineup, the 23 features chosen from more than 1,100 submissions are all directorial debuts with budgets under $1 million and without U.S. distribution.  

“We are anti-algorithm. That’s always been true, but it’s more urgent than ever as we continue to celebrate truly unique voices that defy simple classification and transcend analytics,” said Slamdance President and co-founder Peter Baxter. “This year our programmers gravitated towards films that embody the true DIY spirit of guerrilla filmmaking and push the boundaries of what’s possible in storytelling.”

Still from “Facing Monsters;” Photo courtesy Slamdance Institute

Films audiences can look forward to run the gamut from “Facing Monsters,” a feature-length documentary about West Australian ‘slab wave’ surfer Kerby Brown, to “Killing the Eunuch,” a horror feature about a serial killer using his victims to kill further victims, to “Forget Me Not,” the story of a family fighting for their son with down syndrome to be included in the country’s most segregated school system. Click here to see the full festival lineup, and visit the Slamdance website to purchase passes for the January 20-23 in person portion and January 20-30 online portion of the festival.

We’ll have plenty more film festival coverage as Sundance and Slamdance take over Park City in the coming weeks, so stay tuned.


Click here for more film coverage.

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Utah Microbakeries Deliver the Goods

By Eat & Drink

Shortly before this article was published in our November/December issue, Thy Vu, co-owner of Mims Bakery, was killed in a car crash when a suspected drunk driver in a police pursuit struck her vehicle. To donate to Tripp Mims and their children, visit this GoFundMe. Friends of Vu’s started the community organization Live Like Thy and are currently working on a memorial fund in her name. Mims is now advocating for policy changes in police pursuits and continues to run Mims Bakery.

Plenty of us rediscovered the joys of home baking in 2020 and beyond. Some Utahns turned that joy into small businesses. Cottage bakers make small batches of food in home kitchens, promote themselves on social media and field pickup and delivery orders for their (literally) homemade goods. These Utah microbakeries either started or grew significantly during the pandemic as traditional storefronts became less essential, food delivery exploded and many of us spent our days at home hungrily scrolling through Instagram. In a challenging landscape, this model offers a different way forward: locally-focused, collaborative and appealingly small-scale.

MIMS BAKERY

If, like me, you spent more of the pandemic watching The Great British Baking Show than nurturing a sourdough starter, Mims Bakery’s classic sourdough is the perfect way to get your homemade bread fix. Husband-and-wife duo Tripp Mims and Thy Vu started Mims Bakery out of necessity when Tripp was laid off as a sous-chef at the now-closed Alamexo. “We have always passively baked for fun and for ourselves, but with a lot of downtime after Tripp was furloughed, he started baking for family and friends to pass the time,” Vu says. They started with a “small but mighty” Rofco bread oven in their own kitchen before converting their garage to a mini-bakery. Along with traditional breads, they sell seasonal menu items highlighting local ingredients, like tomato and basil grown in their own garden. Tripp and Vu, the bakery’s only employees, regularly collaborate with friends, neighbors and other local businesses while fundraising for community organizations like Salt Lake Community Mutual Aid and Black Visions Collective. “It is an opportunity to get good food into bellies while also making a difference together as a community,” Vu says.

POWDER PEAK SWEETS

Powder Peak Sweets owner Jayden Brennan started using Instagram as a platform to share baked goods she made for fun. By summer 2020, Jayden harnessed a growing social media following to start her own business with her sister Sarah and boyfriend Jordan. (Jayden admits Jordan “kind of just got thrown into the whole baking thing, but I wouldn’t be able to do it without him.”) Jayden’s specialty is cronies, decadent donuts made with flaky layers of croissant dough. Powder Peak Sweets regularly updates their menu with flavor combinations like vanilla espresso and peach bourbon brown sugar, but you can’t go wrong with the classic cinnamon sugar combo. Jayden, who still works full-time at the University of Utah, says she hopes to continue growing as a microbakery before upsizing to a storefront. “We have received tremendous support from our community,” she says. “We would never be where we are today without them.”

PIES THE LIMIT

“I’ve always had an infatuation with cooking,” says Pies the Limit owner Dominique Wilson. Wilson started selling homemade pies online as a side hustle in 2017. Last year, Pies the Limit (Instagram: @pies_the_limitut) received a surge of attention as growing awareness of racial justice inspired more interest in Black-owned businesses online. “One thing that I’ve always felt isn’t taught enough in the Black community is owning your own business,” he says. “I want to leave my future children with something they can call their own.” Sharing a kitchen with friends Geoff and Mia Patmides, who co-own Taylorsville’s The Local Greek, Wilson sells both dessert and dinner pies, including his signature creation, a silky smooth blueberry sour cream pie. “Being able to call myself a business owner makes me more proud than anything,” he says. As his one-man operation continues to grow, Wilson has a simple message to readers: “These pies are damn good. Come and get you some!”


Read more about food and drink in Utah.

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‘The Real Housewives of Salt Lake City’ Recap: ‘A House Divided’

By Arts & Culture

This week on The Real Housewives of Salt Lake City, the longest vacation in recorded history finally comes to a close. Yes, this girls’ trip has technically only lasted a few days, but this drama-filled, emotionally draining journey to hell has turned into several hours of television and likely many, many more hours of professional counseling. (I already know I will need to call my own therapist immediately after the season finale.) Somehow, Jen’s arrest is already starting to feel like a distant memory as the cast dances around the allegations against Mary’s Faith Temple Church all while picking old fights that were bound to boil over.

This episode, we finally get some substantive info about the skeletons in Mary’s closet. For several weeks, Lisa and Whitney have both hinted that they know negative information about her church—Lisa is close with Cameron, a disgruntled former member of the congregation, but she won’t get into specifics about his experience. After eating several pounds of melted cheese and watching everyone else drink from the shot-ski, Mary gets tired of tormenting Whitney and goes to bed. This gives everyone else—sleep-deprived, tipsy and still traumatized from federal agents swarming the Beauty Lab parking lot—the chance to ask what the hell is going on. Lisa waffles like a Utah legislator drawing Congressional boundaries until even her friends Jennie and Meredith feel frustrated. Under pressure, she blurts out that Cameron mortgaged his house to give her $300,000. Cameron claims that Mary and Robert Sr. would regularly convince the congregation to give them large amounts of money, and in this particular case, Mary used it to get surgery removing her odor glands. 

This explosive information, coming so soon after Jen’s arrest, turns up the pressure cooker even more, unleashing big emotions that will likely reverberate for seasons to come. There’s so much to keep track of that it seems easier to go housewife by housewife:

Whitney

Plenty will change as the season continues, but I’m already prepared to declare Whitney as the MVP of Season 2. Throughout all the chaos, she has been funnier than ever, probably the smartest person in the room and, crucially, the only cast member whose motivations are both logical and sympathetic. Unlike Heather, she is clearheaded about the implications of Jen’s arrest. Unlike everyone but Heather, she seems to be done with Mary’s bullshit. And she defends her cousin when everything goes haywire at the end of the episode, even when that means choosing Delta over a private jet. Team Whitney!

Lisa

Every episode, I get more and more confused by Lisa. She (at least sometimes) tries to be friends with everyone, but the only thing she’s succeeded at so far is pissing everybody off. Is she really playing four-dimensional chess, as Heather and Whitney so fervently believe? I have no idea, but if she is, I have zero guesses on what her end game will be. Why does she insist on protecting Cameron’s privacy (even though cameras filmed their conversation,) tell the group what he said on a whim and then make up with Mary in the middle of the night? Beats me! Her insistence on playing both sides—first with Meredith and Lisa, and now with Cameron and Mary has gone from confusing to disturbing. If she truly believes Cameron, she should want to stay as far away from Mary as possible. And yet, for no clear reason, she doubles down on their friendship even harder.

Heather

Look, Heather is very charming. She makes me laugh (on purpose!) at least once every episode, and her reunion with her estranged sister this week was truly sweet. So it’s sad to see her break down at the end of the episode—she seems genuinely hurt in a way we haven’t seen until, well, one of her besties got arrested a couple of days ago. It helps that she is right about pretty much everything. Yes, it is weird that Lisa and Mary are all of a sudden closer than ever! Yes, Mary is rude to Whitney for pretty much no reason! Yes, everyone should have learned their lesson from Jen and ask Mary some hard questions! The big question mark at the center, though, is Heather’s maddening loyalty to Jen. Heather is right to treat Mary with skepticism, but she won’t bring that same energy with Jen who, you know, might actually go to jail. 

Jennie

Jennie is a year behind on all of the drama, which honestly works in her favor. (Sure, she gets less screen time, but she is also the only one who seems to be going home without lasting emotional scars.) Jennie had a rivalry budding with Mary, but Mary decides to throw her some snakeskin Louboutins as a peace offering. (“This will lighten up my luggage,” Mary says in the confessional. Heartfelt!) With designer shoes to keep her quiet, Jennie minds her business and eats a croissant while everyone else melts down. Good for her!

Jen

Jen is not in this episode, which I’m sure is a relief to her legal team. Unfortunately for her, though, an ABC News special, The Housewife and the Shah Shocker, outlined her case in more detail. Pretty much every part of the documentary looked bad for Jen, especially heartbreaking interviews with victims who were defrauded by a shell company that allegedly worked with her. The documentary, streaming on Hulu, is worth watching if you want true-crime details the Real Housewives hasn’t dived into (yet).

Meredith

Meredith was clearly having the time of her life when Jen got arrested. She gets to experience two of the greatest pleasures in the human experience—being proven right and luxuriating in a stupidly fancy bath—at once. I can only dream! Sadly, now that the focus has shifted to Mary, Meredith’s moral righteousness about Jen feels much more suspect. When she learns about Cameron’s allegations her first response is to…feel guilty for gossiping? And not to worry aboutM Mary’s victims, which she scolded the group about in Jen’s case last week? It really doesn’t add up, especially when she was so suspicious of Jen that she hired a private investigator to track her. Even without firsthand evidence that Faith Temple is bad news, Meredith surely sees that Mary is frequently awful to others in the group for no good reason. I was rooting for you Meredith!

Mary

Yikes. YIKES. This episode is a new low for Mary. At times in Season 1, if you were feeling generous, you could call Mary an entertaining eccentric. Now, faced with real questions about her behavior, she completely melts down, fully unleashing a sinister side that makes for chilling television. She categorically denies all of the negative allegations about her church. (Since the season was filmed, The Daily Beast has published an investigation about abusive practices at Faith Temple.) She gives everyone besides Whitney expensive gifts just to be an ass. And when direct questions about her actions are raised, she gives an impromptu sermon in the living room, basically says that Heather is a fat alcoholic and calls Jen a “heartless thug, like Mexican people that make all those drugs.” Wow. At this point, it’s painful, and maybe even ethically questionable, to watch.

After a not-at-all-relaxing getaway, the Housewives finally travel back to SLC, though Heather and Whitney skip out on Meredith’s private jet and fly commercial as a protest. After an unbelievable string of episodes, it’s probably for the best that everyone is out of that cursed Vail mansion. As everyone returns home, they will surely have to keep grappling with the fact that a man may have MORTGAGED HIS HOUSE so that Mary could get her ODOR GLANDS REMOVED. I know I’m going to keep thinking about it.


Read all of our recaps of The Real Housewives of Salt Lake City.

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Review: ‘Elf The Musical’ at Pioneer Theatre Company

By Arts & Culture

Christmas media can be a love-it-or-hate-it proposition—either you’re blasting Mariah Carey before Halloween is over or you cringe at all of the earnest merriness. Like it or not, though, we’re well into the most wonderful time of year, and Pioneer Theatre Company has a fun-for-the-whole-family idea for those unwilling to brave the cold (and crowds) to see the Christmas light-donned construction zone at Temple Square. Even if you’re not one to devour every Netflix holiday rom-com, PTC’s Elf The Musical is charming enough to unite Santa-believers and their parents, nostalgic millennials and anyone looking for an enjoyable, family-friendly musical. (In Utah, that’s pretty much everyone.) 

Jason Simon and Max Chernin in "Elf the Musical" at Pioneer Theatre Company
Jason Simon and Max Chernin in “Elf The Musical;” Photo courtesy Pioneer Theatre Company

The musical, narrated by Santa himself, begins at the North Pole with Buddy, (Max Chernin) an unnaturally tall elf who lacks his colleagues’ preternatural toy-making abilities. At age 30, Buddy overhears the real reason he doesn’t fit in at Santa’s Workshop—he is actually a human who accidentally crawled into Santa’s sack as an infant. Santa tells Buddy that his real dad Walter (Chirstopher Gurr), a children’s book publisher in New York City, does not know that he has a son, and, making matters worse, he’s on the naughty list. Adrift, Buddy heads south to meet his father, stepmother Emily (Mary Fanning Driggs) and 12-year-old stepbrother Michael (alternated between Austin Flamm and Grant Westcott). Unfortunately, Santa doesn’t tell Buddy to lose the yellow tights. 

The musical is based on, and in the shadow of, the 2003 movie starring Will Ferrell. The original film, now firmly in the Christmas movie canon, is a fish-out-of-water comedy that mines endless humor from the gulf between Buddy’s Christmas storybook upbringing and the normal adult world in New York City. Thanks to a clever concept, plenty of quotable lines and, especially, Ferrell’s performance, the original is a sentimental favorite, meaning the musical has big (pointy) shoes to fill.

PTC’s cheerful, eager-to-please production mostly succeeds. Sure, there are details for Scrooges (or maybe just tired parents) to nitpick. The score, with music by Matthew Sklar and lyrics by Chad Beguelin, is catchy, generally pleasant and totally forgettable—none of these songs are destined to become Christmas or musical theater classics. The source material has an irreverent streak, but at its core, it’s still a mushy-hearted holiday movie with a 100% earnest belief in the power of Christmas magic. (The plot, after all, is about an overworked man embracing the true meaning of Christmas, a tried-and-true staple from Dickens to Hallmark.) The updated-for-2021 book, by Thomas Meehan and Bob Martin, makes an effort to cut through the sweetness. A sassy Santa (Jason Simon) binge watches Squid Game and complains that PETA shut down his reindeer operation, and a few grownup-directed punchlines poke the boundaries of the PG rating. (It’s still fine for kids.) Still, the stage adaptation, which stretches to 2 ½ hours and adds an extra helping of musical theater cheese, only highlights the original movie’s cliches. 

Max Chernin and Antoinette Comer in "Elf The Musical" at Pioneer Theatre Company
Max Chernin and Antoinette Comer in “Elf The Musical;” Photo courtesy Pioneer Theatre Company

But if you’re at all susceptible to the Christmas magic everyone on stage keeps singing about, none of this will really matter. The formula is a part of the point—you know that Santa’s sleigh will fly at the exact right moment, the tone will be as warm as a mug of hot cocoa and everyone will live happily ever after. It’s easy to be won over by the flexible ensemble, who play both permanently chipper elves and a wide variety of normal New Yorkers, from a robotically friendly Macy’s perfume seller to a chorus of beleaguered mall Santas. Antoinette Comer is winning as Jovie, an unlucky-in-love cynic who begins dating Buddy.  The snow-globe inspired set from scenic designer James Kronzer is a lot of fun, as is the peppy choreography by Rommy Snadhu. Director Alan Muraoka strikes the right balance between energetic and overbearing, and the musical’s brisk pace never wears out its welcome.

While all of the cast is strong, the musical really rests on Chernin’s too-tall shoulders. It’s no easy task to play a role so closely associated with one actor—Ferrell’s iconic performance is so central to the original that I don’t envy anyone who tries to make it their own. Luckily, Chernin understands the assignment—he is totally committed, 100% earnest and a great singer and dancer to boot. He leans in, without winking to the audience, to the ridiculousness of the plot, which makes the jokes land harder and the sentimental moments more effective than they have any right to be. You’d have to be a cotton-headed ninny muggins to resist his charm.  


Elf The Musical will be at Pioneer Theatre Company through Dec. 18. For tickets and more information, visit their website. Stay on the nice list and wear your mask during the performance. Read more about arts in Utah.

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Announcing the Winners of Salt Lake’s 2021 Cocktail Contest

By After Dark, Eat & Drink

“This is a much more difficult decision this year than last.” The editors of Salt Lake, along with Francis Fecteau of Libation SLC, had a lot to discuss while deciding the winner of our 2021 Cocktail Contest. We evaluated how these cocktails engage the senses—the visual presentation, the aroma and, most importantly, the taste. We mused philosophically about what makes a cocktail great and debated our personal preferences. We considered which cocktails were particularly unique, which were well-balanced and which we wanted to order again and again. 

Fecteau, who was also on the panel for our 2020 Cocktail Contest, said that this year’s entries represented an exciting leap forward. None of the 12 cocktail creations were exactly alike. They featured unexpected flavor combinations and inventive uses of local spirits. Some took us on a summertime trip to the islands with tiki-inspired drinks, while others evoked the coziness of fall. Plenty gave new life to unconventional ingredients, from beets to parsnips. Bartenders used homemade shrubs, eye-catching garnishes and other personal touches to make these cocktails unmistakably their own. This contest proved how many places there are to get a great cocktail in SLC—and was a testament to the creativity and passion of the bartenders behind these delicious drinks.

READERS’ CHOICE: The Alta Peruvian by Eli Larson Hays (SLC Eatery)

It was a close call. All month long, the competition for number one was neck and neck, but ultimately Eli Larson Hays’ rich and smooth concoction garnered the most votes in this close contest. The Alta Pervuian  gets its name from the Peruvian Pisco Logia, which is coupled with brandy and balanced by a sweet and nutty orgeat syrup, tart yuzu juice and a dash of chocolate bitters. The toasted sesame seed rim makes for a pretty presentation as well, solidifying this crowd-pleasing cocktail’s status as our readers’ favorite. 

JUDGES’ CHOICE: Dead Man’s Party by Maddy Schmidt (Alibi)  

As the days get darker and colder, this bright, inviting cocktail provides necessary counterprogramming to a Utah winter. Starring a shrub that balances the sugar rush of pineapple juice with the kick of ancho chiles, bartender Maddy Schmidt’s Dead Man’s Party is pure escapism. Our panel kept returning to the addictive mix of sweet and spicy that made this drink an approachable yet complex favorite. One sign of its greatness: Dead Man’s Party actually gets better as the ice melts. The result is a cocktail that is well-balanced, creative and, most importantly, a lot of fun to drink.

RUNNER-UP: Second Iteration by Christopher Stephenson (Lake Effect)

We couldn’t resist sneaking in one more winner. Both judges and readers agreed that Lake Effect’s cocktail Second Iteration is a highlight of this year’s contest. Christopher Stephenson’s creation was less than 300 votes behind the reader’s choice winner, and our panel also appreciated this one-of-a-kind drink. Stephenson, a self-described “booze nerd,” combined two surprising local spirits—Holystone Distilling Bosun’s Navy Strength Gin and Sugar House Distillery Rye—with a manuka honey and marigold tea syrup for a daring, complex and downright delicious cocktail.

Honorable Mentions

There was a lot to love about the entries in this year’s contest. Here are a few more of our favorites that almost took the crown.

BEST SEASONAL REFRESHER: London Foggy by Esther Nemethy (Bambara

This cocktail’s fall spice rim and earl grey syrup highlights classic fall flavors while the combination of Velvet Falernum and lemon juice ties the drink together with a light touch.

MOST INVENTIVE: A Good Sarsaparilla by Jacob Sanders (Post Office Place)

This high-concept creation earned our respect for pure chutzpah. Inspired by a cozy fall viewing of a good scary movie—did you catch his The Big Lebowski reference?—Jacob Sanders’ daring flavor combination includes butter, tarragon vinegar and, of course, sarsaparilla. The drink is garnished with a marbled shard of sugar, resembling edible stained glass, that we used to amp up the sweetness. 

VIBE CHECK: Fire and Earth by Nick Harward (Mortar & Pestle)

This easy-to-miss bar tucked behind Curry Up Now should be your next not-so-secret hangout spot. Cozy yet chic, we were more than happy to linger at Mortar & Pestle while sipping Fire and Earth, a surprisingly sweet beet syrup cocktail.  

BEST USE OF AN UNCONVENTIONAL INGREDIENT: The Malouf by Joel Aoyagi (Stoneground Kitchen)

Stoneground Kitchen bartender Joel Aoyagi was a sentimental favorite for naming his drink after our late editor Mary Brown Malouf. The Malouf daringly used a labor-intensive syrup made from roasted parsnips in a nod to Mary’s frequent quip after trying a drink flavored with beet juice: “Beets! Why doesn’t anyone make a drink using parsnips!” Joel Aoyagi answered the challenge with a tasty, drinkable cocktail that succeeds far beyond the concept’s novelty. 

That’s a wrap on our 2021 Cocktail Contest. Thank you to Alpha-Lit SLC and The Shop for assisting us with the photoshoot. Thank you to Libation SLC for sponsoring this year’s prizes. Thank you to each of the 12 bars and restaurants for participating in the contest and to the bartenders for sharing their time and talents with us. And thank you, especially, to our readers for coming back to vote again and again and for supporting local food and drink. Cheers!


Check out our 2021 Blue Plate Awards, honoring people making a positive impact in the food and drink community.

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Snowbird Kicks Off 50th Year Amid Rough Start to Utah Ski Season

By Adventures, Outdoors

It’s a little drier and warmer out there than Utahns are used to at the beginning of December. Instead of gazing at majestic mountains bathed in a fresh coating of powder, people along the Wasatch Front and Back are staring up at a scoured patchwork craggy rocks and paltry snowfields in the peaks. But old man winter’s lackluster effort hasn’t stopped resorts in the Wasatch from firing up the lifts, and Snowbird joined the action on Dec. 1, throwing a Birdstock party to celebrate the beginning of their 50th season.

While conditions weren’t the famed deep powder of Little Cottonwood Canyon, the Bird did serve up some 3,000-vertical-feet of top-to-bottom skiing via the Tram as well as the Gadzoom and Little Cloud chairlifts. That’s nothing to sneeze at after a snowy October gave way to a heinously warm and dry November leaving little natural snow of note anywhere but the highest elevations. The resort supplemented the skiing with good vibes courtesy of DJ supplied tunes, swag giveaways, contests and a retro 70s theme that’s a throwback to the mountain’s early days.

Powder? Not so much. Smiles? Plenty. Photo courtesy of Snowbird.

Of course, Snowbird isn’t the only show in town as resorts throughout the Wasatch have had the snow guns going full blast whenever it’s been cold enough. Park City Mountain now has both base areas open, though each offers a single ribbon of snow for skiable terrain at this point. Snowbird’s Little Cottonwood neighbor Alta has been going strong for a week with surprisingly good skiing conditions considering the meager season totals, while Big Cottonwood mainstays Solitude and Brighton are also open for business. Further south, Brian Head hasn’t skipped a beat either.

Models show winter may finally be arriving early next week to ward off the dastardly high-pressure ridge that’s skunked much of the early ski season. That’s good news, but instead of sitting home with our fingers crossed, we might as well head to the mountains to warm up the legs so we’re ready when the snow starts falling. I snuck out for a few decidedly mediocre turns this morning and was quickly reminded any time spent skiing is better than time spent sitting inside.

If drought conditions persist further into the winter, we’ll consult our meteorologist friends for a more thorough analysis, but I’ve been assured by trusted University of Utah trained weather nerds we don’t have anything to panic about. Yet. In the meantime, get out there and enjoy what little snow there is. Birdstock is a great example of how we can enjoy skiing without turning to jaded powder snobbery when the conditions aren’t ideal. I’ll see you on the slopes.  


Read more about getting outdoors in Utah.

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Visit Salt Lake CEO Kaitlin Eskelson Makes Lemonade Out of Lemons

By Community

It’s a familiar tale. Bright-eyed youngsters come here to ski and end up staying in Utah. But not every ski bum who found their way West grows up to become the head cheerleader for Salt Lake City. Kaitlin Eskelson, the new CEO of Visit Salt Lake, came to Utah from Wisconsin when she was 22 and parlayed her love of the mountains above the city into a career inspiring the world to discover SLC.

And, in another familiar story, she took the job in March of 2020—yes, that March—starting a new job whose main purpose is to bring conventions and visitors to Salt Lake en masse. 

“The pandemic forced us to pivot on behalf of the business community and really focus on providing support services for the small business who depend on the visitor economy,” she says. 

To that end, Visit Salt Lake became a resource helping members in navigating the red tape to find assistance for weathering the lockdown, providing webinars and advice for the local business community. 

“We went from being 100% outward facing to looking inward, finding ways to dig in and assist the community,” Eskelson says.  

“We have a rich history combined with a forward-thinking future.” -Kaitlin Eskelson

Eskelson is a make-lemonade-from-lemons type of leader. She had been honing her craft, educating and preparing herself for the top spot at Visit Salt Lake for the bulk of her career. She earned a Master of Public Administration degree from the University of Utah. Passionate about Utah and the people who call it home, she is a tireless advocate who has dedicated her years of study to the promotion of Salt Lake and the state of Utah as a collective gem of a travel destination.

“I think what happened was about 10 years ahead of schedule,” she says. “Meetings and conventions were already moving toward hybrid configurations with in-person and virtual components.”

To speed that transition, VSL took advantage of the downtime to build a media center in the Salt Palace to facilitate virtual meetings. Projects that were in the works continued full speed, including the construction on the much-discussed convention hotel near the Salt Palace and a full rebranding of the city’s image. The new slogan “West of Conventional” leans into Utah’s contradictions.  

“We are a community of juxtapositions,” she says. “We have a rich history combined with a forward-thinking future. A lot of times in the past we’ve been apologetic about who we really are. We’re celebrating these intersections and honoring our diverse culture and history.”

As Eskelson continues to navigate the ever-changing waters ahead she likes to remind people that she can handle a challenge. Why? 

“I have twins. I’m not scared of anything.”   


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‘Elf’ Sings Into Pioneer Theatre Company Directed by Alan Muraoka

By Arts & Culture, Theater

For many 00s kids (and plenty of their parents), the image of Will Ferrell joyfully terrorizing a Macy’s belongs in the Christmas movie canon along with the A Christmas Story leg lamp and the pathetic tree in A Charlie Brown Christmas. Now, the modern Christmas classic is getting the full Broadway treatment in a musical production at Pioneer Theatre Company beginning this Friday.

Based on the 2003 movie, Elf follows Buddy the Elf, who at 6’2” sticks out like a sore thumb among the elves at Santa’s Workshop. As an adult, Buddy the Elf learns that he is no elf at all—he is a human who was adopted after sneaking into Santa’s bag as a baby. Heartbroken, Buddy leaves the North Pole and heads to New York City to connect with his real father. Far from Santa’s Workshop, Buddy’s overwhelming love of Christmas and childlike personality confuses, annoys and ultimately wins over the cynical New Yorkers he meets.

For people of my generation—young enough to still believe in Santa when the movie came out in theaters—Elf is a permanent Christmas staple. (The movie is tattooed in my brain from countless day-before-winter-break viewings in elementary school. It still feels most appropriate to watch it on a clunky TV rolled into a carpeted classroom.) Almost two decades later, the film’s mix of self-aware humor and warm and fuzzy Christmas cheer still works—the endlessly quotable dialogue and earnest performances make the holiday movie cliches go down like candy (and candy canes, candy corn and syrup). This musical adaptation, which premiered in 2010, captures the nostalgia of the film and adds a peppy Broadway-pop score.

Alan Muraoka, Director of Elf at Pioneer Theatre Company
Alan Muraoka, Director of Elf at Pioneer Theatre Company; Photo courtesy Pioneer Theatre Company

Elf’s debut at PTC was back in 2013, where it became the company’s most popular holiday production ever. In this new production, Buddy is played by Max Chernin, who was last seen at PTC in Bright Star, with actors Antoinette Comer, Christopher Gurr, Mary Fanning Driggs and Jason Simon playing the other lead roles. Elf’s director, Alan Muraoka, has plenty of experience with family-friendly entertainment. In addition to a decades-long career as both a theater actor and director, Muraoka is best known for his role as Alan on Sesame Street. (The character was introduced in 1998 as the owner of Hooper’s Store, and Muraoka has been a cast member ever since.) This year, he co-directed an episode of the show, “Family Day,” that introduced a family with two gay dads. 

Salt Lake spoke with Muraoka about Elf, Sesame Street and his career in television and theater.

Salt Lake: What can audiences expect from Elf

Just in time for the holiday season, this show brings fun and memorable songs, wonderful humor, energetic dancing, and a great story with heart. The idea of Buddy the Elf searching for his family and a place to call home and along the way spreading kindness and joy which touches everyone he meets is the greatest message to share during this time. This is the perfect show to share with family and friends, and I am very excited for everyone to come back to the theatre to join in on the fun.  

SL: Tell us about your experiences working with this cast and crew at Pioneer Theatre Company. 

This is my first time working with Pioneer Theatre Company, and I am so grateful for the opportunity. Everyone on the creative staff is so welcoming and collaborative, and I appreciate it. 

Our cast is filled with a combination of great local talent and NY actors, and I’m always amazed how quickly in theatre, strangers can bond and become a family. I have personal experience with several of the cast and creative staff. Our Musical Director, Tom Griffin, hired me as an actor for my first professional job back in LA back in 1983. Choreographer Rommy Sandhu and I have been acquaintances for years but have never worked together until now. One of the actors, Howard Kaye, and I did the original Broadway production of Miss Saigon back in the mid-90’s, and another cast member, Danielle Decrette and I did the National Tour of Lincoln Center’s Anything Goes back in 1989 and shortly after she gave up performing to raise three beautiful girls. This is her return to performing after many, many years. 

SL: You have spent more than two decades on Sesame Street, but you also have worked extensively in theater. What excites you about working in live theater? 

I love both theatre and television for different reasons, but the most wonderful and unique thing about theatre is that it is live. Anything can happen in live theatre, and so every performance is slightly different. I love how the audience actually plays a huge part in this as well. Actors feed off the energy of an audience, and so the audience is a vital piece of the overall experience of theatre. 

Max Chernin in Elf at Pioneer Theatre Company
Max Chernin in Elf at Pioneer Theatre Company; Photo courtesy Pioneer Theatre Company

SL: You have worked both behind and in front of the camera on an iconic show for children and families. What have you learned on Sesame Street about performing for this specific audience? How did you apply this experience to Elf, another kid-friendly production?

Sesame Street has taught me so much, but the greatest thing it has taught me is how intelligent and intuitive children are, and so you must always be honest with them. I always approach every show with finding the truth and honesty in the material. What are the essential heart moments? Where and how does humor come into the world? You always start there, and then find what the style of each production is and augment and heighten from there. Elf lives in a very fast-paced, almost sitcom style, but it has such a huge heart as well. So, it’s finding the balance and energy required so that both elements shine. 

SL: You recently co-directed “Family Day,” an episode of Sesame Street featuring a gay couple. What did it mean to you to share this story featuring a queer family?

It is very important to me that everyone feels represented on Sesame Street, because we strive to be a world of inclusion, diversity, kindness, and love. I was very proud to be a part of this episode which shows that there are many kinds of families and that every one of them should be understood and accepted. 

SL: You have now been on Sesame Street for more than 23 years. When you were originally cast, did you ever expect to perform in the series this long? What interests you in coming back every season?

 My first season of Sesame Street was back in 1998, and we were celebrating 30 years on the air. In my head as an actor coming from theatre, a run of a show is anywhere from a few months to a couple of years. So, in my head I thought, “If I make it to five years on the show, that will be a great run.” So now that I’ve been at Sesame for 23 years, it’s both astounding and surreal. What makes Sesame Street so unique and special is that since we have been producing new shows for 52 years, we are able to address current issues that affect children both here in the US and throughout the world. This past year and a half is a perfect example. During the pandemic we realized that both children and families had so many questions, and so we created a partnership with CNN to host Town Hall specials about COVID where children and parents could submit questions, and a panel of experts (doctors, scientists, and educators), along with our beloved Muppets, helped provide answers and support. We also created specials in response to the necessity of the Black Lives Matter movement (Emmy-winning The Power of We), and in response to the increase of racial incidents against Asian Americans (See Us Coming Together, which premieres on Thanksgiving Day on HBO Max, PBS, and YouTube). I am extremely proud to be a part of a show that educates, entertains, and teaches children everywhere how to be smarter, stronger and kinder. 

SL: You recently directed another Utah production: the world premiere of Gold Mountain with Utah Shakespeare Festival. Tell us about this production and your experience with it.

Gold Mountain was special for me because it was a culmination of seven years of collaboration between the composer and playwright Jason Ma and myself. We both felt that the show was a testament to the history of these Chinese railroad workers who helped build the Transcontinental Railroad, literally helped to create the United States of America, and then were erased from the history books. It was a labor of love, and I was so happy with the production, the actors, the designers, and that the reception from the SLC community was so warm and welcoming. We hope it has a bright future, and we are grateful that it began in the state where these two trains met back in 1869. 

Annie Mautz, Austin Flamm and Max Chernin in Elf at Pioneer Theatre Company
L-R: Annie Mautz, Austin Flamm and Max Chernin in Elf at Pioneer Theatre Company; Photo courtesy Pioneer Theatre Company

SL: Had you been to Utah before directing these two productions? How have you liked being here? 

I have spent time in both Cedar City and SLC, and I have to tell you there are times that I look up at the mountain ranges with the sun hitting them in the morning and at sunset, and it takes my breath away. I was last in SLC and Ogden in 2019 when we celebrated Spike 150 with a concert version of Gold Mountain, and I was charmed by the city, the people, and the food. One of my favorite food items that is available here in the city are a pastry called a Kouign-amann, which is basically a croissant which is rolled in sugar, so it is both caramelized and buttery. My personal favorites are from Eva’s and Les Madeleines, and I’ve introduced all of our NYC actors and designers to these little pieces of heaven. I gave a bunch of them to the Gold Mountain cast and crew for Opening Night, and they absolutely loved them. 

SL: Tell us anything else you would like readers to know about this musical.

For many of our cast this is their first live show back since the pandemic shut down theatres throughout the country, and so there is a sense of urgency in wanting to get in front of live audiences once again. So, we are ready for you SLC. I hope you are ready for us.


Elf will be performed at Pioneer Theatre Company from Dec. 3-18. For tickets and more information, visit their website. Read all of our theater coverage.

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Espresso Epicure: Understanding the Coffee House Lifeblood

By Eat & Drink

There is only one perfect espresso-based beverage: two shots of Ethiopian Sun-Dried Espresso tamped and layered with 2 teaspoons of raw sugar, infused with 3 ounces of fresh aerated milk and finished with a ½ inch of foam laced with strokes of caramel. Sorry, Starbuckians—those automatic machines aren’t capable of making this drink—for this one, you need to control the tamping in the portafilter.

This might not be your perfect cup, but until you spin a few miles on an espresso machine’s odometer, it’s hard to know which drink is your favorite. For those of us who don’t have the time, or patience, to discover your perfect drink, the first step is to understand espresso basics; after that, the rest is easy.

The most important part of the espresso shot is the quality of the crema—you know, that beautiful rim of golden sunshine resting at the top of the shot glass. This is where the magic happens. If you’ve experienced ordering the same drink and having it taste five different ways, nonexistent or underdeveloped crema is likely the culprit. Finding a superb barista is a challenge within itself—and for that reason, I only order my perfect cup of coffee when I know my barista is good, so when you find one, tip them well!

Jaxsen Layton of Salt Lake Roasting Co. is my barista of choice. He understands what it takes to pour excellent espresso, “For a good espresso shot, it’s extremely important to have all aspects just right, from the coarseness/fineness of the grind, the amount of pressure when tamping and the ratio of water to coffee. Once those are just right, the last thing I look for is a good consistent crema throughout the whole shot. This is my indicator of the quality of my espresso shot.” 

Having located a go-to barista like Layton, you have a decision to make. Do you prefer the good ol’ roasty mc-roasted beans the corporate giants have accustomed us to or do you gravitate toward a blonde roast? If you want things sweet and creamy, go for the darker roast; if you prefer your coffee black, take a walk on the lighter side. Knowing your preference is a game changer, so order a demitasse the next time you stop in to see your favorite roaster. 

Cappuccino vs. Latte

Don’t be the dud demanding a cappuccino with little foam, no matter how satisfying it is to say the word. If your favorite drink is only topped with an inch of foam or less, next time do your barista a favor and order a latte.

Feeling Too Timid to Try Straight Espresso?

Here are a few less-intimidating options:

Espresso Macchiato

A shot with a scoop of foam on top, also great with a bit of caramel or mocha on the top if you like it sweet.

Espresso Con Panna

A shot with a generous dollop of whipped cream on top.

Undertow

Pick your favorite syrup flavor and cross your fingers your barista knows how to make this. A layering of two pumps of syrup, topped with 1 oz of half and half, with a shot of espresso floated along the top. If your barista can’t float the espresso, it isn’t worth your time. The key to this one is to drink it all at once.

Espresso Affogato

A shot of espresso poured over a scoop of ice cream, usually vanilla.


Read more from Eat & Drink here.