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Historical Fiction: Holes in the Story

By City Watch

Ellsworth visits Cody, Wyo., named for American showman and bison hunter William Frederick “Buffalo Bill” Cody. Photo courtesy of BYUtv.

When he was growing up in northern Virginia, Ellsworth said, he used to ride his bike up Henry House Hill, where Gen. Thomas Jackson reputedly earned his nickname.

Stonewall is still up there. Big and bronze and ripped like a superhero, imposingly seated astride his horse, and daring the Union Army to come knock him down—just like the stories say he was in the First Battle of Bull Run.

Turns out, though, there’s some dispute among historians as to where Jackson really got that nickname—and whether it was meant as a compliment or an insult. But like many stories of history that have been repeated so often, it’s gotten tough to tell truth from fiction.

And maybe that’s what Ellsworth thought would happen when he began telling stories about his past.

Bring together a biography strewn across news articles, marketing materials and interviews, and the tales told about Ellsworth are as herculean as that big old statue in Manassas.

Some of it is accurate. Lots of it is exaggerated. Much of it is fallacious.

A bio for a History Channel pilot in which Ellsworth once starred claims he served eight years in the U.S. Marine Corps and “fought for his country in the Middle East.” The Marines say that’s absolutely not true.

A post on BYUtv’s Facebook page asserts Ellsworth earned a doctorate from the University of Utah. The U says that didn’t happen.

Ellsworth has claimed on numerous occasions he played linebacker for the Seattle Seahawks and Detroit Lions. Team officials say it’s possible he attended a training camp or served on a practice squad, but they can’t find any record of him.

Ellsworth has also indicated he was a defensive coordinator at the University of Arizona and University of Pennsylvania. That’s not true either. He appears to have had some short stints as an assistant coach at lower division schools including Arizona Western College and Shippensburg University of Pennsylvania. He is also listed as a graduate coaching assistant at the University of Utah in the mid-1980s; one former U. athletic staffer said Ellsworth’s oft-made claim to have been a defensive coordinator there was akin to a graduate teaching assistant claiming to be a professor.

Ellsworth told Salt Lake magazine he earned a teaching credential from Westminster College and taught history at Highland High School before getting fed up with the public education system. Records from those institutions show Ellsworth enrolled but didn’t complete any classes at Westminster, and that he was fired for cause from Highland; the district declined to reveal why it terminated him.

Ellsworth also told the magazine his wife was murdered in front of their children while he was away pursuing his football career. That, unfortunately, is mostly true: Police and media reports from the fall of 1996 show Lisa Ellsworth was stabbed to death while her kids played in an adjacent room. She was not, however, married to Stan Ellsworth at the time—they’d been divorced for more than two years. The presumed killer, who subsequently took his own life, was Lisa Ellsworth’s common-law husband.

Stan Ellsworth has repeatedly spoken of American Ride as a concept he created and unsuccessfully pitched to various production companies for eight years before BYUtv grabbed hold in 2010.

Filmmaker Peter Starr said that’s absolutely not true. Starr first met Ellsworth when the Utah-based actor—whose resume was then limited to a role as a basketball coach in the Disney movie The Luck of the Irish and as an extra in one episode of a USA Network show called Cover Me—auditioned for a role on a TV pilot called History Hogs. The History Channel, which had optioned the pilot, declined to greenlight the series, so Starr worked with Ellsworth to create a similarly themed show, which they called “American Ride.”

Starr, who was battling an illness at the time, said Ellsworth agreed to pitch the show to potential producers, but repeatedly told him that the program had failed to be picked up.

“One day he just stopped calling,” said Starr, who didn’t learn that Ellsworth had gone on to sell the show to BYUtv until he was contacted by Salt Lakemagazine. “It would appear that I was just cut out altogether.”

Starr said he would be discussing the matter further with an attorney.

The terms of Ellsworth’s contract with BYUtv are private, but records from the Utah Governor’s Office of Economic Development show that Utah taxpayers have subsidized American Ride to the tune of $200,000. BYUtv managing director Derek Marquis declined to address any of Ellsworth’s apparent lies, instead referring calls to an East Coast public relations firm.

Confronted with a list of apparent fabrications, Ellsworth said he may have “combined some parts of my history for simplicity.”

Without accepting responsibility for any specific lie, Ellsworth acknowledged that “I should have been much more proactive in protecting the validity of who I am.”

But the grizzly voiced actor flatly denied any involvement in the story of his service in the Marines. He said he had “no idea where anyone would have gotten that from.”

Starr, though, said that’s just one more lie. “He talked about being in the military all the time,” he said. “And the sad thing of all of this is that I don’t think anyone would have cared. In the case of our show, he read for the part and he was dead-on right for it—that’s all we cared about. None of that other stuff mattered.”

Out of the Past


Ellsworth with a film crew at Refugio State Beach in California. Photo courtesy of BYUtv.

Ellsworth is an unquestionably captivating storyteller. And while the claims he has made about his personal history are interesting, it’s his personality that has driven the Emmy-winning show’s success. So why the exaggerations?

“It’s a good question,” Ellsworth said. “I’ve never sat back and evaluated it. I guess this is one of those Dr. Phil moments.”

It’s not clear when all the stories began, though many seem to be revisions of painful personal failures. Three divorces. A futile effort to play in the NFL. An aborted try for a graduate degree. A fruitless attempt to break more deeply into the NCAA coaching ranks. A messy termination from a job teaching history.

“To some degree, I think I haven’t wanted a whole lot of people to really know me,” Ellsworth said. “I suppose I’ve thought that a little bit of distance, however it is achieved, might be more comfortable.”

He stressed the community work he’s done since he began hosting American Ride.

“You know, I’ve been volunteering with the Boy Scouts, I try to visit schools, and I’m really trying to set a good example for people,” he said. “I’m getting better. I’m definitely not perfect. But if I live another 10 years, I think I’ll be all-pro.”

Not everyone thinks Ellsworth is so redeemable, though.

Utah real estate agent Amir Haskic said Ellsworth’s purported football experience was key when he invested $30,000 in a 2009 documentary on the University of Utah’s undefeated season and Sugar Bowl victory. The project was shepherded by Utah video producer Lance Huber, who had earlier worked with Ellsworth on a series of Comcast commercials.

“I honestly didn’t know very much about football, but I thought, here is a guy with all the credentials, a guy who played in the NFL,” Haskic said.

Huber’s wife, Leanna Huber, said her husband also figured Ellsworth’s purported football career would make him perfect to fundraise for the film. When Ellsworth reported back that he’d gotten money from multiple investors, it seemed Huber’s hunch was right.

But when it came time for Ellsworth to transfer the money, Leanna Huber said, the checks bounced. Lance Huber emptied savings and retirement accounts to pay the salaries of his documentary crew.

“Lance was very trusting,” Leanna Huber said. “He always thought Stan was a friend, and it was very painful for him to learn that wasn’t true.”

Huber killed himself on the evening of Sept. 2, 2009. Leanna Huber said Ellsworth’s betrayal wasn’t the only thing haunting her husband, “but it was one more thing, one more terrible thing, that he was carrying.”

To that point, police records show, investigators had considered Huber a key victim and witness in a developing fraud case against Ellsworth. After the suicide investigators removed Huber from the list of victims, having reluctantly concluded they’d lost their main witness to a key part of the case.

Still, on the basis of an apparent theft from two other investors who had kept good records of their dealings with Ellsworth, Salt Lake County prosecutors were able to charge Ellsworth with felony securities fraud.

In 2010 Ellsworth pleaded guilty to a misdemeanor and, with as much as a year in jail hanging over him, agreed to pay back the victims in the case at a rate of $800 a month.

“And then nothing happened,” Haskic said.

The court later issued a garnishment order to Disney in hopes of recovering any residuals Ellsworth might receive for his work his work on The Luck of the Irish and High School Musical 3, in which Ellsworth had a small role in 2008.

Haskic said he’d pretty much given up on getting his money back. “I don’t really know why he’s not in jail,” he said.

Indeed, court records show that a warrant was issued for Ellsworth’s arrest after he failed to pay the ordered restitution—and the warrant remained active during much of the time Ellsworth was traveling across the country to film American Ride.

After a three-year delinquency, Ellsworth’s attorney, Fred Metos, finally paid the restitution, court records show. The payment came just weeks after Salt Lake magazine began its investigation into Ellsworth’s past.

With that, the warrant was rescinded and the guilty plea, which had been held in abeyance as is typical in fraud cases in which prosecutors are seeking to recover as much money as possible for victims, was dismissed.

Plans are now reportedly in order to take American Ride overseas for visits to World War I and II battlegrounds where tens of thousands of American soldiers, sailors, airmen and Marines were killed in the field of battle.

“So pretty much, he’s gotten away with it,” Leanna Huber said. “He never suffered. And in the eyes of so many people, he’s a big hero. But actually, he’s just a big fraud.”

Matthew D. LaPlante is an assistant professor of journalism at Utah State University. He loves history, rides a Harley Davidson Iron 883 and remains a fan of American Ride.

Back>>>Part 1 of Historical Fiction

Back>>>Read other stories in our August 2013 issue

Historical Fiction: Holes in the Story

By City Watch

Ellsworth visits Cody, Wyo., named for American showman and bison hunter William Frederick “Buffalo Bill” Cody. Photo courtesy of BYUtv.

When he was growing up in northern Virginia, Ellsworth said, he used to ride his bike up Henry House Hill, where Gen. Thomas Jackson reputedly earned his nickname.

Stonewall is still up there. Big and bronze and ripped like a superhero, imposingly seated astride his horse, and daring the Union Army to come knock him down—just like the stories say he was in the First Battle of Bull Run.

Turns out, though, there’s some dispute among historians as to where Jackson really got that nickname—and whether it was meant as a compliment or an insult. But like many stories of history that have been repeated so often, it’s gotten tough to tell truth from fiction.

And maybe that’s what Ellsworth thought would happen when he began telling stories about his past.

Bring together a biography strewn across news articles, marketing materials and interviews, and the tales told about Ellsworth are as herculean as that big old statue in Manassas.

Some of it is accurate. Lots of it is exaggerated. Much of it is fallacious.

A bio for a History Channel pilot in which Ellsworth once starred claims he served eight years in the U.S. Marine Corps and “fought for his country in the Middle East.” The Marines say that’s absolutely not true.

A post on BYUtv’s Facebook page asserts Ellsworth earned a doctorate from the University of Utah. The U says that didn’t happen.

Ellsworth has claimed on numerous occasions he played linebacker for the Seattle Seahawks and Detroit Lions. Team officials say it’s possible he attended a training camp or served on a practice squad, but they can’t find any record of him.

Ellsworth has also indicated he was a defensive coordinator at the University of Arizona and University of Pennsylvania. That’s not true either. He appears to have had some short stints as an assistant coach at lower division schools including Arizona Western College and Shippensburg University of Pennsylvania. He is also listed as a graduate coaching assistant at the University of Utah in the mid-1980s; one former U. athletic staffer said Ellsworth’s oft-made claim to have been a defensive coordinator there was akin to a graduate teaching assistant claiming to be a professor.

Ellsworth told Salt Lake magazine he earned a teaching credential from Westminster College and taught history at Highland High School before getting fed up with the public education system. Records from those institutions show Ellsworth enrolled but didn’t complete any classes at Westminster, and that he was fired for cause from Highland; the district declined to reveal why it terminated him.

Ellsworth also told the magazine his wife was murdered in front of their children while he was away pursuing his football career. That, unfortunately, is mostly true: Police and media reports from the fall of 1996 show Lisa Ellsworth was stabbed to death while her kids played in an adjacent room. She was not, however, married to Stan Ellsworth at the time—they’d been divorced for more than two years. The presumed killer, who subsequently took his own life, was Lisa Ellsworth’s common-law husband.

Stan Ellsworth has repeatedly spoken of American Ride as a concept he created and unsuccessfully pitched to various production companies for eight years before BYUtv grabbed hold in 2010.

Filmmaker Peter Starr said that’s absolutely not true. Starr first met Ellsworth when the Utah-based actor—whose resume was then limited to a role as a basketball coach in the Disney movie The Luck of the Irish and as an extra in one episode of a USA Network show called Cover Me—auditioned for a role on a TV pilot called History Hogs. The History Channel, which had optioned the pilot, declined to greenlight the series, so Starr worked with Ellsworth to create a similarly themed show, which they called “American Ride.”

Starr, who was battling an illness at the time, said Ellsworth agreed to pitch the show to potential producers, but repeatedly told him that the program had failed to be picked up.

“One day he just stopped calling,” said Starr, who didn’t learn that Ellsworth had gone on to sell the show to BYUtv until he was contacted by Salt Lakemagazine. “It would appear that I was just cut out altogether.”

Starr said he would be discussing the matter further with an attorney.

The terms of Ellsworth’s contract with BYUtv are private, but records from the Utah Governor’s Office of Economic Development show that Utah taxpayers have subsidized American Ride to the tune of $200,000. BYUtv managing director Derek Marquis declined to address any of Ellsworth’s apparent lies, instead referring calls to an East Coast public relations firm.

Confronted with a list of apparent fabrications, Ellsworth said he may have “combined some parts of my history for simplicity.”

Without accepting responsibility for any specific lie, Ellsworth acknowledged that “I should have been much more proactive in protecting the validity of who I am.”

But the grizzly voiced actor flatly denied any involvement in the story of his service in the Marines. He said he had “no idea where anyone would have gotten that from.”

Starr, though, said that’s just one more lie. “He talked about being in the military all the time,” he said. “And the sad thing of all of this is that I don’t think anyone would have cared. In the case of our show, he read for the part and he was dead-on right for it—that’s all we cared about. None of that other stuff mattered.”

Out of the Past


Ellsworth with a film crew at Refugio State Beach in California. Photo courtesy of BYUtv.

Ellsworth is an unquestionably captivating storyteller. And while the claims he has made about his personal history are interesting, it’s his personality that has driven the Emmy-winning show’s success. So why the exaggerations?

“It’s a good question,” Ellsworth said. “I’ve never sat back and evaluated it. I guess this is one of those Dr. Phil moments.”

It’s not clear when all the stories began, though many seem to be revisions of painful personal failures. Three divorces. A futile effort to play in the NFL. An aborted try for a graduate degree. A fruitless attempt to break more deeply into the NCAA coaching ranks. A messy termination from a job teaching history.

“To some degree, I think I haven’t wanted a whole lot of people to really know me,” Ellsworth said. “I suppose I’ve thought that a little bit of distance, however it is achieved, might be more comfortable.”

He stressed the community work he’s done since he began hosting American Ride.

“You know, I’ve been volunteering with the Boy Scouts, I try to visit schools, and I’m really trying to set a good example for people,” he said. “I’m getting better. I’m definitely not perfect. But if I live another 10 years, I think I’ll be all-pro.”

Not everyone thinks Ellsworth is so redeemable, though.

Utah real estate agent Amir Haskic said Ellsworth’s purported football experience was key when he invested $30,000 in a 2009 documentary on the University of Utah’s undefeated season and Sugar Bowl victory. The project was shepherded by Utah video producer Lance Huber, who had earlier worked with Ellsworth on a series of Comcast commercials.

“I honestly didn’t know very much about football, but I thought, here is a guy with all the credentials, a guy who played in the NFL,” Haskic said.

Huber’s wife, Leanna Huber, said her husband also figured Ellsworth’s purported football career would make him perfect to fundraise for the film. When Ellsworth reported back that he’d gotten money from multiple investors, it seemed Huber’s hunch was right.

But when it came time for Ellsworth to transfer the money, Leanna Huber said, the checks bounced. Lance Huber emptied savings and retirement accounts to pay the salaries of his documentary crew.

“Lance was very trusting,” Leanna Huber said. “He always thought Stan was a friend, and it was very painful for him to learn that wasn’t true.”

Huber killed himself on the evening of Sept. 2, 2009. Leanna Huber said Ellsworth’s betrayal wasn’t the only thing haunting her husband, “but it was one more thing, one more terrible thing, that he was carrying.”

To that point, police records show, investigators had considered Huber a key victim and witness in a developing fraud case against Ellsworth. After the suicide investigators removed Huber from the list of victims, having reluctantly concluded they’d lost their main witness to a key part of the case.

Still, on the basis of an apparent theft from two other investors who had kept good records of their dealings with Ellsworth, Salt Lake County prosecutors were able to charge Ellsworth with felony securities fraud.

In 2010 Ellsworth pleaded guilty to a misdemeanor and, with as much as a year in jail hanging over him, agreed to pay back the victims in the case at a rate of $800 a month.

“And then nothing happened,” Haskic said.

The court later issued a garnishment order to Disney in hopes of recovering any residuals Ellsworth might receive for his work his work on The Luck of the Irish and High School Musical 3, in which Ellsworth had a small role in 2008.

Haskic said he’d pretty much given up on getting his money back. “I don’t really know why he’s not in jail,” he said.

Indeed, court records show that a warrant was issued for Ellsworth’s arrest after he failed to pay the ordered restitution—and the warrant remained active during much of the time Ellsworth was traveling across the country to film American Ride.

After a three-year delinquency, Ellsworth’s attorney, Fred Metos, finally paid the restitution, court records show. The payment came just weeks after Salt Lake magazine began its investigation into Ellsworth’s past.

With that, the warrant was rescinded and the guilty plea, which had been held in abeyance as is typical in fraud cases in which prosecutors are seeking to recover as much money as possible for victims, was dismissed.

Plans are now reportedly in order to take American Ride overseas for visits to World War I and II battlegrounds where tens of thousands of American soldiers, sailors, airmen and Marines were killed in the field of battle.

“So pretty much, he’s gotten away with it,” Leanna Huber said. “He never suffered. And in the eyes of so many people, he’s a big hero. But actually, he’s just a big fraud.”

Matthew D. LaPlante is an assistant professor of journalism at Utah State University. He loves history, rides a Harley Davidson Iron 883 and remains a fan of American Ride.

Back>>>Part 1 of Historical Fiction

Back>>>Read other stories in our August 2013 issue

Even More Summer Camps

By Outdoors

Summer is a time for kids to find a place and time to follow their bliss, and Utah’s summer camps are the place to do it.

Read our feature story on summer camps, Geek Out, in our May/June 2013 issue. Here are the ones we wanted to include, but just couldn’t fit in the print edition (scroll all the way down for special needs camps):


Photo Provided by Deer Valley Resort

MUSIC

Find Your Wild Side 

Kids ages 7-18 can take part in this unique chance to learn Brazilian and Afro-Brazilian drumming, dance, song and culture. Kids get to bring home a T-shirt and homemade percussion instrument. A performance is held on the final day of the camp for friends and family members. June 17-21: Ages 7-12, June 24-28: Ages 13-18, SLC Arts Hub, 663 West 100 South, $60 per student scholarships are available, sambafogo.com

With the band

Just because school’s out doesn’t mean band class has to be. In “Da” Band with Al Badham, kids will learn new skills and even be in a 4th of July parade and concert. June 10–July 4, must have at least one year of jr. high-level concert band experience, $85. Imagination Place, 1155 E. 3300 South, SLC, 801-463-9067, imaginationplace.com 

Find Rhythm 

In partnership with the Utah Arts Alliance, Rhythms of Life Summer Camp gives kids a chance to participate in workshops, including drama, African and hip hop dance, drumming, painting, photography, frisbee, gardening, puppetry, sculpture, soccer, circus arts and more. June 10-14 through July 29-August 2, ages 8-12 $165 per week/ $1150 for all 8 weeks. 801-649-4420 Scholarships are available, drumbus.com

An early start

Jump start your kid’s musical education with a beginner’s exploration of music theory using the piano, along with fun rhythm and tonal activities, at Imagination Place’s Musical Bridge. June 17–Aug. 15, ages 4.5–7, $130. Imagination Place, 1155 E. 3300 South, SLC, 801-463-9067, imaginationplace.com

ART

Artwork up North

Cache Valley Center for the Arts is worth a trip north for its amazing productions. It’s also worth checking out for this year’s art camps, focusing on Polynesian, Latin American and African cultures. June 10–Aug. 8, ages 5–11, $90. Cache Valley Center for the Arts, 43 S. Main Street, Logan, 435-753-6518, centerforthearts.us

FANTASY/IMAGINATION

Potter Meets Holmes

With camps for Harry Potter, Angry Birds and Sherlock Holmes fans, Thanksgiving Point has offerings for just about anything your kid is into. June 3–Aug. 19, registration open until full, ages 4–18, single day $20–$175, multi-day $75–$175. Thanksgiving Point, 3003 N. Thanksgiving Way, Lehi, 801-768-2300, thanksgivingpoint.org

Mythical Creatures and Fantastic Fantasy 

Explore ancient artifacts and search for mythical and magical creatures. Children in grades 4–6 will explore forests, animals, potions, mythical creatures and write in invisible ink to keep their secrets hidden at one of this summer’s Salt Lake County 4-H camps. Copperview Recreation Center, 8446 Harrison St in Midvale. July 15-19, $75 per child 385-468-4830, saltlakecounty4-h.org 

SCIENCE/EDUCATION

Get slimy, gooey and gross

Kids can explore slimy, gooey and gross science while conducting experiments and getting your hands dirty at this Salt Lake County 4-H camp. Grades 1–3, Entheos Academy, 4710 W 6200 S, Kearns. July 15-19, $75 per child 801-417-5444, saltlakecounty4-h.org

CSI Spy 

Learn how detectives use science to uncover crimes by solving the mystery of “The Murder of Professor Half Track” at one of this summer’s Salt Lake County 4-H camps. Use clues and attend Super Spy School to learn how to be a expert spy. Grades 4–6, Murray Park, 296 E Vine St, Murray, 801-284-4200, Aug. 12–16, saltlakecounty4-h.org 

Mayan Robo-Dig

Kids are called to help a team of scientist who have just discovered a Mayan pyramid at this Salt Lake County 4-H camp. The junior robotics experts help unlock the secrets of the pyramid and learn how to use robotic sensors and advanced programing, using the Lego Mindstrom. Previous robot experience required. Ages 12–15, $75, Aug. 14–16, Sandra N. Lloyd Community Center, 12830 S 1830 W in Riverton, saltlakecounty4-h.org 

Go, Dog. Go!

Okay, this one’s not technically a camp, but going every month makes it feel like one. Kids who struggle with reading can practice by reading to service dogs at Anderson-Foothill Library. First Saturday of every month, 1 p.m. to 2:30 p.m., Anderson-Foothill Library, 1135 S. 2100 East, SLC, 801-594-8611, slcpl.lib.ut.us (call ahead to sign up)

Peek of Park City

The Peek Program has everything to keep a kid’s mind active all summer, from science and history to sports and Dr. Seuss—field trips and swimming included. June 17–Aug. 16, ages 3–8, $35–$65 per day. 10 Pinebrook Road, Park City, 435-649-9188, thepeekprogram.com

Cook up Science

This Salt Lake County 4-H camp teaches kids grades 3-4th about basic biology, chemistry and physics using common items from the kitchen. Kids will get to make rock candy, goo and learn how to extract iron from their morning cereal. Copperview Recreation Center, 8446 Harrison St in Midvale. July 8-12, $75 per child 385-468-4830, saltlakecounty4-h.org

Mini-Edisons

Kids solve big problems at Camp Invention, like how to reassemble a crashed spacecraft with everyday objects. The camp focuses on science, technology, engineering and math. June 10–14 or June 17–21, grades 1–6, $220. Schools in Sandy, Draper, Woods Cross, Cedar Hills, Park City, Layton, Provo and Price, campinvention.org

Rollercoaster, baby 

You might not learn much at an amusement park beyond gut-level physics, but designing those rides is another story. At Bricks 4 Kidz, campers will use math and science skills to engineer LEGO rides that roll, spin and rock. June 27, July 11, 18, Aug. 1, 8, 15, ages 5–8, $96 per day ($15 for each additional day). Holladay Lions Recreation Center, 1661 Murray Holladay Rd., Holladay, 801-898-3000, bricks4kidz.com

Wet and Wild Science

Salt Lake County 4-H keeps the kids active this summer while exploring a local watershed and learning about life beneath the surface of streams and lakes in your community. They will collect and study underwater insects and learn about water quality. Copperview Recreation Center, 8446 Harrison St in Midvale. June 24-27, $75 per child 385-468-4830, saltlakecounty4-h.org 

Forces of Nature

Kids in grades 3–5 learn about earthquakes, floods, fire and the extreme weather we see on earth, along with basic science principles while participating in hands-on activities like building bridges and making weather instruments, thanks to Salt Lake County 4-H. Copperview Recreation Center, 8446 Harrison St in Midvale. June 10-14, $75 per child 385-468-4830, saltlakecounty4-h.org

A BIT OF EVERYTHING

Camp at the J

Kids in grades one through six of all religions can take advantage of the Jewish Community Center’s rock wall, swimming pool and more, while older kids can take a week-long nature trip. June 10–Aug. 16, registration open until full, age 2–8th grade, $250–$420, Jewish Community Center, 2 N. Medical Drive, SLC, 801-581-0098 ext. 135, slcjcc.org

Join the Club 

Is your kid a super sleuth, eager to crack a great mystery? Or maybe she’s ready to learn some sleight of hand to become a famous magician. Club U has camps for these and more. June 5–Aug. 16, registration open until the Friday before each camp, ages 5–14, $199 per week. University of Utah, SLC, 801-581-6984, continue.utah.edu

Hit the Road

Field trip after field trip—Wasatch Kids Camps take kids to Utah’s iconic destinations, from Thanksgiving Point’s Museum to Franklin Covey Stadium. June 10–Aug. 23, registration open until full, ages 5–13, $190. Various locations around SLC, 801-263-2267, wasatchkidscamps.com

OUTDOORS

Not just for skiing

Based out of the Snow Park Lodge, Deer Valley’s Summer Adventure Camp offers unique activities like kiteboarding, where kids are pulled across a lake by a giant kite, all while surrounded by Park City’s mountains. June 10–Aug. 16, ages 2 months–12 years, $65 (daily), $300 (weekly), $2,500 (seasonal), Snow Park Lodge, 2250 Deer Valley Drive, Park City, 435-645-6648, academy.deervalley.com

SPECIAL NEEDS CAMPS

Nobody’s left out. With a strong belief summer camps should be accessible to all kids, these local camps are looking out for kids with disabilities and special needs.

Dietary needs met

Camp UTADA offers all the traditional stuff, like sports and campfires, while watching diets and supervising care, set in beautiful Camp Red Cliffe above Pineview Reservoir. Day and week-long camps, June 15–Aug. 16, grades 1–11, $240 (price may vary), no camper is turned away due to financial concerns. Camp Red Cliff, outside Huntsville, 801-566-6913, click here for more info.

Bring bro and sis

Camp Hobé is for kids with cancer and their siblings, who are often overlooked during treatment. Set out west at Camp Wapiti, kids enjoy archery, hikes, biking and swimming. June 10–21, ages 4–19, $15–$35, fee waivers available. Camp Wapiti, near Tooele, 801-631-2742, camphobekids.org

Hold your horses 

National Ability Center has plenty of great camps for kids with disabilities, but we’re partial to Camp Giddy Up, where campers ride trails with the horses and build on skills each year. June 10–Aug. 16, ages 8–18, $120–$190 (2–3 days), $290–$550 (5 days), discount for registering before May 17.  National Ability Center, 1000 Ability Way, Park City, 435-649-3991 x609, discovernac.org

Cooking, canoeing and braille

The Utah School for the Blind and the Utah Foundation for the Blind and Visually Impaired teamed up to give blind kids outdoor, sports and braille reading camps this summer. June 9–Aug. 10, ages 8–16 (summer work program available for ages 16 and older), $40–$125 (fee waivers available). Most camps held at Utah School for the Deaf and Blind Ogden campus, 742 Harrison Blvd., 801-209-8492, ufbvi.org

Getting social

Along with social coaching and treatment, Camp Takoda gives kids with ADHD a chance to swim, go on field trips and grow their self-esteems while making new friends. June 11–Aug. 2. Camp Takoda is in SLC. Call 801-467-8553 or visituafc.org for info on ages, prices, registration deadlines and more.

Camp for all abilities

Camp Kostopulos strives to include all kids of all abilities who could benefit from a summer riding horses, fishing, swimming and taking on the ropes course. They also offer a travel camp, which takes kids to destinations across the Intermountain West. June 1–Aug. 2, ages 7 and up, $405, scholarships available for low-income families, families registered with Division of Services for People with Disabilites may have respite funds available, register by mid-May. Camp Kostopulos, 4180 Emigration Canyon Road, SLC, 801-582-0700,campk.org 

Doubling up

Two camps with all the traditional camp activities for kids with disabilities: Camp Valor for kids with hemophilia and Camp Hawkins for kids with heart disease. Siblings are welcome to both. Camp Valor: July 29–Aug. 2, ages 5–17, $65, hemophiliautah.org. Camp Hawkins: June 24–27, ages 4–17, $20–$65,camphawkins.org

Utah’s Mommy Makeover: A State Rich in Plastic Surgeons

By City Watch

Dr. York Yates

A state rich in plastic surgeons

It surprises many people, but studies have found that conservative, sober Utah shows the nation’s highest interest in breast implants, according to a plastic surgery marketing site realself.com. Forbes magazine, in 2007, went so far as to call Salt Lake City the “vainest” city in America because of its disproportionately high number of plastic surgeons for its population. Salt Lake has six plastic surgeons for every 100,000 residents, as compared to New York City’s four. Statewide, a 2010 survey found that the Beehive State as a whole came in at No. 8 for board-certified plastic surgeons, joining New York, California and Florida in the top 10. And during the recession, Utah’s plastic surgeons continued to prosper. (Hard numbers for Utah are difficult to break out because the American Society for Aesthetic Plastic Surgery lumps the state’s statistics under an eight-state region, which also includes California, Colorado and Arizona.)

York Yates, a Layton plastic surgeon, says any surprises about Utahns’ enthusiastic embrace of cosmetic surgery or the state’s surfeit of highly-trained plastic surgeons says more about stereotypes of the heavily Mormon-influenced culture than reality. “People from the outside look at our conservative culture and think plastic surgery should be taboo here,” Yates says. “In fact, plastic surgery is more popular here than in many other parts of the country.”

An openness to cosmetic work

Yates and his colleagues see something more subtle at work in Utah’s cosmetic surgery statistics. Because of Utah’s large Mormon population and generally conservative culture, women tend to get married young, have more babies early and in more rapid succession than women elsewhere.

“And they are done having their kids earlier,” says Yates, whose practice is mostly Mormon patients. “So you have the recipe of a young mother who is done having kids. You have a fairly affluent population. And then you add to that an openness about discussing plastic surgery.”

Utah women, especially Mormons, Yates says, tend to share their lives, including plastic surgery, with family and members in their local wards. He’s not sure exactly why they’re so frank. “My patients are really open and honest with their family and friends about the things they have done. They share and compare. It’s openly talked about.”

“You do a good service for one or two women within a ward, and pretty soon you see four or five more from that same ward or neighborhood,” Yates says. “Clearly, they are open and talking about it.”

‘Restoration’ not vanity

Stereotypes about the goals of cosmetic surgery itself also crumble in Utah. It’s not about sexy breasts or perfection through elaborate facial work. “The patients I see aren’t interested in being ‘done’ looking or tasteless,” says Yates. “They see the surgery as restorative. It’s young mothers who want their bodies back.”

Renato Saltz, a Salt Lake plastic surgeon, observes that, based on his practice, Utah’s conservative population nevertheless cares deeply about physical appearance. “Utah has some of the most beautiful people in the world, and they like to remain beautiful as they grow older.”

Saltz, who taught medicine at the University of Utah before going into private practice, says that while the number of Utah men interested in cosmetic work is lower than the national average, young mothers are much more open to it than average because of their relative youth and the support of friends and family. “Pregnancy really damages parts of the body, including stretch marks,” he says. “It is a direct result of repeated pregnancies —the tissues don’t get a chance to recover.”

Not surprisingly, plastic surgeons in Utah tend to be as conservative about their work as their patients. “I don’t like any ‘adventures.’ We screen our patients very well,” says Saltz. “My patients are in their 30s and 40s—it’s a mature population. They have real expectations. We don’t get many who say, ‘I want to look like Jennifer Lopez or Angelina Jolie.’ We take it seriously when they are looking for the wrong [self-image] solutions. Sometimes you just have to say no.”

Yates agrees. “I’m not a flamboyant type of guy. I’m here for a reason. I like normal.”

Another advantage of Utah’s young mommies is that they tend to be healthy and fit, allowing them to get their mommy makeover in one shot. “The patients are healthy,” Saltz says.” Good candidates for combined procedures.”

Next>>>A second spring

Back>>>Utah’s Mommy Makeover intro

Make it a Mule

By Eat & Drink

The American cocktail revolution has spawned all kinds of new concoctions, but thankfully it has also sparked the renaissance of old favorites including the Moscow Mule, a ginger-spiked refresher traditionally served in a copper mug.

UTAH MULES
You can order a Moscow Mule at Bar-X and The Green Pig Pub in Salt Lake City or at Park City’s Stein Eriksen Lodge and the Bistro at Canyons.

THE RECIPE
Squeeze the juice from half a lime (about 1/2 ounce) into a copper cup; drop in the lime shell. Add ice cubes, then add 2 ounces of vodka and fill the cup with ginger beer. If you must substitute ginger ale for the ginger beer, mix in a small amount of fresh, grated ginger to give it a little burn.

THE NAME
“Buck” and “mule” are old-fashioned names for mixed drinks using ginger ale or ginger beer, cirus juice and liquor.

THE MUG
The complicated, contradictory and mostly uninteresting stories about the Moscow Mule’s origin have one thing in common: the celebrity favorite Cock ‘n’ Bull restaurant on Sunset Boulevard in L.A., whose proprietor was Jack Morgan, president of Cock ‘n’ Bull, a brewwer of ginger beer. The original Cock ‘n’ Bull was an English pub, which traditionally served beer and ale in copper mugs, so presumably one was handy.

You can find copper mugs online, but they’re quite expensive, which explains why many bars require a deposit on the mug when you order.


GET ‘EM HERE
Sertodo hammered copper mugs, $116/set of four, amazon.com

 

WHAT’S THE DIF? GINGER BEER vs. GINGER ALE
Ginger beer was originally a fermented alcoholic beverage made from ginger and water. Now it gets its bubbles from carbonization. It is much stronger, darker and spicier in flavor than mild, sweet ginger ale, and sometimes it’s less fizzy.

FeverTree Ginger Beer, $6 per 4-pak, Harmons, SLC

This post was originally published on utahstyleanddesign.com.

Honeygate: Is Slide Ridge Honey Selling a Myth?

By Eat & Drink

SSlide Ridge Honey has been one of Utah’s local food heroes, a genuine mountain honey literally unique to Northern Utah. Honey’s flavor, body and aroma, like wine and cheese, is directly related toterroir–the land it comes from. Honey aficionados prize particular honeys, like New Zealand anuka, Tuscan chestnut, Hawaiian white and Ghanaian honey, because they can only come from one place.

Slide Ridge has been touted as Utah’s elite honey–made by local beekeepers in our high arid mountains. It says so on their website:

“At Slide Ridge, we start with pure, unfiltered raw wildflower honey, produced in our own sustainably managed beehives. Gathered from wildflowers in the pristine, high mountain valleys of Northern Utah, our bees produce a delicately flavored, elite-quality raw honey. From this honey, we produce a rare Honey Wine Vinegar that is a treat to the palette [sic] and the body. Try them both today and you will never settle for second best again.”

But what if it’s not?

Slide Ridge Honey Wine Vinegar sells for $50 a 750-ml bottle. So yes, it’s elite. You can find it at Caputo’s, Whole Foods, Liberty Heights Fresh and in the pantries of many local chefs. But recently, questions have been raised about Slide Ridge.

Matt Caputo was one of the earliest local champions of the honey, the wine and the wine vinegar. I remember going into the downtown store one day and running into Matt. He had that fanatical fire in the eye he gets when he’s excited about a new food, and I had to stop and taste everything. But this week, Caputo’s sister distributing company A Priori sent out a letter to its customers:

“Dear ____________,

At A Priori, we distinguish our product mix by selling the best of the best. Our “Local Gold Standard” collection, of which Slide Ridge was a part, is based on foods that are not only local, but world class. Our focus is on products which are not merely manufactured here, but have ingredients with intrinsic roots to Utah.

From the time we started working with them, Slide Ridge helped us to build a narrative of their product based on their families’ own beehives in Mendon, Utah, and Martin James’ outlier ability to produce one of the highest quality honeys in the world. We developed a story of how their products beautifully conveyed the terroir of Utah’s Cache Valley, etc., etc.”

“Unfortunately, in mid-March, it came to our attention that Slide Ridge has been sourcing Canadian honey to produce at least its Honey Wine Vinegar. While they have tried to put a positive spin on it for us, we have concluded that we cannot do the same. We cannot stand by and knowingly continue to distribute an adulterated product. Once we found out, and after some soul-searching, we determined that it is in the customer’s best interest to know and that it was A Priori’s ethical obligation to keep you informed of such changes, when they occur. “

I called Slide Ridge to hear their side of this story and spoke to business owner Elmer James. He said, yes; Slide Ridge has been buying Canadian honey. “The drought had a tremendous effect on our bees and we’ve had tremendous bee losses. We’ve been buying from other Utah producers and bought all that up; otherwise we would have had to limit production. There’s no way we could produce enough product anyway, we’re in a desert. You got one arm tied behind your back.”

Sounds reasonable. (And sad, if you’re worried about the declining bee population.) But the narrative about the sustainably raised high mountain honey on Slide Ridge’s packaging and website doesn’t say anything about Canadian honey. Or even other Utah honey.

Elmer clarified. “We’ve only used the Canadian honey in the wine vinegar and the Cacysir <honey wine>.” A few hours later he called back to further clarify, “We’ve never used any of the Canadian honey in our products.”

Caputo’s and Slide Ridge are in a contract dispute concerning distribution. They have bones to pick with each other.

But I’m interested in a question that has larger ramifications—for foodies, for health nuts, for environmentalists trying to reduce their carbon footprint, for anyone who finds Slide Ridge’s Utah story compelling enough to pay $50 for a bottle of honey wine vinegar. As all of us become more concerned about where our food comes from and how it was raised and not just how much it costs, we become more susceptible to being duped. Is a product real or fake? Organic or not? I think most of us believe we can safely trust the word of local producers. Our neighbors. So when the question becomes, is it local or not, it gets a little more personal.

This is not a new problem. The French have been accused of substituting Algerian wine for their own. We all know about Ikea’s meatball recall. Kim Angelli, who runs Salt Lake City’s Downtown Farmers Market, has to check up on participating farmers to be sure they’re selling their home-grown produce and not something trucked in from California.

When it comes to honey, there are certain healthful properties attributed to honey that comes from the area you live in. Utahns don’t need to be acclimatized to pollen from Ghana. Or Canada. If you’re trying to be truly conscientious about buying locally for the sake of the environment, it matters whether product is trucked in from another country or harvested up the road.

But it becomes a bigger problem as we place more value on the source of our food. The more we understand about the food we eat, the more complex the ethical questions surrounding it.

When you start out selling a highly specialized and rare artisanal product, you have automatically restricted your business’ growth in advance. Scarcity equals value, just like quality is supposed to. There’s not going to be an ever-expanding supply of high desert Rocky Mountain honey because only so many wildflowers flourish in those growing conditions and that short season. You have no guarantee, or even likelihood, of expanding your product to fill the demand you create.

This is part of what “sustainable” means.

What You’ll See at Disney on Ice: Dare to Dream

By Arts & Culture

Mickey Mouse and friends are performing at the EnergySolutions Arena through March 10 for Disney On Ice: Dare to Dream. And it’s a show—whether you have girls or boys (despite their aversion to princesses)—we recommend for the little ones.

Like other Disney on Ice shows, Mickey, Minnie, Goofy and Donald set the scene for movie characters to take the ice. Unlike other shows, which pull from a handful of movies, Dare to Dream focuses on three: Cinderella, Tangled andThe Princess and the Frog. This way kids are able to engage more of the story, and parents, however unfamiliar, can figure it out.

If you can swing it, sit close. Characters interact with audience members, and kids sitting close by might be picked to try on Cinderella’s glass slipper or help Rapunzel and Flynn launch a floating lantern.

Favorites who are not part of the main show, like Ariel from The Little Mermaidand Aladdin, show up toward the end. So if your daughter wants to dress as Snow White, she’s there, too.

All pairs on the ice are incredible. During Tangled, Rapunzel and Flynn actually take to the air above the ice for a dance that gets a huge response from the crowd.

The first portion is The Princess and the Frog. Right away, you notice how many details go into this production—from the costumes to the choreography to the music. Along with the pairs, I was impressed by characters wearing bulkier costumes, like Louis the gator and Ray the Firefly, just being able to get around the ice.

The Princess and the Frog offers some cool effects, too, like when Prince Naveen and Tiana turn into frogs, and later, back into humans. And luckily, kids won’t have to relive the death of Ray.

During Cinderella, it’s cool to see Cinderelly get decked out by Fairy Godmother, and her mice friends also show up. Vicky Black, who plays Cinderella, told us in an interview boys are missing out if parents don’t take them to the show, because for every princess, there’s also a prince. Prince Charming’s grand entrance is a highlight that proves they’re also a big deal.

The Tangled portion opens with Flynn descending from the rafters, swiping a princess crown from Mickey and his crew. Like I mentioned earlier, dancing in the Tangled portion is not to be missed. In fact, it was one of the best parts of the show.

If you have ever been a Disney fan and can accept a firefly being taller than a human, you’ll enjoy this show almost as much as the kids. Of course, it’s still a kids show. Expect much of it to be aimed towards them, not you.

Buying a snow cone for your kid will also bring a smile. You decide if it’s worth the $12. And if Disney’s not your thing, intermission is halfway throughCinderella.

Upcoming shows

March 7 at 7 p.m.

March 8 at 3:30 p.m.
March 8 at 7 p.m.

March 9 at 11:30 a.m.
March 9 at 3:30 p.m.
March 9 at 7 p.m.

March 10 at 1:30 p.m.
March 10 at 5:30 p.m.

Click here to get tickets.

The Magic of Moss

By Lifestyle
As many of today’s hottest decorating trends prove, simple does not mean plain. Take the latest look in artful arrangements: Moss is stunning in its simplicity. What’s more, it is as easy to work with as it is easy on the eyes.

Maybe your green thumb is not-so-green. Maybe you shudder at the words “floral design.” Moss—one of today’s hottest decorating trends—comes to your rescue. We’re seeing it everywhere and thought we would share a little inspiration and information with our readers. To begin, a recent walk through Restoration Hardware provides plenty of moss-based inspiration.

Oh, moss. You’re green. You’re gorgeous. And you are oh, so easy to care for.

Perserved moss will keep it’s pretty green hue, unlike live moss which may turn brown after a few weeks. Additionally, preserved moss does not require water. Yes, you heard that correctly…no water. These fun spheres are available at Restoration Hardware.

If you prefer the au naturale variety, here is a few of my favorite types:

Mood moss is chunky and thick. Much of the moss we get in Utah comes from the dense Pacific Northwest forests.

Sheet moss is exactly what is says it is: a sheet of moss. It easily tears apart for use.

Reindeer moss is my favorite. It’s pricey, but using it sparingly is okay becuase it’s chartruese color really pops when used with the darker green mosses.

You can get moss at Ward & Child and Cactus & Tropicals or craft stores likeHobby Lobby or Micheal’s.

The benefit to buying them from garden boutiques like Ward & Child or Cactus & Tropicals is you can ask the associates how they like to use the moss. Some designers like to use it wet, others don’t.

When working with orchids plants, I prefer keeping the moss damp—but not too wet—to keep the orchids hydrated in our desert heat. If working with moss on it’s own, I would keep it dry and change out the moss once it’s turns brown.

Have you worked with moss before? If so, how do you like using it?

This post was originally published on utahstyleanddesign.com.

Skeleton at Utah Olympic Park: The Slide of Your Life

By Adventures

Image courtesy of Utah Olympic Park

I don’t know if Utahns fully appreciate what the Olympics left behind, such as the Utah Olympic Park.

It’s only 20 minutes from the mouth of Parley’s Canyon, 40 from downtown Salt Lake City. One of the park’s centerpieces is the bobsled/luge/skeleton track.

There are only two officially-recognized tracks—bobsled, luge and skeleton—in the United States. One is in Lake Placid, NY and the second in Park City’s Utah Olympic Park. The Park City track is, in fact, considered one of the best in the world.

This winter, the park will be offering Olympic-type experiences to the public. This will include skeleton, a head-first ride on a sled about the size of a large serving tray.

Simple, right. Lay down, eyes forward, arms in and feet up . . . then enjoy the ride.

Well, it’s something like that. A number of years back, the park opened the track to members of the media willing to try. I did.

After a brief introduction to the sport, and a word or two on how the sled works, it was time to ride. Instructions on sendoff were simple: “Don’t move. Don’t steer.’’

The sled was placed at the women’s bobsled start. Acceleration was instant. What you think you can do and what you can actually do are worlds apart. You think you can lift your head and look down the track, but you can’t. It’s all you can do to keep the chin guard on the helmet from scraping on the ice.

G-forces push your whole body down and even though you think your head is up, the occasional scraping sound of the chin guard on the ice tells you differently. Funny what runs through your mind at that point. It’s a even blend of fear and excitement. The feeling of speed is incredible. The uncertainly is paralyzing.

If you do as instructed, the ride is fast and smooth. A companion tried to steer and hit the side of the track a couple of times and left with very sore ribs.

The ride has been modified since. The start for onetime riders is down the track a little for safety reasons. That’s not the case for more serious riders.

The “Rocket Skeleton Ride” is a onetime ride that starts four turns from the finish. Riders must be 14 or older, have no serious physical challenges, such as chronic neck problems or back or kidney problems. Speeds will reach 50 miles per hour. Cost is $50. Reservations can be made now.

For the more serious riders, there are the skeleton camps. The full program involves training four to five days a week; the part-time program is two to three days a week; and the club program is one day a week. Those registering will meet with coaches and select training days, which are Tuesdays through Saturdays. Cost is $1,795 (equipment included) for the full program, $1,395 (equipment provided) for the part-time program and $600 (equipment provided) for the club program. The fees are less those those providing their own equipment.

Sessions began Dec. 1 and run through March 16. Advanced reservations are recommended. To register visit utaholympiclegacy.com.

This is definitely something to put on the “bucket list.’’ And, best of all, it’s right here in our own back yard.

Facts:

Sled: Steel construction
Runners: Two
Weight: 43 Kilograms men, 35 women
Shoes: Must have spikes on soles
Helmet: Hard plastic with chin guard and visor
Brake: None
Bumpers: There for protection only
Handles: Used only for starting

Letters Home: A Paratrooper’s Story — Q&A with L. Vaughn Curtis

By Arts & Culture

Curtis’ book is available in Barnes and Noble, Deseret Book, Seagull Book and Walmart

Last August, a movie captured theater audiences with its gripping story of the 517th Parachute Regimental Combat Team’s dangerous mission in the height of World War II. The story behind Saints and Soldiers: Airborne Creed is a true story, inspired by a book by L. Vaughn Curtis called Letters Home: A Paratrooper’s Story.

Curtis based the book on the experiences of his own father, Harland “Bud” Curtis, as they were written in 150 preserved letters. When film director Ryan Little came to a reunion of the 517th in 2009, Curtis gave him a copy of the book. Two years later, Little contacted Curtis to ask permission to use parts of the book in a new movie. Curtis is still dumbfounded and thinks it’s surreal and a blessing to see his dad’s story come to life in Saints and Soldiers: Airborne Creed.

Curtis shared a few thoughts with us about his book, the military and more:

Why is this story important?

“The men of the 517th were the 9-11 team of their day. They were placed in the heaviest combat areas, but they received no recognition. Lots of others are recognized and portrayed in movies like Band of Brothers, but people need to know about those that performed parachute duty for the country.”

Did your own military experience influence your writing?

“When I was young I would go to my dad’s mother, my grandmother, and ask why my dad was so tough. She would read me his letters. I got to know more about my dad as a father and husband and what he did in World War II as a paratrooper through those letters. My military experience helped me understand some of the things that he talks about though. For example, when he talked about KP, I knew that KP meant kitchen police. I knew when he talked about the HQ company he meant headquarters and that DZ meant drop zone. My military knowledge allowed me to explain connections and acronyms in the book. It also helped me understand the more poignant moments and experiences in my father’s letters.”

Most difficult part?

“The hardest part was compiling all of the data to go with the letters. I had to take out some that said things like ‘Hi Mom, things are great’ and make sure the letters I included were meaningful. I also had to check the letters for accuracy in actual history and make sure they fit with the other facts I was connecting.”

Corbin Allred, Jasen Wade (Curtis’ father in the movie), L. Vaughn Curtis, David Nibley. Curtis was an extra in Saints and Soldiers: Airborne Creed.

Favorite part?

“I never would have thought of doing this until I saw the HBO series Band of Brothers with my brother. After we watched it, we thought ‘Is this what Dad went through?’ so we went home and asked him. He told us that it was and started telling us stories. Before, he never talked about his war experiences. A little while later, my brother received an invitation to go to Camp McCullough.  We also wanted to take Dad down to where he went to jump school and trained in Georgia. Because I was retired military personnel, it was easy to arrange all that.

“I just have to tell a short side-story. When we got to Georgia, I told the Sargeant Major my name and said I wanted to take my dad to the mess hall so he could experience military dining again. He said no problem. So after we walked around for a bit we went back to the hall. There were hundreds of paratroopers waiting in line, and I thought ‘I don’t know how long we’ll be here.’ I suggested we just go grab a sandwich from Subway, but my dad said no. My brother was never in the military so it was a fun experience for him, too. After a bit, the paratroopers around started to notice my dad. Once they figured out he was a World War II veteran somebody shouted ‘Make a hole and make it wide.’ Everyone stood on the sides of the sidewalk and they were all standing at attention. It was neat to see that these men hadn’t forgotten what happened in World War II and they recognized my dad as an American war hero. People were asking for time to eat with him and it was wonderful to see that even after 60 years, his service was not forgotten and he was still treated with such great respect.

“Going back to the question, the most excitement I had was connecting to the letters as a boy, forgetting about them, and then having my dad send them to me again in 2003. As I put them together and tied information in, more and more people, especially other veterans or family members of veterans, wanted a copy. Then I gave a copy to the movie director and you know the rest.”

Anything else?

“I would just like all veterans and people who served in the military to know that this book is meant to honor all of them, not just the paratroopers. It remembers and recognizes that big sacrifices that all of them made to defend our country.

Jason Wade, Corbin Allred, L. Vaughn Curtis and David Nibley at a promotional event at Deseret Book