French filmmaker, musician and journalist Emmanuel Tellier fell in love with Utah years ago and, like many, became fascinated by the story of Everett Ruess, the legendary vagabond artist who disappeared into the southern Utah wilderness in 1934, when he was just 20. With the help of some Utahns, notably Ken Sanders, Tellier worked for six years to make a film about Ruess. It premiered in Utah last summer, showing it in Escalante, Moab and Salt Lake City to packed houses. Now he’s bringing it back. “Le Disparition d’Everett Ruess” screens on Monday, December 9, at 7 pm, in the auditorium at UMOCA (Utah Museum of Contemporary Art.) Tickets are $15 at the door; $10 in advance on the Ken Sanders Rare Books website. DVDs of the film will be available for sale.
Cold weather is tolerable, even embraceable in an emotional sense, if the sun is shining in a blue sky on clean white snow. Years ago, that was winter in Utah much of the time. But those days in Salt Lake City have disappeared under the greasy, burning gray weight of inversion and smog. I see one color out my office window: gray. Almost everyone I know suffers from SAD, seasonal affective disorder brought on by the absence of sunlight and, for me, the sad knowledge that our local governments are highly unlikely to do a damn thing about it. I’ve already bought all the full-spectrum light bulbs I can use.
So how to cheer up? Well, here’s what I did. I went to Freshies SLC for lunch and ordered The Real Mainah—a butter-toasted roll packed with fresh lobster meat. The roll is warm, the butter plenteous and the lobster sweet. It tastes just like a blue-sky summer and to fill out the fantasy, I had brown butter corn. Plus house-made strawberry ice cream for dessert. Shut your eyes and eat and the bad air disappears. Summertime in your mind.
Everett Ruess, a young artist/wanderer who disappeared into the southern Utah desert wilderness 85 years ago still haunts the imagination of writers, filmmakers, artists and wanderers young and old.
Last August, Ken Sanders, owner of Ken Sanders Rare Books, helped French journalist/musician/filmmaker Emmanuel Tellier premiere Tellier’s film, “Le Disparition d’Everett Ruess” in Escalante, Utah. The opening was followed by screenings in Moab and Salt Lake City. Songwriter and multi-instrumentalist Kate MacLeod and Tellier traveled down the Green River this summer (read about it here) with a group of Ruess fans, telling stories, writing and playing music.
You can catch Kate MacLeod in an intimate concert with Tellier this week, December 8 at 5 pm at Ken Sanders’ Rare Books. Proceeds ($15 suggested) go towards completion of MacLeod’s recording project, an album of Utah-inspired music including a song about Ruess. The price of admission includes a copy of the completed CD.
For tickets, go to kensandersbooks.com
Everyone knows Skimbleshanks the Railway Cat, Gus the Theatre Cat and Grizabella the Glamour Cat, but somehow the cast of Cats, the musical, missed out on Gimlet the Distillery Cat.
Especially since we have this quote from T.S. Eliot, the poet who wrote Old Possum’s Book of Practical Cats, the book that formed the lyrics for the Broadway musical. Eliot himself had a cat named Noilly-Pratt and when he was asked how he wrote some of the verse drama Simon Agonistes, he answered it took three quarters of an hour after church and a bottle of gin. And, a famous quote from the esteemed poet: “There is nothing quite so stimulating as a strong dry Martini cocktail.”
So it’s only poetic correctness that Salt Lake’s own gin distillery, Beehive Distilling Company has a resident cat named Gimlet.
A little tuxedo cat (adopted from Best Friends Animal Society), she’s at home in the distillery, and as cats do, has taken full possession.
She sleeps in a whisky barrel, is unfazed by the noise of the canning machines (Beehive makes its own canned cocktails now) and as co-owner Chris Barlow says, “She owns the joint.”
Gimlet’s domain is in the back; out front is a beautiful bar, serving all kinds of drinks as well as gin, as well as cool noshes. Blessedly, there are no TVs. Instead, you can go to the back of the bar and watch Gimlet.
Beehive Bar is located at 2245 South West Temple and is open from 4 p.m. to close, Monday through Saturday. For more information about Beehive Distilling, click here.
Everett Ruess, a young artist/wanderer who disappeared into the southern Utah desert wilderness 85 years ago still haunts the imagination of writers, filmmakers, artists and wanderers young and old.
Last August, Ken Sanders, owner of Ken Sanders Rare Books, helped French journalist/musician/filmmaker Emmanuel Tellier premiere Tellier’s film, “Le Disparition d’Everett Ruess” in Escalante, Utah. The opening was followed by screenings in Moab and Salt Lake City.
Songwriter and multi-instrumentalist Kate MacLeod and Tellier traveled down the Green River this summer (read about it here) with a group of Ruess fans, telling stories, writing and playing music.
Tellier is returning to Utah this weekend and December 8 at 5 pm, he and Kat Eggleston will join Kate MacLeod in an intimate concert at Ken Sanders’ Rare Books.
Proceeds ($15 suggested) go towards completion of MacLeod’s recording project, an album of Utah-inspired music including a song about Ruess. The price of admission includes a copy of the completed CD.
For tickets, go to kensandersbooks.com
Steve Jones is one of America’s mouthiest cheesemongers and I mean that in the best way possible. Mouthy is what you want in a cheesemonger. Because besides accurate tasting notes about a particular cheese—obviously crucial—you want the whole story of the cheese: Where it came from, how was it handled and aged and what complements it best.
Jones can tell you all of that. And more. He’s one of Steven Rosenberg’s favorite cheese guys and he’ll be at Rosenberg’s Liberty Heights Fresh store tomorrow at 7 pm, signing his new book about pairing cheese with beer, wine and cider.
And talking about cheese with Rosenberg, no mean monger himself.
A book and a hunk of cheese will make a perfect hostess/holiday gift.
RSVP to emmag@libertyheightsfresh.com
I am notorious among my friends for disliking brunch, the meal that most regard as a guaranteed party. After all, brunch is a meal invented with leisure in mind—it’s not one of the basic three-a-day, it’s not supposed to fuel you for working productively and it’s seldom a meal where you conduct business. It’s a meal that presupposes you sleeping in before and not doing too much afterwards. That’s part of the reason I don’t like it—I don’t mind dedicating a whole day to a meal, but brunch is not that meal. (Exception: New Orleans.)
For me, for me…I know most of the world disagrees. Here’s what I don’t like:
The drinks. You know the choices: mimosas or bloody marys. Cheap champagne is the problem with the first and tomato juice is the problem with the second. There’s really no point in putting good sparkling wine under a mask of fruit juice, so what’s the point of a mimosa anyway? And I don’t care how elaborate the garnish is, tomato juice is still tomato juice.So what’s the solution? There are lots of cocktails suitable for morning imbibing but here are a few: an Aperol spritz. A grapefruit margarita. A French 75. A plain old screwdriver.
Also: buffets. Most chefs, if they’re being entirely candid, will tell you that buffets are a less-than-optimum way to serve hot food. Yet in the ’80s, the glory days of brunch, every hotel worth its salt had a mammoth brunch spread with omelet stations, crepe stations, all kinds of egg casseroles (usually made with Saturday night leftovers,) prime rib, ham, chicken, waffles and nine kinds of toppings….all over pinch-pleated and starched white tablecloths. Now, only a few of those Roman-worthy spreads are notable: Grand America and Stein Ericksen. Brunch at these places is still a Very Special Occasion.
But more and more of us who want weekend brunch (sleep late, feel noshy, want to dawdle over something to eat) without all the pomp. And bloating.
So brunch has adapted. Here are some cool brunches in Salt Lake City:
Laziz: The hip Lebanese restaurant famously offers a drag brunch and it is an eyeful on a weekend morning—faaaaabulous in all senses of the word. But even when costumes are not involved, this brunch menu is different: For example, ful is a traditional Lebanese vegan breakfast dish of cooked fava beans flavored with lemon juice and garlic and served with olive oil, chopped parsley and tomatoes. On the sweet side, try the banana-walnut pancakes made with rosewater. Lazizslc.com
Zest: Always vegetarian, Zest serves brunch seven days a week. Their avocado toast comes with guacamole, cashew cream, pico de gallo and hemp hearts; pancakes are made with toasted hazelnuts and chickpeas with basil maple syrup and spirulina whipped cream. Mini biscuits are served with mushroom gravy and zausage. Zestslc.com
The Dayroom: Em’s by night is a different place during the day. Chef Milo Carrier flexes breakfast notions in the kitchen and presents a very California-tinged menu: eggs with kimchi and gochujang, the Korean chili paste that’s replacing sriracha in the hot and hip category, pumpkin pie French toast, yes those spices again in the anglaise but with bay ice cream and brown butter? And, you can order gummi bears on the side. Dayroomandems.com
SLCEatery: Chefs Logen Crew and Paul Chamberlain share different ideas about morning food. One of the best is their idea of a mimosa: The “Mimosa Intorno” could be translated as “Mimosas all round,” meaning a bottle of Adami Prosecco with your choice of orange, pineapple or grapefruit juice. The House Bloody Mary is made with charred tomato and harissa and a meal’s worth of garnishes. Or you could opt for chai spiked with rye whiskey. Food, including a breakfast sammy made on griddled masa bread, is just as inventive. Slceatery.com
Tupelo: IMHO the best breakfasts are Southern like Chef Matt Harris and in concept they’re as retro as those initials. Biscuits, fried chicken, andouille, grits and benedict are all on Tupelo’s brunch menu and then they throw some Yankee curves like Maine mussels. Good idea. Tupeloparkcity.com
Ingredients:
3 oz. softened cream cheese
1 stick of butter
1 cup flour
2 pinches of salt
1 egg
3/4 cup brown sugar
1 tsp. vanilla
1 cup broken pecans
Preheat oven to 350. Beat together cream cheese with butter, flour and a pinch of salt. Wrap dough and refrigerate until firm—several hours or the day before. Mix together egg, brown sugar, vanilla, a dash of salt and broken pecans. Line small muffin tins with dough, pinching and molding it like Play-doh to make a tart shell. Fill each shell with a spoonful of pecan filling. Bake until filling is puffed and crust is golden. Makes two dozen.
For more foodie fun, click here.
I was in 7th grade in 1966 and not ashamed to admit it. (So there, OK Boomers.) And I was allowed to wear makeup for the first time against the better judgment of my mother.
And woe to her, the big models then were Jean Shrimpton and…Twiggy. Because of “the Shrimp” my lips were coated with Yardley’s Frosted Slicker, basically shiny white lipstick.
And because of Twiggy, I wore fake eyelashes to school every day. Upper and lower.
It’s hard to believe now and it was a phase that gave way quickly to a more Woodstock-esque, all natural look (long stringy hair, wire-rimmed glasses, hairy legs) but the truth is I still crave long, baby-horse eyelashes. My own are not.
So when Ero Edge offered the magazine a free “lash lift and tint,” I raised my hand.
Then I read about it and oh, the horror.
Lash lifting is a procedure that basically “perms” your eyelashes so they curl up and I read several scary stories about the perm solution almost blinding people, etc., etc. Yet I also read the procedure is FDA-approved. And I don’t scare easy. And you can’t trust the internet, right?
So last week I spent an hour and a half at Ero Edge getting my lashes lifted and tinted.
There was nothing scary about it. My eyes were protected by silicon shields, the operator was calm and professional and I was able to keep my eyes closed the whole time—a total luxury for someone who spends 16 hours a day staring into a screen.
Results were: Better lashes. Darker and more discernible. Not floppy-long like Twiggy’s, but after all, what looked good on a Baby Boomer then wouldn’t look good on a Baby Boomer now.
I was lucky enough to preview Pompeii The Exhibition
at The Leonardo last night; the party was fun, but the cocktail chattering, sipping and munching died down once we were actually looking at the artifacts.
I (too often, for some) mention that I have a degree in Latin and Classics, but long before I went to university, I took Latin. In the seventh grade. At that point I had a choice of taking Home Economics or Latin and my mother, who considered Home Ec a stupid thing to study in school (she’d already taught me how to cook and sew) insisted I take Latin. For my year-end project, I wrote a newspaper in Latin, complete with a women’s page (Latin recipes and an article on stolae.)
The 72-point Helvetica Bold headline was: VESUVIUS ERUMPIT!!
And for the story, I did a lot of homework about that event. It’s a world history catastrophe that we all know about, but don’t feel much about.
This exhibit changes that: The casts of dying children, mothers and dogs curled up and suffocating are real and make you understand how unbelievably terrible the volcano’s eruption was for ordinary people. It’s very powerful.
But of course, the obliteration of Pompeii and other cities stopped in their tracks given us one of the most informative archaeological excavations ever. It’s still going on—in fact, it’s the longest continually excavated site in the world.
We’re still learning from it, and learning a different kind of history: not one written by the winners but by ordinary people doing the kinds of things no one writes history about. It shows us the context history happened in.
Ancient Roman civilization had an enormous effect on modern Western civilization. Film epics have tried to recreate “the grandeur that was Rome‘ and the result is usually a bloated depiction descending into kitsch.
The Pompeii exhibit at The Leonardo shows you the real thing. Go see it, and while you’re at it, take a look at the other exciting and insightful exhibits.
Pompeii The Exhibition is here until May.