Sundance

riter/director John Patton Ford’s Emily the Criminal offers so little time to catch a breath as you inch closer to…

blood transitions from past to present to dream seamlessly, while offering a pleasant story with some unfortunately unanswered questions.

Jan. 22 was the 49th anniversary of the U.S. Supreme Court’s Roe v. Wade decision on abortion rights, and it…

It might be said that terroir is at the heart of Juan Pablo González's stark and subtle drama Dos Estaciones.…

Andrew Semans’ Resurrection explores themes of power and control, pride, gaslighting and motherhood as a woman faces a manipulative figure…

As a filmmaker, now I am asking myself, where does the camera go? What am I looking at? Am I…

In the opening sequence of Goran Stolevski's haunting and philosophical new film You Won't Be Alone, a mother comes face-to-face…

Well, it’s official. We just can’t have nice things these days. That dastardly old Omicron variant has given COVID a…

Sundance and Slamdance have released the lineups for their 2022 film festivals. The dueling events—one which has grown since its…

Lyle Mitchell Corbine Jr.'s first feature, Wild Indian, opens with a brief historical sequence, tracking the final days, maybe moments,…