A Case for the Existence of God, by Samuel D. Hunter, playing at Pioneer Memorial Theatre through April 12, 2025, is nothing short of being a rare gem in modern theatre—a play that is as deeply philosophical as it is emotionally resonant. Pioneer Theater Company’s production with stunning attention to detail, offers a two-person drama and an intimate, thought-provoking experience that lingers long after the final bow.
Set in a small office cubicle, the entire play unfolds within the confines of a financial advisor’s workspace. Designed by Lex Liang, the set is eerily accurate, complete with a quant desk, a small drawer, and an overhead light that perfectly encapsulates the sterile, cramped reality of office life. The raised platform on which the cubicle sits enhances the tension, making the space feel even more constrictive—a brilliant move that emphasizes the pressure both characters are under.
This story is all about an unlikely friendship between Keith, a professional financial advisor (played by Jon Hudson Odom), and Ryan, a struggling single father (played by Lee Osorio). Keith is helping Ryan secure a loan to buy back his family home as his mortgage broker. This process should be straightforward, but quickly spirals into something much deeper. As the two men navigate the complexities of finances, parenthood, and the expectations society places upon them, they form a bond that transcends their vastly different backgrounds. Hunter masterfully crafts a narrative that is both specific in its setting—Twin Falls, Idaho, which provides plenty of regional humor for Utah audiences—and universal in its themes.
Director Timothy Douglas makes excellent use of silence, particularly in the opening scene, where long pauses build tension and establish the weight of the situation. The pacing is deliberate, allowing emotions to simmer before they boil over in moments of frustration, heartbreak, and even joy. The actors bring remarkable depth to their roles, with Odom’s Keith seamlessly shifting from calm professionalism to moments of sheer terror, while Osorio’s Ryan delivers an earnest, gut-wrenching performance filled with highs and lows.
The script is packed with unforgettable lines that strike at the heart of the audience’s own experiences. One that stands out is, “They don’t really care who you are as a human, it’s all just numbers to them.” This sentiment encapsulates the play’s critique of the impersonal nature of financial institutions, while also serving as a broader commentary on how people are often reduced to figures on a spreadsheet.
The production’s technical elements are equally praiseworthy. Yael Lubetzky’s lighting design is subtle yet effective, marking transitions in time, emotion, and location with delicate shifts in tone. Sound design by Matt Mitchell remains crisp and clear throughout, even during the more intense scenes of shouting and destruction. And let’s not forget the ingenious blocking—who knew rolling office chairs could become such a dynamic part of storytelling?
Beyond its artistry, A Case for the Existence of God is a show that evokes genuine emotion. Laughter, stress, financial confusion, love, and acceptance all play a role in this beautifully woven tale of human connection. At its core, the play is a moving exploration of the similarities between blue-collar and white-collar workers, proving that while their day-to-day struggles may differ, the fundamental need for companionship and understanding is universal.
With monologues that will bring you to tears and an ending that is both tragic and uplifting, this production is not to be missed. It’s a powerful, heartwarming piece of theatre that reminds us of the importance of human connection, one that will leave you thinking long after the final lights fade.
- What: Pioneer Theatre Company’s production of A Case for the Existence of God
- When: Playing through April 12, 2025
- Where: Pioneer Memorial Theatre
- Tickets and info: pioneertheatre.org
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