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DABC Detox

By City Watch

Editor’s note: When the Legislature meets later this month, they are expected to consider “tweaks” to Utah’s arcane liquor laws. But restaurateurs, bar owners and resort executives say that falls far short of the fixes required to keep the state competitive in bringing in tourists, conventions and developing a robust local dining culture.

In short, the myth, “You can’t get a drink in Utah,” is alive and well.

 

Mike Mower, long-time Republican political operative, hustles down a Capitol staircase to a meeting. “I love it,” he says of his job as Gov. Gary Herbert’s deputy chief of staff. “As a kid in Ferron, I would have never have believed that someday I would be working in this beautiful building.”

Mower is good at his job. You would never guess from his Boy Scout enthusiasm that he was handed the nightmare task of controlling the spreading public rage at Utah’s dysfunctional Department of Alcoholic Beverage Control. On this sunny afternoon, Mower cheerfully explains that the Governor’s Office’s scrutiny of the DABC is just a part of a state-wide efficiency program being implemented by Kristen Cox, executive director of the Governor’s Office of Management and Budget.

In truth, DABC’s problems are vastly more politically perilous. Besides an avalanche of complaints, Mower is faced with DABC Commission meetings at which former employees, wine lovers and even a state senator leveled charges of employee abuse and gratuitous firings, inept customer service, security problems, inventory shortages and arrogant disregard of the state’s tourism economy that depends on providing quality wine and liquor. Utah hoteliers and restaurateurs bitterly complain that after a short period of progress under former Gov. Jon Huntsman Jr., Utah is again the laughingstock of the world for its puritanical and absurd liquor laws.

“The morale at the DABC has never been lower,” says Brent Clifford, retired wine buyer at the agency for 37 years, who has become one of DABC management’s angriest and most knowledgable critics. “Employees feel they are under siege and badgered to constantly do more. And the current leadership is clueless.” Tracey Creno, a police officer who provides security at the Sandy store, complained of intimidation, spying and retaliation against employees. “I’ve had a gutfull of DABC,” she told the commission.

Sen. Karen Mayne, a West Valley City Democrat, tore into the DABC over “email after email” she had gotten from employees complaining of arrogant managers who bully them. Two wine experts quit the Metro Wine Store downtown in protest of their work environment and the decline in quality of selection. “[Selling alcohol and wine] is a skilled craft and should be treated that way,” Mayne told the commissioners at a public meeting. “We [the state] are generating millions of dollars from your business.”
The roiling controversy at the DABC has spread far enough to splatter Herbert.

 

“That’s how I got involved,” Mower explains his role. “If there isn’t enough time for people to meet with the governor, I meet with them. I look to see if some changes need to be made. I said, ‘Let’s get Kris’s team on the ground. Let’s see if there are changes that should be made—operational stuff.’ ”

But Clifford, who resigned in 2012 from the DABC, protesting the agency’s short-sighted shift to profits over quality, and other critics inside and outside of the agency aren’t optimistic Herbert will do much. “Mower’s one of the best political handlers out there,” says Clifford. “Gary Herbert wants the bad press to go away. He wants it to happen before he runs [for reelection]. I don’t believe he’s serious about fixing the issues down there.”

 

Others, including retired DABC Human Resources Specialist Kerri Adams, who has brought the employee complaints to the commission and Mower, also fears the governor’s office is doing little more than letting employees vent, hoping it will mollify them. After all, only the Legislature can make meaningful fixes and Adams and Clifford agree there is little appetite on the Hill for significant law changes to make liquor sales easier.

Click here to continue with DABC: A Peculiar Institution

Or read it in its entirety on our digital edition here.

DABC SMASHED

By City Watch

Mike Mower, long-time Republican political operative, hustles up a Capitol staircase to a meeting. “I love it,” he says of his job as Gov. Gary Herbert’s deputy chief of staff. “As a kid in Ferron, I would have never have believed that someday I would be working in this beautiful building.”

Mower is good at his job. You would never guess from his Boy Scout enthusiasm that he was handed the nightmare job of controlling the spreading public rage at Utah’s dysfunctional Department of Alcoholic Beverages. On this sunny afternoon, Mower  cheerfully explains that the his office’s scrutiny of the DABC is just a part of an state-wide efficiency program being implemented by Kristen Cox, director of the Governor’s Office of Planning and Budget.

In truth, DABC’s problems are vastly more political. Besides the avalanche of complaints, Mower is faced with DABC Commission meetings at which former employees, wine lovers and even a state senator, leveled charges of employee mistreatment and gratuitous firings, inept customer service, security problems, inventory shortages and arrogant disregard of the state’s tourism economy that depends on providing quality wine and liquor. Utah hoteliers and restaurateurs bitterly complain that after a short period of progress under former Gov. Jon Huntsman Jr., Utah is again the laughingstock of the nation for its puritanical and absurd liquor laws.

In short, the reputation that you “can’t get a drink in Utah” is alive and well.

“The morale at the DABC has never been lower,” says Brent Clifford, retired wine buyer at the agency for 37 years, who has become one of DABC management’s angriest and most knowledgable critics. “Employees feel they are under siege and badgered to constantly do more. And the current leadership is clueless.”

Sen. Karen Mayne, a West Valley City Democrat, tore into the DABC Commission over “email after email” she had gotten from employees complaining of a culture of arrogant managers who spy on and bully them. Two wine experts quit the Metro Wine Store downtown in protest of their work environment and the decline in quality of selection. “[Selling alcohol and wine] is a skilled craft and should be treated that way,” Mayne told the commissioners at their April public meeting. “We [the state] are generating millions of dollars from your business.”

The roiling controversy at the DABC has spread far enough to splatter Herbert.

“That’s how I got involved,” Mower explains his role. “If there isn’t enough time for people to meet with the governor, I meet with them. I look to see if some changes need to be made. I said, ‘Let’s get Kris’ team on the ground. Let’s see if there are changes that should be made—operational stuff.’ ”

But Clifford, who resigned from the DABC, protesting the agency’s short-sighted shift to profits over quality in 2011, and other critics inside and outside of the agency aren’t optimistic Herbert will do much. “Mower’s one of the best political handlers out there,” says Clifford. “Gary Herbert wants the bad press to go away. He wants it to happen before he runs [for reelection] next year. I don’t believe he’s serious about fixing the issues down there.”

Others, including retired DABC Human Resources Specialist Kerri Adams, who has brought the employee complaints to the commission and Mower, also fears the governor’s office is doing little more than letting employees vent, hoping it will mollify them. After all, only the Legislature can make meaningful fixes and Adams and Clifford agree there is little appetite on the Hill for significant law changes to make liquor sales easier.

A Peculiar Situation

It speaks volumes about the culture of the DABC that many restaurant, bar and club owners refused to speak on the record for this article. As one put it, “You have no idea of the power of the DABC. They have long memories and they arevindictive.”

But Joel LaSalle, who is an owner of several restaurants and bars and is president of the Salt Lake Area Restaurant Association, was clear. First and foremost, he says, the absurd Zion Curtain requirement must be eliminated. He’s talking about the Legislature’s 2010 requirement that a partition be erected between restaurant patrons and bartenders preparing drinks to  prevent non-drinking customers from witnessing drinks being made. Former Sen. John Valentine, ironically dubbed “Mr. Liquor” as thepoint man for the law changes, the governor and other lawmakers feared that the entertaining spectacle of cocktail mixing would lure children into drinking.

Restaurant owners—and about two-thirds of Utahns surveyed by Utah Policy.com—say the  Curtain should come down. “The biggest single issue is the Zion Curtain because it is a barrier that is sitting out there for everyone to see,” LaSalle says of the partition’s symbolic power. “It’s in our customers’ faces. And it’s an absolute embarrassment for us in serving people coming from out of town.”

From a restaurateur’s point of view, the Zion Curtain is a financial burden, too. LaSalle says the partition at Current cost $16,000 to install. And it impact doesn’t stop there, he says, “It costs us thousands of dollars a month in sales—I can’t seat people at the bar—they don’t want to sit six or seven inches from a glass wall.”

Another absurdity for diners and restaurant owners is the “intent to dine” requirement, which forces restaurant servers to quiz patrons on whether they intend to order food before they can serve them a drink. Like many of the state’s vague liquor laws, it annoys customers and ultimately is probably unenforceable. As one beverage manager  asked, “What can I do if they get up and leave before they order food?”

LaSalle is more to the point: “A judge in a court of law would be hard pressed to go against a restaurateur who said, ‘We own a restaurant, we serve food and they asked for a table—we could only assume food was what they were there for.’

Mower deflects such frustrations by patiently explaining that Utah’s monopolized liquor regulations really are not that much different from the 17 other states that directly control liquor sales. And, he points out, these fixes can only be implemented by the Legislature. “I’m not here to defend or change the liquor laws,” Mower says. “The Legislature will do that.”

But Utah diners, imbibers and restaurants say that’s a simplistic brush off—Herbert is complicit in the status quo. Huntsman obviously was able to push through liquor changes. “Things like this make us look like idiots,” the owner of one of Utah’s trendiest restaurants says of the international perception of Utah liquor laws.

LaSalle puts it more diplomatically: “It’s not very welcoming.” And, he says, it hurts the state’s economy. “We have a convention center, a new performing arts center and huge hotels, yet we still aren’t able to compete with Seattle, Denver, Phoenix or even Portland because this state has reinforced a misconception that you can’t get a drink in Utah.”

Spies and Bullies

Beyond the state’s irrational laws, the DABC has internal problems.—The employees point to arrogant, incompetent managers who spy on and intimidate them,  driving out knowledgable store managers and employees and undermining customer service. A “metrically” guided ordering system has reduced the inventory of fine wines and alcohol. And a budget cut last year exacerbated the situation with poorer pay, dependence on part-time workers and requiring store managers to take on two or more outlets. “The new clerks know zero about wine and liquor,” says one bar owner.

For purveyors of new and unusual liquors and exceptional wines and residents who seek out products not in the stores, the state’s special ordering system that was supposed to allow them to bring in case lots has been a fail. “If you really want to satisfy these customers, you need to hire enough staff, but they won’t,” Clifford says of the issue. “The system was set up to fail.”

Cox says that while some of the allegations are employee “grousing” and finger pointing, “When they’re legitimate, we’ll look at them.” Cox’s office’s review of DABC operations (completed in November but not released before Salt Lakemagazine went to press) may clear up many of the employee problems and customer service issues—including special ordering, Cox says. “It will take effect over 18 months,” she says. “The work is never done.”

Cox explains she wants to instill an efficient, yet compassionate environment at the DABC. “We want to meet customer demand, to be profitable for the state and to have a culture where our employees feel respected and honored and feel like they are contributing and feel like they are paid fairly,” Cox says. But she defends the Legislature- and Herbert-driven “improvements” made six years ago that led to many of the issues the DABC faces now. “There were changes that needed to be made down there. There are people who were impacted by those changes that are upset by the current management. They have made their opinions loud and clear.”

Many of those opinions were about DABC Director Sal Petilos and his team, whom Herbert-appointed Acting-director Christine Giani installed after—what its victims refer to as the “Reign of Terror.” Deputy Director Tom Zdunich, whom employees called Petilos’s “Dick Cheney,” resigned last summer in the middle of the controversy. Mower says a search is being conducted to replace him. But many critics and employees don’t think that any real change is possible at the DABC if Petilos and his minions stay.

Christine Giani declined to be interviewed for this article. Petilos’s Adminstrative Assistant Vickie Ashby put off interviews with Petilos until a week before the deadline for this article, only to report a few hours before the interview that Petilos had taken sick. She explained that DABC Chairman John T. Nielsen, who also had agreed to a meeting, declined to be interviewed without Petilos present.

Mower and Cox were reticent to discuss DABC personnel issues. But when Cox explained the DABC needs effective and compassionate managers who made “employees feel respected and honored,” it seemed fair to ask if Petilos fits that description.

“Yes, I think he’s a compassionate man. He does a good job,” Cox says, after prodding. “He needs to have a strong deputy on the operations side and he needs to work on some of the cultural issues—which I think he is addressing. It’s just this issue of respect. Management needs to respect employees and on the flip side, employees need to realize that management has constraints as well.” Most of all, Cox said she wanted the finger pointing to stop.

Mower and Cox launched a series of “reviews” into DABC operations. Salt Lakemagazine obtained the reports through a Government Records Access and Management Act request, but employee complaints, allegations or suggestions were not included.

Utah’s Alcohol Czar

Utah’s contorted drinking politics are impossible to compare to other states. In the dominant Mormon culture, the consumption of alcohol, like tobacco and coffee, is forbidden. Making alcohol a moral issue produces a backlash from the non-Mormon population, who complain of the puritanical control of the Legislature—and by extension the LDS Church. One indication of how peculiar the subject is is that the media specifically identifies the rare DABC commissioner who is “a social drinker.” (Two of the seven current commissioners imbibe—licensees consider this an unusually progressive panel.) Commissioners are appointed by the governor, and, by law, none can be involved in any aspect of the liquor business. (It is worth noting that the Utah Air Quality Board includes representatives of mining and oil-refining industries.)

On the other hand, Utah’s monopoly on the sale of alcohol brings ever-increasing treasure to state coffers—$396 million in 2015. Though state leaders are regularly jeered as cash-driven hypocrites—lawmakers say Utah’s regulations are it the best way to control alcohol abuse. In any event, Utah’s state booze trust is going nowhere soon.

Critics of the DABC, including Clifford, say that under an overwhelmingly teetotaling Legislature, real improvement in liquor distribution is unlikely because any alcohol consumption is considered dangerous and immoral. Many of the controversial liquor regulations were created under former Sen. John Valentine and former Senate President Michael Waddoups, a Mormon whose wife was seriously injured by a DUI driver. In just a couple of legislative sessions, they turned Huntsman’s so-called liberalized approach to providing alcohol on its head. (Huntsman signed his 2009 changes into law in the New Yorker restaurant’s bar. Core to the liberalization was the elimination of Utah’s “club” law that required imbibers pay to join a private club before they could order liquor.)

As the DABC controversy continues with lobbyists massing this month for the 2016 session, the Legislature has a new point man on liquor laws, Sen. Jerry Stevenson. G.O.P. leaders selected the Layton Republican “Mr. Alcohol”—point man for all drinking laws.

“When John [Valentine] walked in here and said I was the guy, he said it was because I was fair,” Stevenson says. “The selection is an informal thing—he passed the gauntlet.”

Stevenson is a non-drinking Mormon, but has relatives who imbibe and says he isn’t offended by social drinking. Still, he has a steep learning curve ahead. “Two weeks ago, I didn’t know what a flight of beer was,” he says. To get up to speed, Stevenson read Toward Alcohol Control, a 1933 study commissioned by John D. Rockefeller Jr. shortly after Prohibition ended.

If nothing else, Stevenson is frank. “Alcohol is a touchy issue in the state of Utah. [But] I don’t know that Utah liquor laws are that far off center,” he says. “It started with the Olympics—we spend a lot of money welcoming the world. We want people to come. We say we want them to like us—but we really want them to spend their money here. So, we want to make things comfortable for them.”

But the state also is at the low end for DUIs, binge drinking and other alcohol abuse. “We don’t want that to change,” he says.

Stevenson declined to be specific about legislation that may emerge in the session beginning this month, but said his approach to making changes would be piecemeal—a couple fixes—rather than the sweeping omnibus-bill approach that Valentine favored. His goal, he says, to get three alcohol-related bills through.

“There’s a lot of tweaks that could make things much friendlier. But I don’t think we need to wholesale tear things apart and put them back together again. Let’s not choke on the elephant, let’s eat it a bite at a time. Some bills will deal with administration and most of them make sense, and we’ll move them forward under my name,” he says, then jokes: “I don’t think they’ll throw me out of church.”

One of his biggest challenges in fixing liquor regulation, Stevenson says, is that the players—bar, restaurant, distillery, brewery and resort owner—can’t agree on what they want changed. “If you walk into four different places downtown, you get four different conceptions on what needs to be done,” he says. He has spoken with LaSalle and the owners of Alamexo, the Gastronomy group and resort owners. “These are real business guys,” Stephenson says. “They want different outcomes if I run legislation than the people who sell beer and pizza.”

LaSalle says all players agree on one issue: tearing down the Zion Curtain. “I have high hopes for this Legislature,” LaSalle says. “I’m all for working with these people. I don’t think legislators know the harm that is being done [by the law].”

But Stevenson sees the issues more broadly than home-grown restaurateurs and barkeeps. For instance, more than an annoyance to local businesses, he fears some state liquor laws may be causing large resort and restaurant chains to pass over Utah because they run counter to their business models—including forcing modifications of restaurant architecture to meet the Zion Curtain requirement. Stevenson acknowledges that many Mormon legislators may be resistant to liquor law changes, but dealing with the Church of Jesus Christ of Latter-day Saints, he insists, isn’t much different than working with any other special interest. “The church has a set of gentlemen on Capitol Hill who are lobbyists.” Still, he acknowledges, “The LDS Church has a dog in this fight—their welfare program has seen the problems of over-use of alcohol.”

Surprisingly, Stevenson admits that some of the issues at the DABC are, indeed, the result of punitive actions by the Legislature. DABC managers had been “doing things that weren’t quite kosher,” he says of  Giani’s removal of top DABC managers for questionable financial dealings.  When all state agencies were told to take a 7 percent funding cut, Stevenson says, “We had a [DABC] director who basically said, ‘We produce a lot of revenue for the state. We aren’t going to do this.’

“I said, ‘I bet you do’ —we control the pursestrings.”

When state revenues came in better than expected, every agency saw the cuts returned to them—except the DABC. Stevenson admits it exacerbated the problems. “We made an error last year and part of it is my fault,” he says. “For some reason, we kept a half million dollars from DABC. Sometimes the Legislature punishes, for lack of a better word. DABC needs that money back if they are going to operate in an efficient way.” He vows the $500,000 in cut funding, and perhaps more, will return to the DABC.

“We are going to go through this. We are going to sort this out,” he says. “Besides this, I’m dealing with prison relocation—so I can take any kind of bullet you shoot.”

Still, Utah’s alcohol history has shown that Stevenson may be rashly confident.

Wine, Theater and Food…WTF!

By Arts & Culture, Eat & Drink

2016 may be in its infancy, but that didn’t stop Sweet Beast Dance Circus from proclaiming their impending celebration, WTF!, “one of the Beast parties of the year.” But with wine, theater and food, they may be right.

 

You’ll mingle, drink and get down to the emceeing of Donna Weinholtz after performances by SB Dance have put you in the mood. A silent auction will give you the chance to take some goodies home with you as well.

 

Wine: Tracey Thompson of Vine Lore Wine and Spirits has curated wine for the event, including selections from family-owned establishments. Spirits will run high as well, with lagers, ales and whiskies from local distilleries.

 

Theater: SB Dance has put together all kinds of dance and theater extravaganzas exclusively for WTF! Afterward, the dance floor will open up for you to get in on the fun.

 

Food: Delicacies from local restaurants and chefs will grace the tables of WTF!, including those from Copper Onion, Provisions and Whiskey Street. Be sure to stop by the dessert table, rumor has it Rocky Mountain Chocolate and 3 cups will provide some sweets of their own.

Sound good? Take a look at the particulars so you don’t miss it:

When: Saturday, Jan. 16 from 6:30 p.m. to 11 p.m.

Where: Rose Wagner Center

Tickets: $55 single, $100 for two for season members. $70 single, $125 for two for early bird tickets purchased by Jan. 8. Six or more tickets at $60 each.

Attendees must be 21 or older.

Review: Ann Wilson at The Eccles Center

By Music
Ann Wilson’s still got it.

The Rock & Roll Hall of Fame member might be 65 but her voice hasn’t skipped a beat in the years since she belted out  the lyrics to the hard rocking “Barracuda”. Her instantly recognizable sultry sound was in full effect on New Year’s Eve at Park City’s Eccles Center.

She’s got a new band, The Ann Wilson Thing—and unlike the groundbreaking Heart—this time Wilson was the only woman onstage.

She wore a short sequined dress with a long, black damask jacket over it and shoes that tied at the ankle with pom-poms at the end as she and the band worked through a selection of the American songbook, notably without playing a single Heart song.

 

“We’re going to visit some really wonderful music with The Ann Wilson Thing,” she told the crowd. “It’s very different that the other thing.” And indeed it was.

She covered Creedence Clearwater Revival, Screamin’ Jay Hawkins, Bob Dylan, John Lennon, Neil Young and Led Zeppelin. She only picked up the guitar once all night—for “Permission” a song she wrote with a bandmate.

Wilson didn’t say much as she moved across the stage oozing sex appeal and gyrating to the music. Someone shouted “Play some Heart!” from the crowd, but she just smiled and kept on singing other people’s songs.

In the end, the Eccles Center, with their comfortable chairs and sometimes stuff Park City patrons, didn’t feel like the right venue for Wilson and her band. This is a show that needs to be seen in a smoky club (if they even exist anymore) or at the very least a venue that can sell alcohol.

Wilson told the crowd her new year resolution before her one-song encore, “I’m going to open up and let love hit me. I’m not putting up any walls in 2016.”

The quiet and almost reflective nature of the show might have surprised people who came expecting Wilson to scream out the lyrics to “What About Love” but it was still a nice bookend to 2015.

 

Photos by Stuart Graves

DABC Misses a Bet

By City Watch

From the beginning Utah DABC insiders have argued that the only real fix for the “cultural” problems at the liquor agency would be a radical change in management.

The state liquor monopoly has been dogged over the last year with employee complaints that they are bullied and spied upon by arrogant managers, who have driven out knowledgable managers. Restaurateurs and resort owners say the system makes it difficult for them to compete with over western cities for tourists and conventions.

Because Director Sal Petilos appears be shielded by the governor’s office, hope rested on whomever would fill the No. 2 position of deputy director. The deputy runs most of the day-to-day operations.

Wednesday, the long awaited announcement was made: Cade Maier was appointed deputy director. He replaces Tom Zdunich, whom many employees called “Petilos’ Dick Cheney.” Zdunich retired in August at the height of the DABC controversies.

Meier is a DABC insider who has worked for the agency as an information technology project manager and a warehouse general manager, making him what critics call “the safe” choice, but not the best choice.

According to former wine buyer and critic of the DABC Brett Clifford, the agency missed a bet by rejecting another candidate who is a liquor and wine broker in the private sector. (Herbert says he wants the state’s monopoly run on a business footing.)

 

“You had a very rare opportunity to pick someone who truly knows the liquor and wine business with an extensive background in the industry,” Clifford emailed Mike Mower, Gary Herbert’s deputy chief of staff. “He is also intimately familiar with the peculiarities of Utah’s broken wholesale and retail system as well the hospitality business. You don’t need another “yes” man—you need someone who can be honest about what’s wrong with the system and knows how to correct bad practices.”

Salt Lake magazine’s in-depth feature on the DABC troubles and Utah’s love-hate relationship with alcohol is arriving on newsstands now.

1 Liquor License Available!

By City Watch
You can ignore phone calls from your landlord.

You can ignore phone calls from the repo man.

You can even ignore phone calls from your ex.

But don’t ever, ever blow off the Department of Alcoholic Beverage Control. Never.

The owners of The Woodshed Bar tried that ploy to their grief.

 

“Someone want to take them to the woodshed?” quipped Chairman John T. Nielson. But he wasn’t smiling.

A compliance officer told the commission that the owners of the The Woodshed Bar, 800 S. 60 East, SLC, never answered their phone or returned his calls to confirm they had gotten the required insurance for their business. (At one point, the wily compliance officer borrowed a cell phone and they didanswer that call. Way bad.)

The upside is: One (1) highly prized, rarer-than-hen’s-teeth, liquor license is available for the more than a dozen tavern-owner wannabes on the waiting list.

If, of course, they’re willing to answer their phone.

Movie Review: Star Wars: The Force Awakens

By Arts & Culture
The first part of this review is a general overview of  “Star Wars: The Force Awakens” free of spoilers. Below a fold will be a bit more specificity. Finally, after one more fold, I’ll give flat-out details that may spoil your viewing experience. So the more you read, the more know. You’ve been warned! And I counted only maybe a half-dozen Abrams Lens Flares and nine Lucas Wipes!

Although the prequels are a low bar, yes “The Force Awakens” is more akin in quality, scope and aesthetics to the original trilogy and much better than its woeful prequels. Say what you will about J.J. Abrams as a storyteller, but his stuff looks good.

Obviously it’s a kick to see the original cast, to say nothing of hearing that theme music again, and even seeing the tie-fighters and x-wings battling in newfound glory. It wouldn’t have worked as well if it had been a reboot with new actors in the old roles since there’s a huge nostalgia factor at work.

Although newcomers Rey (Daisy Ridley), Finn (John Boyega) and Kylo Ren (Adam Driver) all do well, cheers will erupt when Han Solo (Harrison Ford) and Chewbacca (Peter Mayhew) first appear; they’re the real stars of the film, and provide most of the humor as well.

 ————————–

FAIR WARNING

But to get more specific, few films can put a smile on your face with an opening tile crawl. Thankfully, this preamble is fairly concise, but nostalgia also softens the problems with the film, specifically it being a recycle of the original in many respects, including more amazing coincidences that allow for the narrative to continue.

After a disturbing start that shows the Stromtroopers are basically the heartless SS of a Nazi Empire (now called The First Order), they once again prove to be the worst soldiers available, bumbling fools incapable of hitting anything that needs to be missed for the sake of the story.

Described as garbage and all but forgotten, the Millennium Falcon amazingly fares crazy well against multiple and more-advanced ships with a new pilot and a green soldier who barely knows how to work its clunky guns. Use of the Dark Side is spotty at best, jettisoned right when it would be a better idea to just choke someone from across the room. Outright monsters destroy every bad guy in their way, but decide to simply capture the good guys and allow ample time for escape. And don’t forget the grade-school level exposition, over-explaining every little connection and character motivation.

————————–

THERE BE SPOILERS, HERE!

But could anything live up to “Star Wars: The Hype-Machine”? In 2013, both Carrie Fisher (General Leia) and Mark Hamill (Luke Skywalker) supposedly had begun a vigorous regimen of diet, exercise and stunt training to prepare for their roles. It turned out to be more mere hype, since neither do more than stand around and chat for their scant screen time (with Hamill doing less than even that).

But can fans admit that it falls short? I’ve seen way too many perfect A scores for “The Force Awakens”, which tells me no; it’s too hard to separate yourself from the source material and the original experience to admit that “The Force Awakens” is just another in a series of J.J. Abrams’ redo’s.

“Super 8” was basically “E.T. The Extra Terrible”.

“Star Trek Into Darkness” was “The Wrath of Khan Again.”

And now “The Force Awakens” is a “Star Wars” retread, complete with a doe-eyed hero stuck on a planet of sand waiting for something more… indispensable Resistance intel hidden in a droid to keep it from the Empire… good guys captured and tortured by the bad guys for their knowledge of the intel… the bad guys have a ship the size of a moon that can wipe out whole planets with a single shot… the Jedi have vanished to the point that most consider them myth… the apprentice of a famous Jedi serves in the evil empire while he struggles with the dual nature of the Force… a father-figure is killed by light sabre wielded by someone he used to trust… the big bad Death Star-ish ship blown up by small x-wings that fire on an obvious target out in the open… all culminating with a new apprentice in need of training approaching a seasoned Jedi Master.

We waited 30 years for the same basic story?

Hmpf. At least it looked good and had the original cast. Without that, we’d all be crying ripoff.

**1/2 stars 

135 minutes 

Rated PG-13 for sci-fi action violence 

Directed by: J.J. Abrams

Writing Credits: Lawrence Kasdan (written by) & J.J. Abrams (written by) and Michael Arndt (written by), George Lucas (characters)

Starring: Daisy Ridley, Mark Hamill , Carrie Fisher, Harrison Ford, Oscar Isaac, Adam Driver, Gwendoline Christie, Peter Mayhew, John Boyega, Kenny Baker, Lupita Nyong’o, Andy Serkis, Anthony Daniels, Max von Sydow, Greg Grunberg, Christina Chong, Simon Pegg

Rich Bonaduce is Vice President of the Utah Film Critics Association, co-host of “Critical Mass,” a Salt Lake-based movie-review show, and a contributor to saltlakemagazine.com. Read more of his reviews at thereelplace.com.

Utah No. 1 in Awesome

By Lifestyle

If you’re like us, you’re gritting your teeth that Fodor’s, the uncool travel guide, has chosen Utah as the Top Destination in the galaxy.

That, of course, means our fantastic, somewhat unsullied outdoors will be even more overrun with tracks-leaving, generally obnoxious hominids.

 

Fodor’s pointed to “the newly expanded Park City, the largest single ski and snowboard resort in the U.S.”, “five outstanding national parks,” and “unforgettable experiences like viewing fossils at Dinosaur National Monument, rafting the Colorado River or staying at a working ranch.”

(Fordor’s amazingly didn’t even mention Utah’s peculiar liquor laws!)

SLmag’s recent feature on the Mighty Five national parks (which we had most of the world fooled into thinking were in Colorado or Arizona) gives you an idea of what is at stake. AFAR also put the parks in its top-ten listing worldwide for 2016.

 

On the other hand, maybe the incoming tsunami of tourist cash will convince the Legislature that ecotourism and hospitality, rather than mineral and oil and gas extraction is the way to grow.

 

By the way, if you’re lovin’ on these posters, you can order them and more from the artists themselves. Go to our digital edition, page 83, for the deets.

Review: Lower Lights at Kingsbury Hall

By Arts & Culture, Music
Last night, hoards of families and hipsters alike filed into Kingsbury Hall bundled in warm coats and carrying umbrellas on a rainy Monday night, looking to be filled with Christmas cheer—courtesy of the Utah supergroup The Lower Lights.

The Lower Lights, a large group of local musicians of varying fame and fortune, have hosted a Christmas music concert each year for the last 6 years, and each year it has grown—primarily through word of mouth. It has grown so much, in fact, that the Lower Lights moved this year from the Salt Lake Masonic Temple to new digs at Kingsbury Hall, while still selling out all of their shows. The move was a detail that did not go unmentioned by the band.

“How’s everyone feel about the padded seats?” one member of the twenty-something-member group asked early in the show. Another mentioned how relieved he was that he didn’t have to put rows of metal folding chairs like in years past at their former Christmas show home. Another said, “We had many apprehensions, as I’m sure you do, about us moving here.” But still, all who spoke from the stage on the subject mentioned that it was a dream come true to be playing the venue.

And so the band played. Sometimes all at once, sometimes in shifts, and often making sure everyone got their moment to shine. But they seemed to have trouble connecting with the crowd. Maybe it was because it was the first night, or maybe the room was a little too big for them. But, often they paused for audience reaction, and got none.

Songs varied from traditional Christmas tunes (“I Saw Three Ships”, “Silver Bells”, “Away In The Manger”), to gospel standards with a folksy bluegrass touch (“When The Roll Is Called Up Yonder”, “God’s Gonna Trouble The Water”, “Just a Closer Walk With Thee”). The crowd seemed to liven up a bit at the more upbeat tunes, clapping as if they were at an actual revival.

At the introduction of a song by the great Louvin Brothers the crowd fell silent (gasp!), but made noise again as soon as the song, “River of Jordan”, started.

The band shined more during the gospel songs than the Christmas standards, led in part by an outstanding fiddler. A detail that makes this reviewer wonder why The Lower Lights tradition seems to be only a Christmastime one.

Chef Houman Gohary takes on Bobby Flay

By Eat & Drink

Mark your calendars foodies, Park City’s Chef Houman Gohary will grace TV screens around the nation on Dec. 17, when he appears on the Food Network’s “Beat Bobby Flay.”

Before he will be given the chance to take on Flay, Gohary must compete against Chef Alex Stratta of Las Vegas. The victor will then compete against Flay himself to make the best version of the chosen chef’s signature dish, which will be judged by a panel of culinary experts.

Gohary is the owner of Good Karma restaurant and Instant Karma Artisan Foods and culinary director of Park City Culinary Institute. Previously he was the Ritz Carlton’s international culinary trainer in Osaka, Shanghai, Barcelona and Dubai, and has overseen food operations for international luxury properties.

This may be the first time Gohary has had the chance to cook side-by-side with Flay, but he’s no stranger to the Food Network. He often scouts culinary talent for the Network, which has also featured Good Karma on its programming. Aside from the Food Network, Gohary has appeared on NBC’s Today Show and on the Discovery Network.

To watch Gohary in action, tune in on Dec. 17 at 10 p.m. ET/PT.