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Review: 15th Annual Ogden Music Festival

By Arts & Culture, Music

American roots music can sometimes be too narrowly confined to bluegrass, stringbands, and folk. Though those genres are important to the Americana stew, they are only a small part of the full recipe. The Ogden Friends of Acoustic Music (OFOAM) took the time to build a lineup that also included blues, gospel, soul, funk, rock, country and conjunto making the Ogden Music Festival one full-flavored weekend of American roots music. It was almost too rich for me to digest (ok, no more food metaphors).

This year’s Ogden Music Festival, June 2-4, 2023 served up an amazing lineup of American roots artists. Due to flooding at Fort Buenaventura, the organizers quickly scrambled to get a more suitable location for the event. Nicknamed Fort BDO (the Business District Ogden) the festival featured 13 main stage acts and 10 “tweener” acts, who kept the music flowing between sets. 

Reviewing 23 acts is beyond the scope of a reasonable review. Let me just say that every performer who made it on the festival stages passed through the OFOAM filter and is certified fabulous. I’ll try to highlight the performances that rolled my socks down.

John Craigie

Craigie’s two-set performance (Friday and Saturday) stands out as one of the many highlights from this outstanding weekend of music. Craigie is a Portland-based folk singer and storyteller (think John Prine with Tommy Smothers’ comedic timing) who sold out two nights at The State Room this winter. Craigie coupled well-crafted folk songs with colorful and sometimes irreverent introductions. His song “Laurie Rolled Me a J” is a funny yet poignant tale of life during the pandemic. He sings: “She won’t get the vaccine because of the tracking chip. Hell they can track me, I ain’t doing shit. Track me on my couch, track me in my bed, track me texting you, track me left on red. Track me in the yard puffing my life away. Gone like smoke, Laurie rolled me a J.” Another standout song “I Wrote Mr. Tambourine Man” had him wondering “When the apocalypse is over, I hope you like your job.” 

With “I Am California” he had us singing the chorus: “So drink all my wine, cut all my trees. Make love on my beaches, smoke all my weed. I am California, can’t you see? Wherever you roam, you’ll always want me.” Great lyrics and amusing anecdotes are Craigie’s winning formula. He even held a songwriting workshop, open to all festival goers.

Danielle Ponder

Danielle Ponder mesmerized the crowd with her hypnotic and soulful voice opening with “Some Of Us Are Brave.” Its retro tempo makes this tune feel like a theme song from an old James Bond film. But her lyrics about black female empowerment make it the antithesis to Bond’s misogyny. It’s a powerful and relevant tune. Ponder shared with us the local inspiration for her song “Roll the Credits.” A joyful and trippy meditation on our landscape, she wrote it while doing mushrooms on the shore of the Great Salt Lake.  Her voice reaches another dimension as she echoes repetitive guitar lick-reverb. She sings: “Good God Almighty, I done opened my mind. These holy waters left a chill down my spine.” From “Roll The Credits” she transitioned to an amazing, piano-driven-torch-singer version of Radiohead’s “Creep.” My spine is still tingling. I can’t wait to see her again as a headliner. Her hour-long set went by in an instant and left me wanting more. 

Thee Sacred Souls

Thee Sacred Souls, a retro soul band from San Diego, performed a delightful 15-song headliner set of well-harmonized, life affirming R&B. Familiar yet fresh, “Easier Said Than Done” stirred the crowd with its vintage-sounding ‘70s groove. Lead singer Josh Lane extended the performance space, and made his way through the crowd, serenading us with his rich falsetto voice. They ended the festival’s first evening with a Smokey Robinson-styled original “Can I Call You Rose.” What a perfect end to the festival’s opening night.

Miko Marks

Miko Marks and The Resurrectors delivered an amazing blend of country and gospel over two days (Saturday and Sunday). Marks bridges the 200 miles that separate the musical genres of Nashville and Memphis. Her opening song “One More Night” is something you could imagine hearing on the Grand Ole Opry stage or in a Beale Street nightclub. “Feel Like Going Home ” is another example of the beauty she created with her blues, rock, gospel and country cocktail. She explained that American music used to be divided between black music or “race records” and white music. Artists and audiences were separated, despite their overlapping roots in the musical traditions. Then she dissolved those lines and played Bill Monroe’s “Long Journey Home” from her 2021 EP Race Records and infused bluegrass harmony with gospel soul.

Just prior to Marks taking the stage on Saturday, lightning in the nearby mountains forced the organizers to pause the festivities until it passed. After a half-an-hour or so we were ready to resume despite a light sprinkle. By the time Marks played “Peace of Mind” the clouds parted and the sun shone. Now I don’t believe in divine intervention, but in that moment, with the sun beating on my face, I found my peace of mind.

On Sunday, Marks summoned the spirits with “Ancestors,” “Mercy,” and, “River.” Her excellent backing band–The Resurrectors–included the two members of the duo Effie Zilch (Evanne Barcenas and Steve Wyreman). From their 2022 release Trinity, Vol.2, they performed “Room for Us All,” a soulful duet that blends Marks and Barcenas voices perfectly. Then, Marks took me on an astral journey with a gospel rendition on CCR’s “Long as I Can See the Light.” The new queen of country gospel is on the road to her coronation. She’s released three albums since 2021 and offered us a taste of her soon-to-be-released song “9-Pound Hammer.” Long may she reign.

Della Mae

The all-female string band played a robust 17-song set that included original standout “Dry Town,” and paid homage to my home city with “Boston Town.” They tossed in the folk standard “16 Tons” and gave a fine rendition of the CSNY folk-rock classic “Ohio.” They played us “My Own Highway,” a yet-to-be-released new song. This in-demand band is off to Rotterdam to headline their bluegrass festival. 

Dan Tyminski

What can I say about the festival’s main headliner Dan Tyminski? He has more Grammys on his mantle than I have t-shirts in my drawer. A bluegrass legend and member of Alison Krauss and Union Station, Tyminski may be familiar to non-bluegrass enthusiasts with his work in the movie O Brother, Where Art Thou where he lent his singing voice to George Clooney. Clooney lip-synced Tyminski’s vocals on The Soggy Mountain Boys song “I Am A Man of Constant Sorrow.”

Tweeners

Several between acts–tweeners stood out for me. Local favorite Talia Keys, offered us a sneak peek of an album of reworked classics she’s planning to release. She added her spin to Screamin’ Jay Hawkins, “I Put a Spell On You” and funkified Eurythmics’ “Sweet Dreams.”

Columbia Jones had the unfortunate time slot following Danielle Ponder’s magic. He’s a talented artist who played five solid songs. I particularly liked “Tourist Town,” a clever tune about Moab that doubles as a metaphor for relationships and abandonment issues.

Utah trio Lucky Find was a lucky find, indeed. Their short tweener set embodied an Eilen Jewell vibe and I wanted to hear more. I’ve already made plans to see them again at Level Crossing on July 9th.

Notables

I discovered a couple of acts I’d really like to see again. Chatham Rabbits, a North Carolina roots duo (expanding to a trio for this show,) impressed me with their nine-song set of original Appalachian music. 

Kate McLeod and her full-band welcomed Melissa Chilinski of Pompe n’ Honey (they played a fine opening set on Saturday.) Chilinski played banjo and provided backup vocals on the bluesy “I Believe I’ll Go Back Home” and “Jubilee.”

National Park Radio is an Arkansas-based husband and wife duo who reminds me of an Ozark Mountain version of the Avett Brothers. They created a big sound (for a duo) and I’d love to hear them again in an intimate listening room.

Despite the nightmarish task of finding an alternate location for the festival, OFOAM made a seamless transition. They are a well-oiled machine of an organization that knows how to put on a stellar three-day music festival. The Ogden Music Festival should be on your radar every year. The festival showcases amazing music with a great vibe. 

What: Ogden Music Festival

Where: Fort BDO–600 N Depot Drive, Ogden

When: June 2-4, 2023

More info: www.ofoam.org


See our review of the 2024 Ogden Music Festival.

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In Search of Green Gold—A Journey to Oaxaca Mexico

By Adventures, Travel

We sent our writer, Avrey Evans, on a journey to Oaxaca, Mexico with 18 other Utahns searching for ‘Green Gold’—the agave at the root of a 400-year-old agricultural tradition handed down from generation to generation.

Last April, a group of Utah chefs, bartenders, beverage enthusiasts and wanderlusters headed South to follow the roots of one of our favorite spirits—mezcal. Hosted by an artisanal liquor brand, Wahaka Mezcal, our troop was to take part in this year’s annual reforestation effort in which service workers from around the globe come to Oaxaca to plant agave. With that in mind, I had no idea what else this excursion would offer. All I knew was this would be an experience of a lifetime, and I was yearning to sip mezcal in the motherland. 

day one 

As the fastest-growing booze category in the U.S., agave-based liquors are quickly becoming favorites of leaders in Utah’s food and beverage industry. So, naturally, a trip to Oaxaca drew interest from many mezcal-mesmerized individuals. Once we all arrived in downtown Oaxaca, where Wahaka hosted us at a charming casita, it was time to get acquainted. Turns out, all you need to do is throw in a mix of career drinkers with a few bottles of mezcal, and you become friends pretty fast. Restaurants and bars represented in our boisterous crew were Post Office Place, Sundance Resort, Water Witch, ACME, Lake Effect, Deer Valley Resort, Libation SLC and a healthy smattering of private chefs and hospitality consultants. 

The Avengers assembled, it was time to set off on our first adventure, a tour of Wahaka’s distillery. The open-aired palenque resembled more of a family-owned farm than the industrialized facility one would expect of a large, global brand like Wahaka. Every step of distillation is done by hand, from harvesting the agave piñas, to roasting them in earth pits, to crushing them with a horse-drawn stone mill. Even the final product is tested by hand, or mouth I should say. To check the ABV of each batch, we watched in awe as a mezcalero scooped nearly-finished mezcal into a bowl and blew bubbles into it using a large straw-like tool. His expert eye can identify the ABV by the speed at which bubbles pop. Mezcal flowed freely while we laughed and learned, all was right in this small corner of the world. 

day two

ACME and Water Witch bartenders ignite tiki drinks at a local Oaxacan bar.

On our second day in Oaxaca, it was time to get our boots on the ground and hunt for wild agave in the mountainous outskirts of town. Much of the world’s agave is sustainably farmed, but some rarer variations are still foraged in the wild. In true rural fashion, we loaded into a flatbed truck like livestock and began our search for green gold. Our guides, Eduardo Belaunzaran and Alejandro Santa Cruz pointed out Tobalas clutching at cliff sides and Cuishe growing proudly in the sun, the Utahns gave “oohs and ahhs” and tried unsuccessfully to avoid the menacing barbs that grow on the tips of Espadin plants. 

Later that evening, with Oaxacan earth now firmly in our bodies and souls, it was time to explore the city’s vibrant nightlife scene. The Water Witch/ACME boys connected with a bar owner downtown to host a takeover at Mezcal Speakeasy. Utahns and locals mingled, sipping on delightful fusions of indigenous ingredients and Utah products, like Waterpocket Notom. Of course, there were plenty of cocktails set ablaze by the Beehive boys behind the stick, and our little group of Utahns felt nothing but welcomed by the people of Oaxaca. 

day three

At the crack of dawn on day three, it was time for the main event. Our ragtag crew of sleep-deprived tipplers loaded into a van and set our sights on Wahaka’s fields, where we would be spending the afternoon planting agave. Determined to repay the kindness of our hosts, we worked as one, digging holes and placing Tobala sprouts in neat rows (in which the field workers only had to correct a few times). Our work finished, we stood like proud parents surveying the 500 Tobala plants that would one day be harvested and distilled into Mezcal that those around the world might enjoy. 

Satisfied with our hard-day’s work, we returned to Wahaka’s palenque, where a full-blown fiesta was waiting. A ten-piece band accompanied by a school of dancers offered entertainment throughout the evening. We ate our fill of chicharronnes pulled right off the pork spit-roasted in the back and danced with Wahaka’s entire family that gifted us this extraordinary peek into their world.

An elder prepares Tejate, a maize and cacao beverage popular amongst Zapotec communities,

When it finally came time for our goodbyes, I began to reflect on how this experience will bleed into our own culture back home. Each of us will undoubtedly bring our own piece of Oaxaca into our respective establishments, from menu creation to spirited conversations with curious customers. And in some small but meaningful way, we’ve left our mark in Oaxaca as well. Between the conversations had with locals, agave planted in fields and stories shared over copitas full of mezcal, there’s a remnant of Utah spirit that will live on down south. Not bad for a bunch of Mormons. 

The Lifespan of Agave

Wahaka’s Espadin Mezcal

There are over 200 varieties of agave, an Mezcal can be made out of 40 to 50. As wahaka’s managing partner Eduardo Belaunzaran says, “It’s not a matter of if, but when, we will discover how to make delicious mezcal from every type of agave.” For now, some of the most popular agaves include Espadin, Tobala, Tepaxtate and Cuishe. Each agave varies in size, shape, flavor and maturity rate; some agave grow for 40 years until they are ready to be harvested. On our reforestation trip, we planted 500 bably Tobala plants in Wahaka’s mountainous fields, in 12-15 years, those same platns will be harvests and fermented into an aromatic mezcal with a light tropical flavor.

Must-See Things in Oaxaca

Oaxaca is a vibrant, mountainous state in Southern Mexico. Its namesake capital city offers no shortage of wonders for tourists to explore. Here are some of my favorite ways to make the best of your time in the city. 

Get Lost in Markets

Oaxacan mercados are lively, to say the least. Each market is housed in a different building, specializing in specific goods and foods. Get your Oaxacan souvenirs at Benito Juarez Market, then head to Mercado 20 de Noviembre for life-giving Aguas Frescas. With a beverage in hand, let your nose lead you to the Pasillo De Humo aka Smoke Hall aka Meat Hall. 

Eat Mole, Lot’s of It

Oaxaca is a gastronomic sanctuary, known for its chocolate, mezcal, and of course, mole. There are seven kinds of mole originating in Oaxaca: Negro, Rojo, Coloradito, Amarillo, Verde, Chichilo, and Manchamantel. You can find mole in most restaurants in downtown Oaxaca, my personal go-to is Rojo over browned chicken with queso Oaxaca on the side. 

Cleanse Your Soul at Oaxacan Cathedrals

Some of the earliest churches in Oaxaca date back to the 16th century, and two of the most popular are right in the middle of Oaxaca City. The Santo Domingo de Guzmán cathedral is Oaxaca’s most famous church, featuring gold-leafed baroque architecture and historical objects on display. Just a few blocks away in Zocalo Square is The Cathedral of Our Lady of the Assumption, another remarkable neoclassical church built out of indigenous green volcanic stone. 

Get Swept Away in Oaxacan Weddings

During my stay in Oaxaca, we witnessed two huge wedding parades that practically take over downtown. Live bands, dancers, ten-foot-tall marionettes of the bride and groom, and a horde of weddinggoers march through the streets. It’s common for passersby to stop and enjoy the show, you might even be given a bamboo shot glass that hangs around your neck in which weddinggoers will occasionally offer a pour of rare mezcal. 

Monte Albàn

Set off on an Excursion 

Two of the most noteworthy and most visited landmarks in Oaxaca are Monte Albán and Hierve el Agua. A large archaeological site of an ancient Zapotec metropolis, Monte Albán includes excavated structures that functioned as a capital city between 500 BCE and 800 CE. Hierve el Agua is a stunning collection of three natural spring pools and calcified waterfalls. The busy tourist spot can see upwards of 7,000 visitors each day, so come prepared with your swimsuit and some patience.

Rows of Espadin agave growing in Wahaka’s fields


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Deer Valley Concert Series Return in 2023

By Music

Listen closely. Can you hear it? That’s the sweet, sweet sound of music returning to the mountains of Park City. As tunes start drifting with the warm summer breeze, we instinctively flock to the hills in search of good vibes and aural refreshment. Park City has no shortage of summer music venues and performances, but the centerpiece has to be Deer Valley, where a surprisingly varied cast of performers takes the stage each season.

The Snow Park Outdoor Amphitheater hosts three separate series: The Deer Valley Music Festival, the Grand Valley Bank Community Concert Series and the Deer Valley Concert Series. The resort’s eponymous music festival is the summer home of the Utah Symphony, where they’ve played with all manner of renowned performers like the B-52s, Elvis Costello and Gladys Knight. The Grand Valley Bank Series, hosted by Mountain Town Music, is a set of free shows wherein locals of all stripes are invited to get their groove on without exorbitant costs.  

The Deer Valley Concert Series, which hosts notable national touring acts from a diverse list of genres, was a notable absence last summer. The series was put on hiatus as Deer Valley underwent some on-mountain capital improvements, but now that those are wrapped the stage is set for a triumphant return in 2023

Under the bright lights some serious star power is set to appear. Though the full lineup and scheduling is still in flux as of publication, confirmed shows on the horizon include plenty to be excited for. Folksy americana sensations CAAMP—whose name is a bemusing acronym for slugging cheap booze and who enthralled Red Butte Garden during a show last summer—play on July 16, while Park City mainstays and festival-circuit heroes Michael Franti & Spearhead—who I’ve seen a shameful number of times—are slated for August 11, and the one-and-only Kenny Loggins—the man of Danger Zone fame and fortune who’s currently basking in Tom Cruise’s reflected glow once again—will perform on September 2 as part of his farewell tour.

To view all the latest details and a complete schedule and list of performances for The Deer Valley Music Festival, the Grand Valley Bank Community Concert Series and the Deer Valley Concert Series, visit Deer Valley’s website.

2250 Deer Valley Dr, 435-649-1000, 
deervalley.com

What About Those BYOB Rules?

Sorry for the bad news, but as was the case last year outside alcohol is no longer permitted at Deer Valley concerts. This is undoubtedly a particularly difficult pill to swallow for those who identify strongly with CAAMP’s moniker. Resort owner Alterra altered their business model to apply for single-event permits with the DABS so they can sell beer, wine and liquor instead of allowing attendees to bring their own. Security was actually pretty tight last year, so a healthy pregame is your best bet to save a bit of money.


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Oh, the Places You’ll Go! 6 Essential Utah Hikes

By Adventures, Outdoors

To truly Understand the beauty of the place we call home you need to get out onto a trail. From the scenic alpine wonders of the Wasatch Front and Back to the otherworldly landscapes of Southern Utah’s Red Rock desert, the Utah landscape captures the imagination like no other place on Earth. Utahns are fortunate to have many public lands within our borders which include National Parks and National Monuments, the Bureau of Land Management, Forest Service lands and wilderness areas. The through line here is that Utah is full of well-managed and well-marked trails that allow both beginners and experts to get into a wide range of terrain and solitude. As always, know before you go, bring plenty of water and, please, pick up after yourself. Enjoy these six essential Utah hikes!

1. The Great Chamber (Cutler Point)

Kanab

More of a drive than a hike (unless you are up for a 17-mile exposed slog) so you’ll need a 4WD and experience driving in soft sand. How ever you get there, the reward is one of the most beautiful sights in Grand Staircase-Escalante National Monument.

2. Grand Wash + Cassidy Arch

Capitol Reef National Park

Capitol Reef National Park is not easily appreciated from the road. You need to get into it. Grand Wash is a good way in. Take an easy stroll below the towering walls above the Cassidy Arch Trail. A stern climb that is rewarded with a top-down view of one of  Utah’s most magnificent arches.

3. Bonneville Shoreline Trail

Salt Lake and Davis County 

Essential Utah Hikes
Bonneville Shoreline Trail. Photo courtesy of Discover Davis County

A Wasatch Front treasure, the shoreline trail runs along the “bathtub ring” of ancient Lake Bonneville in the foothills  from North Salt Lake  to Parley’s Canyon (pictured here above Davis County). It’s a trail runner’s and hiker’s dream for both short and long excursions with rewarding views.

4. Catherine’s Pass  

Little Cottonwood Canyon 

Starting above Albion Basin, near Alta Ski Resort and connecting Little to Big Cottonwood Canyon, offers better views than the popular Cecret Lake Trail. Best during summer, this trail is ideal for peeping the wildflowers in late June and July. You also may encounter wildlife including moose.

Essential Utah Hikes
Catherine’s Pass. Photo courtesy of Jay Dash / Utah Office of Tourism

5. Fisher Towers

Moab 

This red rock ramble from the banks of the Colorado River outside of Moab is rewarded with the journey through the Martian landscape of Southern Utah—a maze of fins, pinnacles and bizarre formations­—and the destination beneath the towering spires that are Fisher Towers. 

6. Antelope Island

Antelope Island State Park 

To truly experience The Great Salt Lake, there is no better vantage for observation than from the western shoreline trail on Antelope Island. The island hides the city lights of the Wasatch Front behind you and offers an otherworldly view of the ancient salty sea stretching out to the horizon. 

Essential Utah Hikes
Antelope Island. Photo courtesy of Discover Davis County

The Gear 

Hiking in Utah really only requires good sturdy hiking shoes and water. But being comfortable hiking in Utah is another thing. Here’s some picks to make the trail easier. 

Kühl’s Renegade Rock hiking pants look good but more importantly they are tough, really tough. A lighter version of Kühls soft shell winter models, these pants are built to move, dry quickly and can survive scraping scrambles through narrow slot canyons. $99, kuhl.com

Spring hiking means carrying a variety of layers for variable conditions. The Kühl Eskape 20 liter is the ‘goldilocks’ of hiking packs. Not too big to slow you down but roomy enough for water, snacks and peeling layers. $249, kuhl.com

Rheos’ Lanier navigator and Stono shades are stylish, yes, but also durable—built to survive throwing into the top of your pack and the inevitable drops onto the trail. Plus they float! $65, rheosgear.com


Naomi-Rodgers-as-‘Tina-Turner-in-the-North-American-touring-production-of-TINA-–-THE-TINA-TURNER-MUSICAL.-Photo-by-Matthew-Murphy-for-MurphyMade-2022

Review of Tina: The Tina Turner Musical

By Arts & Culture, Theater

The opening night audience at Eccles Theater was restive but eager on May 30th. It had been less than a week since Tina Turner’s death (May 24, 2023), and we awaited a reprise of her life in tonight’s sold-out performance of Tina: The Tina Turner Musical.

The lights went up, the show began. Tina sat center stage, her back to the audience as the ensemble cast emerged from the wings to signal the start of a journey of one of music’s most memorable stars.

Appearing first onstage as a pesky child (played by the astonishing Ayvah Johnson), little Anna Mae Bullock’s spirited defiance could not be contained within the confines of Nutbush, Tennessee nor of her violence-ridden home. Wearily, her mother Zelma (an affecting Roz White) and Anna Mae’s sister Aline (Parris Lewis) fled, leaving Anna Mae finally in the care of her sympathetic Gran (played by Carla R. Stewart).

Pulitzer-winning playwright Katori Hall, along with writers Frank Ketelaar and Kees Prins, helmed the book. Act one laid the foundation for Anna Mae’s emergence as a talent when, once discovered by Ike Turner, found moderate success in the music they generated as partners in the Ike Turner Revue.

Photography by Matthew Murphy.

But a smooth path to stardom was not assured, as Ike’s penchant for power surged through his fists, and his ever-tightening control descended into a reign of violent rage and sexual betrayal.

As Ike’s violence grew, Tina Turner’s love grew. Her love for Raymond (played by Gerard M. Williams) the group’s saxophonist. In the show’s standout duet, Tina and Raymond seamlessly meld the haunting refrains of “Let’s Stay Together,” in pulsating falsettos of love and despair. When Ike discovered their affair, Raymond was driven out, leaving Tina pregnant with their child.

Not even marriage to Tina tamed the rapacious Ike, made even starker when Phil Spector who records with them is besotted by Tina’s rendition of “River Deep – Mountain High.” Tina’s surge toward freedom is palpable. In a formidable act of sisterhood, one of Ike’s blond conquests, Rhonda (played by Lael Van Keuren), befriends Tina, finally becoming her erstwhile manager throughout Tina’s journey.

After a siege of bloody beatings and a suicide attempt, Tina Turner fights back and runs off, ending Act One in a hotel, with no money, singing “I Don’t Wanna Fight No More.” Act Two brought a tectonic shift in tone and temper in Tina: The Tina Turner Musical.

Photography by Matthew Murphy.

It was here, it was now, that the stage exploded with Tina’s transcendence into a vaunted solo artist. Bruno Poet’s lighting design and Mark Thompson’s set design, emblazoned in graphic undulating projections, heightened the play’s temperature. And Nicholas Skilbeck’s music direction found its exhilarating tone in what was Tina Turner’s unforgettable oeuvre.

But it was the standout, electrifying performance of Naomi Rodgers as Tina Turner that left the audience breathless. She was the Tina Turner we’d been waiting to see.  Tina’s journey as a solo artist began with a new manager, Australian Roger Davies (played by Zachary Freier-Harrison), and a trip to London to explore new music spurred by the advent of computer-aided Rock ’n Roll. Here she meets German marketing executive Erwin Bach, the man she will later marry (and live with the remainder of her life in a small Swiss town outside Zurich).

Confounded by the new wave of computerized music, Tina returned to New York, where she begins her transformation into a mini-skirted, leather-clad blonde diva. Still, Capitol Records executives reject her for being too old and too black for the label. After all, they already had Diana Ross. But Capitol’s executives were brought to heel when David Bowie dragged them to New York’s rock club, the Ritz, to see her perform her first solo hit,  “What’s Love Got to Do With It.” Capitol immediately offered Tina Turner a new recording contract.

The climax of Rodger’s performance as Tina was yet to come. Her unbounded exuberance, the shaking, shimmying, fist-pumping energy!  It was her show and she carried it, literally channeling Tina Turner and celebrating her in the transcendent spirit of the star. Tina climbed the lighted stairway, toward thousands of starlights, an ode to her historic Brazilian concert attended by more than 180,000 fans. She descended the staircase, electrifying the audience as they jumped to their feet, and for an exhilarating ten minutes joined the finale, clapping in unison to the beat of “Nutbush City Limits” and “Proud Mary.” Tina Turner was alive, and the earth moved under our feet.

WHAT: TINA: THE TINA TURNER MUSICAL

WHEN: May 30 – June 4, 2023

WHERE: George S. And Dolores Dore Eccles Theater

HOW TO GO: Tickets and more info are available at saltlakecountyarts.org


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Moon Bakery is Utah’s First Korean-Style Bakery

By Eat & Drink

Moon Bakery, tucked inside Chinatown Supermarket, is Utah’s first Korean-style bakery. Owner Changwook Yoon is in the kitchen as early as 2:30 a.m. Everything is made by hand, in-house—breads and pastries (sweet and savory) donuts, cakes and mochi. 

Changwook came to the bakery through a family connection; his passion for craft, quality, and tradition is evident. We sat down with him to discuss his baking journey with the help of a translator. “I was looking for a business; the previous owner is my brother-in-law’s friend. He was getting older and wanted to move on,” says Changwook. “My brother-in-law introduced us. I wasn’t living in Utah, so I visited here a couple of times and liked it, so I took it over.” That was over three years ago.

Delving into the differences between Korean-style pastries and their American counterparts, it all comes down to the dough. In the U.S., pastries are rich in butter and sugar, while the dough is generally less sweet. Many are made with laminated dough, which results in flaky or crispy layers. Korean pastries are often made with milk bread dough base, lending them a soft and pillowy texture. Made using the Tangzhong method, milk, flour, and water are mixed and then heated to form a type of roux before adding it to the dough. Cooking makes the starches hold more water and also makes for a more stable structure. This means a higher rise and softer pastry dough that is sweeter and more chewy than a typical American bakery. “We don’t do frozen dough,” says Changwook. “So we have to come in early every morning to make the dough, weigh it out, and prepare the fillings.” 

When Changwook took over Moon Bakery, he focused on maintaining the traditional K-style pastries. Still, he also added his own recipes to the shop. “I wanted to do a filled croissant. It is very popular and filled with strawberries and custard cream. I make pound cake. And a chocolate custard twisted donut.” 

Jelly-roll style cakes are filled with fruit and pastry cream. Pick up a slice or better yet, a full cake. Photo by Adam Finkle

inside the dough: sweet and savory fillings 

Sweet Korean pastries are often balanced by less sweet fillings. They often feature roasted chestnuts, white beans, red bean paste, sweet potato, or eggy custard cream. You’ll also find diplomat cream paired with fresh fruit. Diplomat cream is pastry cream folded with stabilized whipped cream for a fluffy, lighter and less cloying filling. These fillings add a touch of sweetness that complements the dough without overwhelming it, resulting in a perfectly balanced and delicious treat. Both Changwook and Richard from SanFran Burritos N Fryz expressed surprise that people here in Utah love traditional Korean flavors like red bean paste. 

When asked what he wanted people to know about his bakery, more than anything else, Changwook says, “I wanted them to know that everything is fresh. Every day. We make everything right here.” 

If You Go

Moon Bakery is located in Chinatown Market at 3390 S. State St., South Salt Lake, 801-263-0404


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The State of LGBTQ+ Activism at BYU

By City Watch

Rainbow demonstrations, civil rights clashes, rallies, walk-outs and viral TikTok accounts—marginalized students at BYU may be more visible than ever before, but can increased visibility lead to increased understanding and acceptance within the wider community? Current BYU students share their perspectives. 

On the evening of March 4, 2021, Maddison Tenney was working late deep within a ceramics studio on the Brigham Young University campus when her phone started buzzing with activity. “My phone starts blowing up,” she says. One message asked, “Are you watching?” Tenney walked outside. On the mountain above the Provo campus, the iconic “Y” lit up the night in rainbow colors. 

For Tenney, who first started to realize she was queer in 2017, it was a revelation. “The idea that someone who didn’t even know me, who loves me in such a powerful way that they’re willing to climb a mountain, really gave me the confidence and sense of belonging that I needed,” she says. 

The group Color the Campus lit up the “Y” to “show love and support for LGBTQ+ students and faculty at all CES [Church Education System] schools.” The cascade of events that led up to the rainbow-lighted “Y,” and the events that followed, demonstrate the sea of uncertainty for those navigating existence in the margins of the community.

Community from visibility

One year before, in February of 2020, BYU made a change to its Honor Code, excising an entire section from the CES handbook about “homosexual behavior.” Every student and staff member at a CES institution, such as BYU, signs the Honor Code, agreeing to obey its strictures or face discipline. The removed section of the 2020 code reads, in part: “Homosexual behavior is inappropriate and violates the Honor Code. Homosexual behavior includes not only sexual relations between members of the same sex but all forms of physical intimacy that give expression to homosexual feelings.”

In the wake of the change, stories started circulating of queer BYU students celebrating by coming out publicly or demonstrating physical affection—holding hands, hugging, kissing—openly for the first time. For some, the change represented a shift toward greater LGBTQ+ acceptance, even if only tacitly. The celebration was short-lived. BYU tweeted shortly after the change to the handbook, “We’ve learned that there may have been some miscommunication as to what the [2020] Honor Code changes mean. Even though we have removed the more prescriptive language, the principles of the Honor Code remain the same.” BYU representatives went on to say because dating means different things to different people, the Honor Code Office would handle any questions on a case-by-case basis. Still, some hoped, could there perhaps be room for LGBTQ+ students to date openly like their heterosexual peers? 

The answer was no. Two weeks later, CES leadership followed up with a letter, stating, “One change to the Honor Code language that has raised questions was the removal of a section on ‘Homosexual Behavior.’…Same-sex romantic behavior cannot lead to eternal marriage and is therefore not compatible with the principles included in the Honor Code.”

LGBTQ+ BYU
Student Jillian Elder speaks about her coming out at the Radical Hope Pride Event 2022. Photo by Allison Baker

Then, the demonstrations began. For days, students clad in rainbows and holding signs gathered outside of the Wilkinson Student Center on BYU campus to protest what some saw as a reversal of the Honor Code change. Some students say they felt betrayed, lured into coming out or being open with their relationships, only to have that openness taken away. The swift arrival of the COVID-19 pandemic and shutdowns threatened to undermine the movement’s momentum, but the cat (or cougar) was out of the bag. 

BYU student and representative of Cougar Pride Center, Mariane Rizzuto, recalls how the campus landscape changed from before to after those short weeks in Winter 2020. “In my experience, everything my freshman year was really hush-hush. I didn’t know any people who were out publicly. I think a lot of [non-LGBTQ] people were less cautious about their words and might say something inadvertently homophobic,” she says. “There are definitely people who have been, and continue to be, very hostile towards our community.” But, she believes the issue is that, overwhelmingly, many people on campus never had to think about queer issues until recently.

A year to the day after the CES letter sparked protests, students were back on campus and looking up at a rainbow “Y” for the first time. BYU, once again, reacted with a tweet, saying, “BYU did not authorize the lighting of the ‘Y’ tonight.” Authorized or not, Maddison Tenney was inspired.

“I went home that night and started the ‘Raynbow’ Collective,” she says. It began as a small Instagram account with the goal of sharing the stories of queer BYU students and their experiences—“The good, the bad and the ugly,” says Tenney. “To give a more holistic view of what it’s like to be queer at BYU.” As time went on, “We started getting really big really quick,” she says.

“It’s become clear how big the community is,” says Rizzuto. “I think there was some real power in seeing a bunch of queer students gathering and resisting, on campus, very visibly.” And visibility begets more visibility. 

Raynbow Collective joined existing student groups like Understanding Sexuality, Gender and Allyship (USGA) and the Cougar Pride Center (CPC), further amplifying the visibility of BYU’s queer community as a whole. “It’s all about proximity, right?” says Tenney. “Queer folks aren’t some kind of scary monster. We’re your neighbors, family members and friends. We’re in your Relief Societies and wards. I think the increased visibility and proximity has really created a lot more openness and increased the need to address the student population as it is.” 

It’s also provided the community that students like Rizzuto had been looking for. Early in her education at BYU, the other queer students close to Rizzuto transferred to UVU. “I felt like I was suddenly alone at BYU again,” she says, then she came across an application to join CPC. After joining, she says, “I definitely think I have a community now that I never really felt like I had my entire life.” And, the newfound openness has helped other queer students find the same. “People now have access to information on where to find community in new ways.”

The push-pull of progress

(Check out our Interactive Timeline on the History of Student Activism at BYU)

The growing prominence and activity of the queer community and other marginalized groups at BYU has not come about without resistance. After the lighting of the “Y,” BYU introduced a policy on demonstrations that explicitly bans all demonstrations on the “Y” mountain, citing safety concerns, and erected a fence around the “Y.” In response, Color the Campus lit the “Y” in trans-flag colors. Then, in June 2022, queer student groups held the first BYU-approved LGBTQ+ demonstration on campus since the introduction of the policy.

In 2019, before the wider protests, BYU political science valedictorian Matt Easton spoke openly about being gay in his commencement speech. The video of his speech has 250,000 views on Youtube. BYU’s Social Science Department approved the speech beforehand, but Easton still drew the ire of LDS Church leadership. In a 2021 speech at BYU, apostle Jeffrey R. Holland posited, “If a student commandeers a graduation podium…in order to announce his personal sexual orientation, what might another speaker feel free to announce the next year until eventually, anything goes?” Holland goes on to quote former BYU president Dallin H. Oaks to implore members of BYU’s faculty and staff to show a little more “musket fire” when defending the LDS faith’s current views on sexuality and marriage. 

Easton penned a response letter to Holland in The Salt Lake Tribune, writing, “Within an hour of your remarks, three current BYU students expressed to me how unsafe and scared they felt knowing that church leaders instructed the university’s faculty to use metaphorical ‘musket fire’ to defend the ‘doctrine of the family’ and push back against LGBTQ+ inclusion.”

LGBTQ+ BYU
BYU alum Matt Easton poses with the other 2022 “Five Husbands,” selected as part of Ogden’s Own Distillery’s pro-LGBTQ+ initiative. Photo courtesy Ogden’s Own Distillery

“I think the coalition building has been incredible. It’s been incredible to see what has been accomplished at BYU. There is so much support from faculty, staff and other students,” says Tenney. “On the other hand, facing active threats of violence has been really difficult, but, ultimately, I think the culture has been moving in a more positive way. And I think that will continue.” 

Going into BYU’s Fall 2022 term, Tenney and Raynbow Collective prepared pamphlets for the new freshman gift bags which outlined resources for LGBTQ+ students and allies. The campus newspaper, The Daily Universe initially approved the pamphlets, and Raynbow Collective paid and signed a contract with the paper to distribute the pamphlets. BYU administration decided to remove the pamphlets from the bags after Student Life had started to deliver them to freshman dorms. “That experience was disappointing and disheartening,” says Tenney. “But, it also gave us the opportunity to have a lot of really fantastic conversations about how BYU interacts with outside businesses and organizations.” Reportedly, BYU removed the pamphlets to avoid appearing as if it was affiliated with any of the off-campus groups mentioned in the pamphlets, and the university prefers students to use its new Office of Belonging rather than off-campus resources. 

“What we really wanted was for more students to have access to life-saving resources,” says Tenney. BYU’s removal of the pamphlets made headlines internationally. That spreads the word perhaps more effectively than the pamphlets themselves could have. “Even though what happened wasn’t our intention,” says Tenney, “People worldwide were able to help provide queer students with resources, and that couldn’t have happened any other way.”

Queer folks aren’t some kind of scary monster. We’re your neighbors, family members and friends.

—Maddison Tenney

Building Belonging   

With the growing visibility of marginalized students at BYU, their message to the university is often how the institution could build a place where all students feel like they belong. The fallout from a 2022 talk by BYU religion professor Brad Wilcox put a spotlight on how BYU deals with racism. “‘How come the Blacks [in the LDS Church] didn’t get the priesthood until 1978?’” posits Wilcox in a video of his talk. “Maybe what we should be asking is, ‘Why did the whites and other races have to wait until 1829?’ When you look at it like that…we can just be grateful!” Wilcox later tweeted an apology, “To those I offended, especially my dear Black friends, I offer my sincere apologies, and ask for your forgiveness.”

In response, members of BYU’s Black Student Union (BSU) met with Wilcox. Ron Weaver III, BSU’s VP of Activities, who was in the meeting, says, “I had to correct him.” Telling Wilcox, “You apologized for embarrassing your family and friends. That’s not directly addressing the situation.” They recommended, rather than a statement, Wilcox put out a video explaining his mistake to be seen by all Black members and students. “We said, ‘this would help a lot of people.’ It wouldn’t fix all of the issues, but that would help,” says Weaver, but the video never materialized “That’s my biggest frustration,” says Weaver. “When there’s an issue, everyone would rather be hush-hush. But when we make a mistake, we have to be held fully accountable, as Christ teaches us.” Weaver says he wants the rules to apply to everyone. “Students are held accountable, but people with titles make the same mistakes and nothing is done… If we have grace and mercy for professors, have it for students, too.”  

BYU released their report on “Race, Equity and Belonging” in February 2021. In speaking with BIPOC (Black, indigenous and people of color) students, the report found they experienced “loneliness and isolation” because of racism at BYU. Among the report’s recommendations was to create a new office to plan and implement “initiatives to assist students and employees with issues related to race, equity and belonging.” BYU’s Office of Belonging opened its doors in September 2022. Now Weaver says he is working with students in the office to improve representation and address racial inequality within BYU’s dress and grooming standards. This comes after he was brought into the Honor Code Office for a possible violation.

In early 2018, Weaver dyed his hair blond. The Honor Code counselor told Weaver his hair was “unnatural and unprofessional.” Weaver says he tried to crack jokes because being called into the Honor Code Office is a scary thing. “When you get called to the Honor Code Office, it could mean you’re getting kicked out of school for breaking the rules.” But while blond might be a natural, and therefore acceptable, color for a white student, the feeling at the time was that it was not acceptable for a Black student. “Who are they to determine what professionalism is?” asks Weaver. “There are multiple hairstyles within our [Black American] culture that are professional, but they don’t know what they are because they don’t have the right representation.” 

The new Office of Belonging offers resources, like a way to report discrimination, and plans to implement “extensive diversity and inclusion training programs” this academic year. Before that, “they had paused all [diversity] training after Elder Holland’s talk,” says Tenney. That was August 2021. During that time, Raynbow Collective provided Equality Educator training with Equality Utah and continues providing DEI training as of March 2023. “We believe that professors and students deserve information about race and gender equality and on how to treat people with kindness and empathy.”   

BYU is on the precipice of a new era. This March, BYU announced a new university president to replace Kevin J. Worthen. C. Shane Reese, who has been academic vice president at BYU since 2019, was on the Committee on Race, Equity & Belonging, but reactions to his presidential appointment have been mixed. When BYU cancelled gender-affirming therapy for transgender clients of its Speech and Language Clinic, Reese defended BYU’s decision in a letter to the program’s accrediting body. In response to Reese’s appointment, Raynbow Collective released a statement, “All students deserve a campus that is safe, kind and full of resources. This includes students on the margins, students seeking belonging, and students unsure of where to start.”

All students deserve a campus that is safe, kind, and full of resources.


—Maddison Tenney, Raynbow Collective

A kinder place

LGBTQ+ BYU
Cougar Pride Center’s Radical Hope Pride Event 2022. Photo by Allison Baker

On just about any social media post about being a BIPOC or queer student at BYU, you are also likely to find a commenter encouraging said students to “get out of there” or “go to school somewhere else.” While the commenters are often well-meaning, Rizzuto says those comments are also not very helpful. “It drives me crazy…We exist in every space, and telling us to just ‘go away’ is unproductive.” 

Rizzuto says it also doesn’t account for the many reasons why a marginalized student might end up at BYU in the first place or why they feel the need to stay. “Many of us felt either pressure from our family or some combination of that and financial reasons,” she explains. BYU is a comparatively cheap university to attend and even if a student wanted to transfer, not many can afford to restart their education elsewhere. 

“I have some complicated reasons why I chose to go to BYU,” says Rizzuto, whose entire family has attended BYU and whose grandfather was a BYU professor. “But one of them is definitely that I wanted my parents to be proud of me.” In the end, she says, asking people ‘why would you stay there?’ is “saying to the marginalized group that it’s all in us. It’s putting all the pressure on us instead of asking the institution to have some more respect.” 

Weaver enrolled at BYU expecting to find a diverse, open-minded community of faith like the one he had back in Chicago. What he found was a lot of ignorance of people of other races and circumstances, like single-parent households. “There were a lot of people who did not look like me, who did not understand where I was coming from.” When he saw racism on campus—with hairstyles or racial slurs—he says, “I was blindsided. I thought, ‘we’re all supposed to be people of Christ.’” 

Rizzuto recognizes that some of the concerns involve more than just BYU’s students or campus. “We’re dealing not only with BYU, but it’s reflective of  the church, which reflects the culture that most of us grew up in, and our families, and it’s just—it’s a lot bigger than us. And it’s a lot bigger than BYU in a lot of cases.” 

Given the chance, Weaver says he would still choose BYU, if he had all of the knowledge he has now. “The reason why I fight for these things is because I would love for my kids to come to BYU. I love this place. This is the place where I met my wife.” But he doesn’t want his kids, or anyone else, to go through what he’s gone through at BYU, so he’s staying to change things from the inside. “Nothing against people who have left. I want to work with them because the overall point is how do we stop people from getting treated this way?”

Faith is a reason why marginalized students first choose BYU and why they choose to stay at BYU…and a reason they want to make it better. 

“If we really deeply believed in the inherent divinity then this would be a much kinder place,” says Tenney. “I believe BYU has that capacity. I think the church has that capacity. I know its members definitely have that capacity.”  

LGBTQ+ BYU
Cougar Pride Center gathers outside of The Bright Building in Provo prior to the Queer Artistry Showcase 2022. Photo by Allison Baker

BYU Student Snapshot

34,390 total students:

Caucasian: 81%

Hispanic or Latino: 9%

Two or more races: 4.5%

Asian: 3%

Pacific Islander: 1%

Black: 1%

American Indian: <1%

According to a March 2022 BYU ‘Campus Climate’ student survey:

Gender: 45% male, 54% female, 0.7% transgender or other

Sexual orientation: 92% straight, 5% bisexual, 2% gay/lesbian, 1% other

In a study released in 2021, of the 7,625 BYU students surveyed, 996 students (13%) indicated a sexual orientation other than “strictly heterosexual.”

More Visibility: Queer Coalition 

Cougar Pride Center: a group aiming to empower queer BYU students, celebrate progress and advocate for change through collaborative activism. Among their efforts is the Safe Housing Project which helps connect queer students with affirming housing options. cougarpridecenter.org

The Out Foundation: a group with a mission to empower LGBTQ+ students and alumni of BYU with initiatives based on the needs of students and alumni. The group also provides some guidance transferring from BYU for queer students who reach the “tipping point where they decide to leave.” theout.foundation

Raynbow Collective: a volunteer organization focused on creating and identifying safe spaces for LGBTQ+ students, faculty, and staff at BYU by developing networks with organizations, businesses, artists, and activists to support BYU students. raynbowcollective.org

USGA (Understanding Sexuality, Gender, and Allyship): an “unofficial” group of BYU students, faculty and guests who wish to enhance the BYU community by providing a safe space for open, respectful conversation on intersectional LGBTQ+ topics. The longest-running active group of its kind at BYU. usgabyu.com

More Visibility: ‘Be A Menace’

In February of 2022, a TikTok account called Black Menaces posted its first video in which Black students at BYU react to a fireside chat given by BYU religion professor Brad Wilcox. The Black Menace response video has been viewed nearly 430,000 times as of this writing, and The Black Menaces continued to make videos. They pivoted to asking questions of BYU students and posting the various answers in videos on TikTok without commentary from its members. “Who said, ‘Negroes are not equal with other races,’ Adolf Hitler or a church leader?” asks one video. (Answer: It was LDS apostle Bruce R. McConkie.) 

The Black Menaces have also started a podcast, expanded into a social media coalition with chapters at universities all across the country and recently led a student walk-out at BYU as part of the nationwide “Strike Out Queerphobia” event to end federal Title IX exemptions for religious institutions. theblackmenaces.org


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Fans Speculate About Hive Music Festival Cancellation

By Music

Less than three weeks before its scheduled start date, the music festival the Hive, which has been a prominent event in Salt Lake for the past three years, announced the cancellation of its highly anticipated 2023 show. 

Usually, when a festival gets called off, there’s a reason behind it, especially if it happens less than three weeks before it was supposed to start. However, the Hive’s organizers have left us in the dark, with their only statement so far being: “Due to unforeseen circumstances, Hive Music Festival will no longer take place this year.” As a result, folks have been left to speculate on their own, leading to some pretty spot on conspiracy theories. 

Potential Reasons For Cancellation, as Told By Disgruntled TicketHolders

One of the major theories circulating is the “low ticket sales” theory, which is relatively mild compared to the others, but still very plausible. The previous festival stirred up quite the controversy and left attendees disappointed with numerous cancellations. After all, who would want to attend a festival where more than half of the performers back out?

Another theory, and personally, the one I find most believable, suggests that one of the festival’s main headlines backed out. This could either be Post Malone, Kid Kudi, or even both. Having one out of the two biggest artists cancel their appearances would undoubtedly have a severe impact on the festival. However my bet is on Post Malone and let me tell you why in the next theory.

There’s a widespread belief that there may have been something shady behind the scenes between Post Malone and the organizers of the Hive, as well as Salt Lake. Post Malone has shown a deep connection to Salt Lake, sticking up residency and  even going as far as renovating a Canes restaurant in Murray. However, when he recently unveiled the tour dates for his new album, surprisingly, Salt Lake wasn’t on it. The sudden cancellation of the Hive, combined with Post Malone excluding Salt Lake from his tour, seems too suspicious to be mere coincidence.

In the end, the true cause behind the festival’s cancellation may forever remain a mystery. The organizers have left us with no other option but to indulge in wild speculation. As the time passes, it’s likely that the theories surrounding the Hive will spiral out of control. One thing is certain though: if the festival manages to survive such a scandal and continues next year, I will certainly not be purchasing a ticket. 

Other Events in Salt Lake

Despite the cancellation of the Hive and Kilby’s departure, there are still multiple events going on this summer in Salt Lake. Pride is coming up on June 1-4, as well as other festivals including, Utah Blues Festival, SLC Busker Fest, Brewstillery and the Utah Arts Festival. Read more about these events as well as others here!


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