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Three Must-See Destinations in Southeast Idaho

By Adventures

For most of the two-plus decades that I have called Utah home, my consideration for Idaho really didn’t extend much beyond its most famous ski area, the posh Sun Valley Resort, and the non-Utah half of Bear Lake. Lately, however, I’ve gotten to know the Potato State a little better, particularly its rural southeastern corner—a beautifully rugged landscape ripe for adventuresome nature bathing. Following are highlights of three must-do and-see destinations just over Utah’s northern border: Maple Grove Hot Springs, City of Rocks National Reserve/Castle Rocks State Park and Minnetonka Cave. All of these destinations are reachable within a three-hour drive from Salt Lake City. 

Idaho destinations
City of Rocks National Reserve, Almo, photo visit Idaho

Serenity Springs Eternal

Tucked along the Bear River’s Oneida Narrows Reservoir, Maple Grove Hot Springs & Retreat Center is 45 acres of nature-infused tranquility. There, you’ll find summer camp-chic accommodations, sweeping mountain-meets-river views and, of course, the natural, mineral-infused hot springs: two swimming-pool-sized soaking pools just outside the River House check-in/locker room building and three smaller, stone-lined pools, situated along lit, flagstone walkways. Besides soaking, things to do at Maple Grove include swimming or paddling in the river, working out the kinks in a yoga class or, as part of the owners’ mission to raise mental health awareness, taking part in the center’s monthly suicide prevention trainings.  

Hiking at Castle Rocks State Park near Almo, photo visit Idaho

Surreal City

On the bucolic approach to City of Rocks National Reserve/Castle Rocks State Park, sweeping sageland gives way to fairytale-like valley filled with granite spires that reach toward the sky like giant gnarled fingers. Though these side-by-side recreation areas are a climber’s mecca—just shy of 1,000 rock-climbing routes have been established there—non-climbing families will find plenty to do in the surreal and stunningly beautiful landscape there. Dirt roads throughout both “The City,” as it is known for short, and Castle Rocks lead to trailheads accessing hiking, mountain biking and horseback riding trails that wind through and around the rock formations, including a section of the California National Historic Trail. Pitch your tent at one of the many campsites inside the Reserve ($14 per night); larger sites suitable for both tent camping and RVs, can be found at Castle Rocks’ Smoky Mountain Campground ($31 per night) which also features paved roads, a shower house and flush toilets. Advance and same-day camping reservations for both areas can be made at reserveamerica.com. Day use in The City is free and $7 at Castle Rocks. After the sun goes down, be sure to look up. Earlier this year, City of Rocks received full certification as an International Dark Sky Park. 

Almo Attractions

The super-cute ranching town of Almo offers the closest services to The City/Castle Rocks. Get your bearings at the City of Rocks National Reserve Visitor Center, located in the center of town (208-824-5901, open 8 a.m. to 4:30 p.m. daily). Other attractions along the Almo’s main drag include the Durfee Hot Springs, the wood-fired pizza and HUGE canned beer selection at Rock City Mercantile (208-824-5510) and homemade pie at The Outpost Steakhouse (almoinn.com). Though a few other restaurants eke out an existence there, be sure to bring plenty of food with you for your stay. Almo eateries can get crowded on summer weekends (the closest grocery store is about an hour away).

Hiking inside Minnetonka Cave at St. Charles, photo visit Idaho

Over-The-Border Spelunking 

What’s better than dipping a toe in Bear Lake’s cool, blue waters on a hot summer day? Taking a tour of the nearby Minnetonka Cave, one of the largest and most impressive karst limestone caves in the U.S. This mind-blowing natural wonder (that stays at a constant 40 degrees all summer long) features nine separate chambers, all beautifully lit, including the 300-feet-wide and 90-feet tall Ballroom. 

While every part of the cave’s 90-minute tour is impressive, particularly memorable features include the dense set of slender stalactites called the Soda Straw Ceiling and an enormous stalagmite trio dubbed The Three Sisters. 

When you go, bring a jacket and comfortable walking shoes and be ready for a workout: though the distance you’ll cover in the cave is only about half a mile, you’ll climb up and down a daunting 888 stairs in the process. 

Minnetonka Cave is open Memorial Day weekend through Labor Day, weather permitting. Make tour reservations in advance at recreation.gov.

courtesy maple grove hot springs

Take the Party Elsewhere

Unlike some other hot springs that attract soakers into tying one on, at Maple Grove, relaxation, reflection and wellness take center stage. Drinking is not allowed in the pools, and neither is nudity. After-dark quiet hours require conversations to diminish to a whisper, both at the pools and around campfires. There’s no cell phone service at Maple Grove and the number of daytime and overnight guests is limited. It’s simply one of those few, rare places where you can go to reboot, immerse yourself in nature and find peace.  

photo visit Idaho

Getting There

Maple Grove Hot Springs & Retreat Center is 47 miles north of Logan in Thatcher, Idaho. Take S.R. 91 north from Logan to Preston. From there take S.R. 36 to N. Maple Grove Road and Oneida Narrows Road to the retreat center. 

City of Rocks/Castle Rocks State Park: take Interstate 15 north from Salt Lake to Tremonton. There, head west on I-84 to Sublette exit 245 and go west toward Malta, Elba, and Almo. (Google maps may suggest a route along 27 through Oakley, Idaho, which requires driving more than 20 miles on a dirt road.) 

Minnetonka Cave is about 90 minutes from Logan through Logan Canyon and past Bear Lake. Take S.R. 89 north to St. Charles. There turn west onto Minnetonka Cave Road and follow it for 8 miles to the lower cave parking lot.  


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Sending it Into Middle Age: Falling in Love with Climbing at 50

By Adventures, Outdoors

“Um…I don’t know if I can get up there.” I run my hands over the smooth, granite expanse in front of me for what feels like the tenth time, scanning for something—anything—to hold onto. “No choice but to go up!” my partner calls down to me cheerfully. “All right then,” I mutter to myself and do what I’ve done countless times since I began rock climbing in Utah a little over three years ago: take a deep breath and figure out a way to move up the wall. When I eventually get to the top of the pitch, I am treated to a high-five, breathtaking birds-eye views of Utah’s West Desert and a giddy sense of accomplishment.

My first attempt at Yogini, a route within the remote West Desert’s climbing and bouldering area known as Ibex, is probably pretty unextraordinary to many seasoned rock climbers. This intermediate route would hardly qualify as a warm-up for a climbing superstar like Emily Harrington or Nathaniel Coleman, the Utah native who took silver at the Summer Olympics’ first climbing competition in 2021. But unlike those two and other sinewy 20- and 30-somethings I encounter in the climbing gym and out in the mountains, I have not been climbing since my teens. In fact, I picked up the sport just over three years ago just before I turned 50. And while rock climbing has certainly required much more commitment than other outdoor activities of mine do, the rewards are leaps and bounds ahead of the satisfaction I’ve ever gotten from skiing or riding my bike.

I previously considered rock climbing a fringe sport for the young, super fit and freakishly brave. But when my kids were in grade school, my daughter was invited by a friend to join a week-long summer day camp at the then-new Momentum Climbing Gym in Millcreek. My daughter loved climbing immediately and asked if I’d learn to belay so she could continue climbing after the day camp ended. I did and thought to myself, ‘If I’m going to stand here and belay, I’m going to climb, too.’

Climbing Utah
The author and others participating in a 2018 Salt Lake Climbing Festival clinic at the Salt Lake Slips, Big Cottonwood Canyon. 
Photo by Louis Arvelo/SLCA

My first few gym-climbing sessions were, admittedly, terrifying. Until then, my at-height experience was limited to the ski resort chair lift. Moving up a vertical wall for the first time felt much different. Though I was attached to a secure top rope (a rope attached to an anchor at the top of the climb), and my belayer—most often my husband—was using an assisted-braking belay device, it felt like every cell in my body was screaming at me to stop and go down. But with each route I completed, the fear became a little bit more manageable. The more time I spent at the gym, the more that I noticed that my husband and I were far from the only middle-aged beginners there. Seeing climbers who looked like us, scaling walls, made it easier to let go of my age-based self-consciousness and focus on the unique delight of reaching the top of a route on the first try (a la “sending”) and how strong it makes me feel to use what seems like every muscle in my body to get myself to the top of a route. 

Eric Bollow, a 54-year-old loan officer from Cottonwood Heights (and dad to a friend my daughter made through climbing), grew up in Utah but had climbed just a few times in high school. But, like me, it wasn’t until the sport gained traction with his daughter that he began climbing in earnest. “I could go on and on about what I love about climbing, but a couple of things include how, as a person who has probably above-normal anxiety, climbing keeps me firmly planted in the moment,” he says. “I also love how much inspiration it’s given me to create new goals and seek out new places to climb.”

After about a year of top-roping in the gym, I decided to take a learn-to-lead class. Sport leading, which involves clipping a rope tied to your harness onto fixed anchors along a route as you ascend a wall, is essential to transitioning from gym to outside climbing. But unlike top-rope climbing, where a fall means descending just a few inches before being caught by your harness, the length of a lead fall is twice the length of the rope between the last clipped bolt and the climber. Leading also requires a skilled and confident lead belayer. Considering all this, lead climbing is often referred to as “getting on the sharp end.” Though learning to lead climb felt a lot like being a newbie all over again, it is also where I’ve realized the biggest rewards of rock climbing. It has increased my trust in myself as well as in others; expanded my grit, both physically and mentally; and helped me better cope with stress in other areas of my life. It’s also introduced me to a community of amazing people I would have probably not met if not for climbing.

Climbing Utah
The author (right) and Christine Mikel celebrate reaching the summit of Wyoming’s Grand Teton on August 28, 2022. 
Photo courtesy of Melissa Fields

Stefani Day is a 60-year-old family practice physician living in Salt Lake City and a member of my new-found climbing posse. Stefani also found climbing later in life. “I was in my late 30s when I came to Utah to do my residency,” she says. “On one of our rare days off, one of the other residents I worked with took me and another colleague climbing at the mouth of Parleys Canyon. I absolutely fell in love with it. I love the problem-solving nature of it, figuring out how to get from one hold to the next. I also love the community around climbing. There are not many other activities where you get to spend upwards of six hours or even a whole weekend outside with other people.”

Now, almost four years on from my first gym session and, while I still have lots to learn, I feel like I am making the transition from someone who climbs to being a rock climber. Thanks to the help of a few generous and much more experienced friends, I’ve climbed both close by and farther afield at places I’d never visited as a non-climber, including Maple Canyon, Indian Creek, the Tetons, and the City of Rocks. I certainly have days where I imagine how good I would be now if I had started climbing in my teens, 20s, or even 30s. But I also know that I still have decades of climbing ahead of me. In fact, I wouldn’t be surprised if I was still climbing well after I give up skiing and mountain biking. Rock climbing has illustrated the transformative power of finding and pursuing a new passion, embracing rather than shying away from challenge, and ignoring societal expectations, perceived and otherwise. The rewards I’ve reaped from confronting my fear and pushing my boundaries include gaining an incredible sense of achievement, being welcomed into a super-fun community, and realizing firsthand that age is just a number.  

Climbing Utah
The author lead climbing “Don’t Tell Jonny,” rated 5.10c, near Moosehorn Lake in the Uinta Mountains. Photo courtesy of Chris Brown/The Mountain Guides

Tips for Hitting the Crag, At Any Age

Age aside, the learning curve for rock climbing is much steeper and longer than other outdoor activities (another reason why it’s so rewarding). Following are a few steps I took along my journey from climbing newbie to neophyte.

Find a mentor: My first outdoor climbing session was with Julia Geisler, executive director of the Salt Lake Climbers Alliance. Since then, we’ve climbed together likely dozens if not hundreds of times, building both our friendship and my climbing skills along the way. While a pro like Julia is certainly not a requirement of mentorship, someone with patience, solid technique, and high safety standards is. The only prerequisite of being a mentee is having impeccable belay skills so you can give your teacher a catch while they are sending their project. That and always bringing good crag snacks.  

Take a class or hire a guide: The Learn-to-Lead class I took at my climbing gym was one of several formal instruction opportunities I’ve taken advantage of since I started climbing. Others include clinics offered through the Salt Lake Climber’s Alliance Climbing Festival (held annually in August) and hiring a guide. A few well-established local guides include Utah Mountain Adventures, Backcountry Pros, Inspired Summit Adventures, Red River Adventures and White Pine Touring.


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Wasatch in the Winter: Park City Basecamp

By Adventures, Outdoors

The Wasatch Mountains are the heart and soul and backbone of Salt Lake City. This rugged range forms the backdrop for our cities. We look up every day and watch with anticipation as the first snow falls and covers the peaks in what we proudly proclaim the “Greatest Snow on Earth.” Exploring the Wasatch in winter is a multi-billion dollar industry with visitors arriving from around the world to ski and board (mainly) and more importantly the proximity and grandeur of the Wasatch. It’s something we locals get to do every day, and at times, sigh, at times we take it for granted. We bemoan storms, canyon traffic and, well, just the general hassle of winter (apart from the moisture, which we eagerly celebrate). This winter, let’s stop all the bellyaching and get up there and enjoy the adventures waiting to be had. 

Basecamp #2: Park City

Park City is a world-renowned ski destination and the home of Park City Mountain (the resort) and Deer Valley, both situated near the actual town of Park City and its lively Historic Main Street and iconic town lift (serving Park City Mountain). Lodging and nightlife abound, drawing visitors from around the world in every season.

Sundance Mountain Resort

Snowfall 300” • Acreage 450 • Vertical 2,150’

THE TERRAIN: Founded by film legend Robert Redford, who named the resort after his iconic turn in Butch Cassidy and the Sundance Kid, Sundance is a dose of the Old West. The resort’s upper reaches are home to its advanced terrain, and there is no better place to be on a powder day than Bishop’s Bowl. The right side is where those who like to cruise will find beautifully groomed runs, and the lifts at the base area are home to varied and interesting beginners’ terrain.

PROVISIONS: The Tree Room is Sundance’s most elegant and award-winning restaurant. Locals from Provo often drive up the canyon just to dine at this restaurant named for the giant tree it was built around. Up on the resort’s highest peak, you can enjoy the views at Bear Claw Cabin while taking a break in this fast-casual lodge.

ONE COOL THING: Robert Redford had the wooden 1890s bar in the Owl Bar packed up and moved from Thermopolis, Wyo. to Sundance. It was once frequented by Butch Cassidy’s Hole in the Wall Gang. 

Park City Winter
Photo courtesy of Deer Valley Resort

Deer Valley Resort

Snowfall 300” • Acreage 2,026 • Vertical 3,000

TERRAIN: Deer Valley is known for its perfectly groomed runs and stellar service. With 21 lifts, including 12 high-speed quads, lines are the exception rather than the rule. Head to Flagstaff Mountain for a selection of blue cruisers. Sorry snowboarders, Deer Valley is a ski-only resort.

PROVISIONS: Dining is a significant part of the Deer Valley experience. The Alps-inspired Fireside Dining at the Empire Canyon Lodge is a guest favorite. Don’t miss Deer Valley’s famous turkey chili available at the Silver Lake and Snow Park lodges.

ONE COOL THING: Kids receive special attention at Deer Valley. Ski school is available for ages three and up, while state-licensed childcare options are available from two months of age. 

Park City Mountain

Snowfall 360” • Acreage  7,300 • Vertical 3,200’

TERRAIN: Variety and size set Park City apart from other ski areas. It sits on 7,300 acres, including 300+ trails, 41 lifts, terrain parks and eight half-pipes. The mountain is divided into two base areas, Park City and Canyons Village. For blue runs, there are a lot of great choices off King Kong lift. Powderhounds will find the goods off Thaynes and Motherload Express.

PROVISIONS: Try The Farm for elegant dining, including regionally sourced ingredients. On the mountain, you can’t beat the views over fondue from Lookout Cabin.

ONE COOL THING: Visit the ski-in/ski-out High West Distillery at the base of Park City’s Quittin’ Time run. 


The Story Behind Deer Valley’s Infamous Ski Run Solid Muldoon

 It was one of the most famous hoaxes of the era. In 1877, using a mixture of ground bones, blood, meat, mortar and plaster, a Colorado trickster named George Hullmolded molded a missing-link man, kiln-fired his creation, then half-buried him in a hillside. Hull’s paid associate, William Conant “discovered” him, and the whole nation wanted a peek at the “petrified man.” The oversized figure was touring the country when someone likened him to a famous wrestler, William Muldoon, nicknamed “The Solid Muldoon.” The name stuck. It’s rumored that P.T. Barnum was in on the hoax, ginning up hype by “offering” $20,000 for the creation. Finally, The New York Times dug up the truth and now all that’s left of the Solid Muldoon is a popular groomer near Deer Valley’s Carpenter Express lift. — Heather Hayes


Explore more of the Wasatch Mountains from the Salt Lake City base camp and the Odgen Basecamp.

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Chicago Band Wilco Reflect on their Upcoming Album Release ‘Cousin’

By Arts & Culture, Music

Having just returned from a tour of the United Kingdom and Europe, Nels Cline was preparing for an unusual undertaking for his band, Wilco, when he called for a mid-September interview. “We are actually going to do something very uncharacteristic, which is we’re going to rehearse for the tour,” the guitarist revealed. The reason for this abnormality is the fall tour of the states. It will be the band’s first outing in support of “Cousin,” the album Wilco is set to release on Sept. 29.  

“We haven’t played these songs live yet,” Cline said, noting only one song from the new album was performed on the UK/Europe tour. “We try to avoid having a bunch of You Tube versions of the songs before anyone’s heard the album.”

While Cline noted the band has run through stripped back versions of some of the “Cousin” songs, “there’s still plenty to address and plenty of sound design in my case to address because, as we tend to do in Wilco, we want to reproduce the tones and textures as closely as possible, as faithfully as possible, I guess I should say. That’s probably going to take a little work on this one.”

One thing the band won’t do is use backing tracks to cover any sounds the six members of Wilco can’t find a way to play live. “Oh God, no, we won’t be doing that,” Cline said emphatically. Cline and his bandmates need to get up to speed with playing the songs from “Cousin” because the members weren’t together for the bulk of the recording.

With fellow artist Cate Le Bon brought in to produce the album—the first time Wilco had used an outside producer for an album since the 2007 album “Sky Blue Sky”—the plan wasn’t to record live as a band in Wilco’s Chicago studio space, the Loft. All six band members (singer/guitarist/band leader Jeff Tweedy, Cline, keyboardist/guitarist Pat Sansone, drummer Glenn Kotche, bassist John Stirratt and keyboardist Mike Jorgensen) only convened for a short initial session before the real work on the album commenced.

“Cate was really desiring to make a more layered record and not so much a live record,” Cline said. “So we came in individually after the first session. I worked for two days with Cate one on one, while Jeff (Tweedy) was there and Tom Schick, our beloved engineer, was there at the Loft.”

This instrument-by-instrument approach to the recording is readily apparent in listening to “Cousin.” Where Wilco’s previous album, 2022’s “Cruel Country,” was a rather lean, acoustic-led country-rooted affair, “Cousin” is a full-bodied work that incorporates a kaleidoscopic range of instrumentation and sounds to create a far different kind of album than its predecessor. 

Perhaps the most sonically ambitious moment comes on “Infinite Surprise,” the opening song on “Cousin.” The track builds from spare guitar/vocal verses into a swirl of pillowy synthetic sounds, accented with edgy elements courtesy of Cline’s fuzzed up guitar and the squalling saxophone parts from guest Euan Hinshelwood. “Sunlight Ends” makes effective use of an echoey rhythm track, seemingly random twinkling notes and washes of synth-like tones to make what could have been an intimate ballad a grander, more colorful experience. The thwacking drum tone on the title track, coupled with shimmery guitars that dart in and out around the vocals, turn what could have been a fairly monochromatic song into a multi-hued, yet edgy, adventure.

By and large, the other songs aren’t quite as production forward, but have plenty of sonic treats built around the consistently inviting vocal melodies and steady, unobtrusive tempos that anchor these songs. “Evicted” is embellished by sparkly guitar parts and the pleasantly bent lead guitar lines, while “Levee” has a dreamy atmosphere that adds a mystical quality to the song. “Meant To Be” is enhanced by airy textures that provide a nice contrast in this otherwise driving pop-rock song.

The album’s overall feel is something a bit different for Wilco, Cline observed. “When I heard the mixes, I realized that there were certain things in the mixes, like a certain amount of reverb or certain contrasts between dry and wet that were different from the way Jeff and Tom, for example, would work,” he said. “I think that’s what people are going to kind of respond to sonically with the record and it’s kind of what people are talking about.” 

“Cousin” is likely to remind long-time Wilco fans of 2002’s “Yankee Hotel Foxtrot” and 2004’s “A Ghost Is Born,” which were sonically dynamic, quite experimental albums that turned the more straight-forward roots-pop sound of the band’s first three albums on its head and established Wilco as one of rock’s most musically fearless and adventurous acts.

The recording sessions with Le Bon marked a key phase in a process that began in 2019, as Tweedy began writing and sharing demos for some of his new songs with his bandmates. It was a prolific period of writing for Tweedy – something that is not unusual for the singer/guitarist, who formed the original lineup of Wilco in 1994 after the demise of his previous band, the trailblazing alt-country/rock band Uncle Tupelo.

When the easing of the pandemic allowed all six members of Wilco to finally convene at the Loft, it became clear the band had two distinctly different albums in play. Eager to enjoy playing together as a band, the more country-oriented material was recorded first, mostly live off the floor, for the 21-song “Cruel Country” album, while the other more art-pop oriented songs were saved for what became the “Cousin” album.

Cline continues to be impressed with Tweedy’s songwriting output and his ability to unlock fresh ideas in the writing and production of Wilco albums. The songwriting, he noted, has increasingly become a solitary endeavor for Tweedy, as the last time the other band members collaborated to significant degrees on the songs was on the 2011 album “The Whole Love.”       

“Especially on the last few records, it’s Jeff’s world and we live in it,” Cline said. “I mean, he wants to make records that don’t sound alike. He doesn’t use the same methodology sometimes at all as the previous record. Also, everybody in the band except for me at one point lived in Chicago. Now only Glenn and Jeff do, so that changes the way a record gets made, too. It could be frustrating for Jeff sometimes, I don’t know. But certainly, Jeff is somebody who enjoys making records and he pushes himself, I think, conceptually and even sonically to not get stuck and not do the same things again and again. Then the rest of us just try to make that work and do what makes him happy.”

For now, much of Tweedy’s focus will be on Wilco’s live shows. The band’s set lists change from show to show, as Tweedy expends considerable effort mixing and matching songs from the band’s 13 albums. Wilco shines live, as many of the songs grow more potent live and the interplay of the six musicians is even more readily apparent. Cline is not the boastful type, but he likes what he and his bandmates do in concert (double meaning intended).

“We endeavor in live performance to play 100 percent hot (good) shows. And I feel like we pretty much do, so there’s satisfaction in that,” Cline said, noting he feels Wilco is more of a rocking outfit live. “Overall, I think we go to bed after the show thinking ‘Well, that was good.’ And that’s a good feeling, to have pride in one’s work.”


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Thank You For Joining Us At Our 2023 Farm-to-Glass Kickoff Party

By Eat & Drink

We at Salt Lake magazine understand. Yes a cocktail is a preprandial activity. It should be stiff and assertive. It’s not some thing you drink all night. A cocktail should pack a punch. However, as you’ll see in our 2023 Farm-to-Glass cocktail contest, and when you go to taste these lovely concoctions yourself, there are ways. High-proof starter spirits from Sugar House and Beehive Distilleries and a pallet of “frontier strength” boozes imported meticulously from a curated list from nonetheless than Libations LLC’s Francis Fecteau. Here is the truth. A cocktail should be bracing. A glass of something you’ve never tasted in a way you’ve never tasted it. A cocktail ought to be the beginning of an adventure.

On Sept. 18 hosted at Market Street Grill & Cottonwood Heights, our 20 participating bartenders came together to offer tastes of their (fingers-crossed) winning creations. We’d like to thank everyone who joined us in celebrating and mingling with Salt Lake’s robust mixology community. Now, let the sipping and voting commence! This year’s contest will run through Oct. 31st, and we’ll be announcing winners at the start of November. You can find all the participants and their entries, and vote for your favorite, here!

Photography by Natalie Simpson, Beehive Photo & Video


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