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Utah’s Independent Theater Companies Offer Fresh (and old) Takes on Shakespeare

By Arts & Culture

“Speak the speech, I pray you, as I pronounced it to you, trippingly on the tongue.”That is the first bit of instruction Hamlet gives to the players in Act Three of the eponymous play as they set the stage for a play-within-a-play that will expose King Claudius’s regicide/fratricide. There are multiple interpretations and metacommentaries of Hamlet’s speech. The scene can be played as lampooning nobles who think to lecture actors on their craft (likely a #relatable experience for the time). Some have also suggested that this is William Shakespeare’s genuine advice to actors, layered within the context of the play. In essence, how Shakespeare would have you perform Shakespeare. Four hundred years later, theater companies still endeavor to perform in the spirit or manner which the bard intended. However, just like Hamlet’s speech, there are multiple interpretations of that intent—made evident by the number of independent theater companies we have in Utah that are invoking that spirit with wildly different results. 

Grassroots Shakespeare Company’s Taming of the Shrew. Photo courtesy of Grassroots Shakespeare

Grassroots Shakespeare

Grassroots Shakespeare’s founders call it an original practice company and try to emulate how Shakespeare’s shows were originally staged. “What that means for us is that we don’t have a director, so it’s collaboratively staged by the cast,” says managing director Berlyn Johns. They have a rehearsal process of just two weeks, and the presentation is minimal and unpretentious, leaving the actors and lines with plenty of space to shine. “We found this low-concept, clear blocking approach gives the audience an easier time of it all because we keep everything as straightforward as possible. The audience can just engage directly with the text that Shakespeare wrote, how Shakespeare wrote it…but keeping it a little more contemporary,” says Johns. Those contemporary changes include gender-blind casting and cutting scripts to a punchy, one-hour runtime. 

  • Behind the scenes: Grassroots Shakespeare is a non-profit that, in addition to pop-up shows, also tours local schools with high-energy, age-appropriate productions
  • Upcoming shows: Summer tour of A Midsummer Night’s Dream and Henry V (May–July) at local parks around the state. grassroots-shakespeare.com

Dancing bears appear on stage in New World Shakespeare Company’s production of A Winter’s Tale. Photo courtesy New World Shakespeare;

New World Shakespeare

“We call it New World Shakespeare because we live in the new world, and we wanted to bring a more modern connection to the classic scripts,” says founding artistic director Blayne Wiley. New World modernizes the staging—incuding scenery, costuming and setting—to make the material more accessible and less intimidating to audiences, but the original language remains intact. “​​It’s just all about context,” says Wiley. “If you understand what’s going on and you can present it in a way that is more current, then the audience is going to relate to it more.” As examples of contextual updates, New World staged Romeo and Juliet twice, each adding new, contemporary layers of meaning to the star-crossed lovers narrative. In the first, both Romeo and Juliet were played by women as women. In the second, they cast older actors as the lovers living in a Verona retirement home. “It made it even more profound in a way because it was their last chance at love,” says Wiley. 

  • Behind the scenes: New World plans to get 501 non-profit status. Donations will provide a small stipend to actors and help spotlight various charitable organizations whose missions relate to an aspect of each show. (For example, Henry IV promoted Continue Mission, which supports injured veterans.)
  • Upcoming shows: The Merry Wives of Windsor (May 4–18), All’s Well That Ends Well (Aug. 16–25) at the Alliance Theater and The Lion in Winter (Nov. 1–10) at St. Paul’s Episcopal Church. newworldshakespeare.com

Mad King Productions

Two words set Mad King apart from other companies: drunk Shakespeare. “Our whole motto is bringing Shakespeare back to the groundlings,” says artistic director Carleigh Naylor. “Shakespeare had a lot of inappropriate jokes, and it was all for the common man, not the aristocracy.” Mad King takes liberties with the language and sets the plays in the modern age. “That way our audience knows what’s going on if they’re not big Shakespeare fans.” Each night, a handful of cast members can elect to drink. The rest remain sober. The audience can donate cash to vote, and the actor with the most votes has to chug at intermission. During the show’s second half, each donation buys a drink for an actor. A fourth-wall-breaking cast encourages the audience to engage with them. “They drink right along with us. We have toasts, and it’s fun,” says Naylor.

Behind the scenes: Donations are divvied up among the cast at the end of the show. Especially with alcohol involved, Mad King’s founders say they take seriously safety and consent. The Merry Wives of Windsor will have a roller-disco angle, but only sober actors wear skates. The sold-out erotic show, Spicy Shakespeare, employed an intimacy coordinator. Madman Madriaga, communications and marketing director, says, “We want a safe place for all cultures, denominations and identities to do Shakespeare. I’ve been in the theater scene here for over 20 years, and I have seen racism in local theaters. I wanted to make a safe place where that isn’t a problem for people like me.”

  • Upcoming shows: The Merry Wives of Windsor (opens June 14th) at Alliance Theater. madkingproductionslc.com

Misrule Theatre

While not a Shakespeare company, the Lords of Misrule Theatre Co. certainly embodies the spirit of a clever performance at the Globe Theater packed with chaotic groundlings…wrapped in an avant-garde, community-first ethos. Creative director RJ Walker invokes the philosophy of the great director Peter Brook: “I can take any empty space and call it a bare stage.” Walker says, “You don’t need props. You don’t need costumes. You just need people to tell a story. And coming from a poetry slam background, that really resonated with me.” Misrule Theatre likewise eschews playwrights, directors and conventions. “Everybody comes together and creates the show organically. We’re making the show up together as we go, and then we solidify it in rehearsals.” They start with the characters, general themes and improvise until they have a story. Those improvisation skills come in handy later, as Misrule Theatre has devised a way for the audience to disrupt and change the performance in real-time. Each production has a unique list and the audience can donate to choose an item on the list—everything from having an actor eat an habanero pepper on stage or forcing them to perform as a werewolf. It’s an environment with infinite possibilities. The company has also started the Miss Rule Sketch Show, a sketch comedy show created by writers and actors from Misrule Theatre’s free Open Improv workshops.    

  • Behind the scenes: Misrule Theatre is a non-profit that began as a way to support the houseless community in Salt Lake City and continues this kind of work with all donations benefitting local charities and mutual-aid funds. 
  • Upcoming shows: Shows are free to attend and seasonal; Court of Hearts (summer), The Haunting is You (Halloween), The Lord of Misrule (Christmas),  Feast of Fools (spring) and The Miss Rule Sketch Show (May, July, September, November) at Mark of The Beastro. misruletheatre.com  


Opener_Man with tennis racket with sky in background_SLMMJ24_AdobeStock_592382182

What’s All the Racket: The Battle Between Tennis and Pickleball

By Community

Utah leads the nation in pickleball players. Has tennis met its match?

They represent all ages and fitness levels—from converted college tennis players to middle-aged empty nesters seeking the fountain of youth. All across the state of Utah, grandmas are giving frat brothers an on-court walloping, former couch potatoes are signing sponsorship deals and RVers are trading in destinations like Mount Rushmore and Myrtle Beach to chase pickleball tournaments in places St. George and Las Vegas. 

These are the “Picklers.” Reflecting a surge in the sport’s popularity, they dominate public courts and strut around like they’re Rafa Nadal. They have their sights set on massive competitive tournaments like the Southern Utah Shootout, the Turkey Brawl, the Sagebrush Spectacular or Dink The Halls.

Assuming you even knew what pickleball was 10 years ago, your court and equipment would have amounted to DIY chalk lines on a tennis court, a ping pong paddle and your nephew’s Little League wiffle ball. And you would have definitely ticked off tennis players. Not only were you stealing their turf, you would have defaced a tennis court with your stick of chalk. How gauche.

Now, though, pickleball is the fastest-growing sport in the U.S., up 160 percent since the beginning of the pandemic. Everyone is jumping on the bandwagon with superstars like Tom Brady, Drake and LeBron James cashing in on high-profile endorsements. And the picklers have their eyes fixed on tennis, specifically space-hogging, oft-empty public courts. Utah leads the nation in pickleball players, and they argue that cities across the state need convert tennis courts into pickleball play spaces. (Vive la révolution!)

It’s no surprise that many tennis players aren’t whipping out the welcome mat. Purists consider pickleball to be a game, not a sport and deride it as  “lazy man’s tennis.” They assert it requires far less skill and, mainly, that it makes too much noise. In rare instances, their rage explodes as it did in Santa Rosa, Calif. 

A tennis player poured motor oil on pickleball courts and called other tennis players “chickens” who weren’t doing enough to pickleball’s encroachment.   

Pickleballers snap back with revolutionary zeal, paddles raised like pitchforks, calling tennis players elitist snobs who take up too much room for a sport that costs too much to master. Can they coexist? 

Click on the players to below to see where they lie on the Tennis vs. Pickleball debate

Pickleball Open Play Etiquette

Most venues have an open play policy intended for crowd control. This player rotation system has many benefits, including the ability to show up on your own and meet new people—if that’s your jam. Before hitting the courts you should know:

  1. Rules are posted at every public court
  2. No singles play if more than one person is waiting
  3. Five minutes to warm up
  4. The first team to score 11 points wins the game
  5. In most cases, all four players are required to rotate off the court at the game’s end
  6. Paddles are then placed back into the rotation 
  7. Players await their turn and play again

Pickleballers Take a Stand

Members of the mostly-Polynesian Die Hard Pickleballerz Club, who play on Salt Lake City’s west side, were among the voices calling for more pickleball courts closer to home. The city agreed to repurpose half the tennis courts for pickleball and four new ones at Glendale Park. Likewise, Park City residents are fighting for more public pickleball space. Access has become such a hot-button issue that last year, Park City Council candidate David Dobkin made pickleball a central issue of his platform. 

Where to Play Free Outdoor Pickleball in the Salt Lake Area

Mill Race Park
1150 W. 5400 South, SLC
2 Courts

11th Ave Park
581 Terrace Hills Dr., SLC
6 Courts

Centennial Park
5408 W. Hunter Dr., WVC
12 Courts

West Valley City
Family Fitness Center
5405 W. 3100 South, WVC
2 Courts

Central Park
2797 S. 200 East, South SL
4 Courts

Fairmont Park
1040 Sugarmont Dr., SLC
6 Courts

Second Summit Hard Cider Company
4010 Main Street, Millcreek
4 Courts

Murray City Senior Recreation Center
10 E. 6150 South, Murray
3 Courts

Lodestone Park
6170 W. Lodestone Ave., SLC
2 Courts

City Hall Park
4568 S. Holladay Blvd., SLC
2 Courts

Poplar Grove Park
750 S. Emery St., SLC
2 Courts

Kearns Oquirrh Park Fitness Center
5624 S. Cougar Ln., SLC
6 Courts

5th Ave. and C Street
230 E. C St., SLC
2 Courts

Murray City Park
170 E. 5065 South, SLC
6 Courts

Midvale Boys & Girls Club
7631 S. Chapet St., Midvale
8 Courts

Cottonwood Heights Recreation Center
7500 S. 2700 East, SLC
9 Courts

Where to Play Free Outdoor Pickleball in the St. George Area

Green Spring Park
1743 W. Green Valley Ln., St. George
2 courts

Vernon Worthen Park
300 S. 400 East, St. George
6 Courts

Little Valley Pickleball Complex
2149 E. Horseman Park Dr., St. George
24 Courts

Shooting Star Park
1320 E. Black Brush Dr., Washington
2 Courts

Bloomington Park Pickleball
650 Man O War Rd., St. George
7 Courts

Sullivan Virgin River Park
965 S. Washington Fields Rd., Washington
6 courts

Archie H Gubler Park
2365 N. Rachel Dr., Santa Clara
6 Courts

Larkspur Park
812 N. Ft Pierce Dr., St. George
2 Courts

Green Springs Park
1775 N. Green Spring Dr., Washington
2 Courts

Boiler Park
301 Buena Vista Blvd., Washington
4 Courts


Pickleball Salt Lake City

Paddle Slammer Rebecca Bell on the Tennis vs. Pickleball Debate

By Lifestyle

Friends call me obsessed,” says Rebecca Bell, who discovered pickleball during the pandemic. After convincing her husband, Christian, to try it, the two began playing every day—sometimes twice a day if they could manage. It wasn’t long before they began exploring the possibility of owning a backyard court.

“We called around to find an installer,” she says. “They were so booked out, they wouldn’t even call us back.” So the Bells decided to create their own business building courts (backyardpicklecourts.com). And business is booming.

While some dream of private courts, many love the ‘speed-friending,’ aspect of play rotation—a mainstay of pickleball culture—on public courts. 

“It’s just so American,” Rebecca and Christian both agree. He adds that pickleball is communitarian, social and accessible to all types, ages and athletic abilities.

“Unlike tennis players, pickleball players have learned how to share,” Rebecca says, describing how rotation is in the DNA of the game. Players, she says, generally…generally, stick to the format of placing their paddles in a single line signifying who is next to play. When a team wins by reaching 11 points, all four players step out and replace their paddles in the lineup. “It’s so amazing. You can come with friends or come alone. So, you are constantly meeting and playing with new people.”

Asking strangers to rotate at a tennis court (even a public one): is unheard of. Rebecca says she’d consider trying tennis but it feels stale.

“If tennis borrowed from some pickleball culture, it might be revitalized,” she says, describing her new collection of pickleball friends from all over Salt Lake City. “When I stop and think about it, I realize this mix of people wouldn’t have normally found each other, but pickleball fosters connections and new, unexpected associations—that seems healthy for a community.”

That’s not to say there aren’t a few pickleball snobs out there, she concedes, especially as more folks advance in the game. While the majority of players on the public courts welcome her with open arms, she remembers a few women who refused to rotate her in.

“One of the ladies actually said, ‘I don’t want to play with her,’ because I was still learning,” says Rebecca. A few years and a handful of lessons later, she says she met that same woman face-to-face across the net at a tournament and gave her a drubbing.

“I’m not gonna lie,” she says. “It felt good.”


See what else tennis and pickleball players have to say about their court-side feud.

Tennis Coach Utah

Tennis Menace Long Le on the Pickleball vs. Tennis Debate

By Lifestyle

At Long Le’s house, the sound of sports on TV hums in the background as consistently as the refrigerator. Basketball, football, tennis—you name it, he’s watching it. Televised pickleball, though? No thanks.

“Pickleball is so boring to watch,” he says. “The plays are all the same: they dink, they doink.” And while the Wasatch Hills tennis coach says he approves of anything that involves a racket and gets people moving, he insists not all sports are made for spectators. “The ball moves so slowly and the kitchen [the no-volley zone near the net] makes it hard for players to move too much. I don’t find that fun to watch.”

Long’s view is broadly represented in the sports marketing industry, as analysts debate the sport’s viability as a media product. While the popularity of playing pickleball isn’t in question, whether people will sit down and watch it is. Market researchers wonder if Ben Johns has the same screensaver potential as Naomi Osaka and if Catherine Parenteau’s fans will buy her Selkirk Power Air paddle the way fans of Novak Djokovic buy up his weapon of choice: the Head Speed racket.

Long has his doubts. While he enjoys a night out “dabbling” in pickleball with friends, he says it doesn’t hold the same appeal as tennis because it demands so much less physically. 

“Golf isn’t physically demanding and people still like to watch it,” he admits. “But there’s not some heightened, more athletic version of golf that people would constantly be comparing it to.” 

Whether Long can ever be convinced to watch the National Pickleball Championships or not, he says he’s unlikely to make the switch from tennis player to pickleball player any time soon. 

His love affair with tennis began 20 years ago as a sophomore on the West Jordan High School tennis team and has grown ever since. His wide-eyed enthusiasm for the game plays out every day on the court, where he instructs adults and kids and conducts competition-based workouts for players at every level. 

“You call that a volley?” he jests to a radiologist who has shanked her shot during a Monday morning tennis workout. She squawks with laughter. When another guy’s lob—with seemingly no chance of landing inside the baseline—somehow knicks the edge, Long whoops as if watching his favorite NFL team kick the winning field goal during Sunday Night Football.

Now that’s love.


See what else tennis and pickleball players have to say about their court-side feud.

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Tennis in Utah

Racket Rocker Alena Taylor on the Tennis vs. Pickleball Debate

By Lifestyle

Draper resident Alena Taylor grew up without sisters—but tennis changed all that.

“When I joined a tennis team, I instantly had 12 sisters,” the 50-year-old mother of three says. “I’ve kept those relationships up and they’re some of the most important of my life.”

It started as laughter on the court, exercise, being outside—a fun new hobby. But as her game improved, Alena discovered new things about herself. “I’ve never thought of myself as competitive, or having athletic drive, but there is something about the sound of a racket hitting the ball just as it should, and I fell in love with that sound.”

She says she became obsessed with replicating that perfect point of contact. “You do five really bad shots and one really good one, and that good one makes you think: ‘I want to do that again and again.’” Advancing from a good shot to discovering the ‘winner’ shot, she says, is how true addiction begins.

Alena’s biggest problem is where to get her next fix. 

“Draper has a serious shortage of tennis courts,” she says, but no shortage of pickleball courts. “I kinda feel like tennis is being overshadowed. There are so many people who want to play tennis, but you show up to the park to play and if people are using it, you might have to wait an hour and a half.”

And finding indoor tennis courts near Alena’s house during our long winters? Forget about it. “I have to drive a ways,” she says, “but it’s worth it.”

As for whether or not tennis is for everyone (pickleballers say their sport is user-friendly), Alena admits starting tennis can be more of an investment.

“Yes, it’s harder to pick up tennis,” she says. “It takes more time, and lessons at indoor clubs are expensive, but you don’t have to go down that road. You can scrimmage with people and organize for free, you can do group lessons at a public facility, you can hit with people. When you compare that with a gym membership, I’d say it’s pretty comparable.”

Alena says she’s made tennis work on a budget. “I found a way to do it because it makes my life better. Granted, I’ll never own a fancy car,” she says,  “I choose tennis instead.”


See what else tennis and pickleball players have to say about their court-side feud.

wayne

Middle Man Wayne Bullock on the Tennis vs. Pickleball Debate

By Lifestyle

“Pickleball isn’t going away,” says St. George resident Wayne Bullock. “And when you’re a tennis coach and a player hands you a pickleball paddle and says, ‘You have to try this,’ you can’t ignore it.”

Wayne says he tried to ignore it at first. His hands were full teaching tennis—he didn’t have time to dabble in knock-offs. It took him a year to get around to it, but the moment he did, he saw its potential and knew he couldn’t dismiss it any longer.

“Pickleball is just so much easier to pick up than tennis,” he says, describing the latter as more technical, with rackets that can produce far more speed. “In our instant-gratification world, that makes tennis a harder sell.”

Wayne helped put Utah on the pickleball map and pickleball on Utah’s map. Working with a small community group of passionate picklers, they convinced the city of St. George to build some of the first public pickleball courts in the state. Wayne developed programs and clinics, tracking the wild uptick in participation and showing city officials that pickleball had a future. Soon, the city asked him to head up programming for both racket sports. 

“It wasn’t that long ago that we were just trying to grow and build the sport,” Wayne recalls, describing creative events and tournaments to generate interest. St. George’s well-known Fall Brawl kicked off for the first year in 2012, and a slew of others have followed. The sport’s top players have competed in St. George, including the world’s number one player, Ben Johns

“Now pickleball is so popular here, we don’t have enough courts for all the players,” Wayne says. “I’ve even been yelled at by some to stop teaching new people because it’s threatening their court space.”

While Wayne insists tennis isn’t dying, he admits no new public tennis courts have been built in St. George in a while and more of the city’s current revenue is drawn from pickleball than tennis. He says that’s because it’s easy to learn.

“By comparison, pickleball is very easy to teach. Within 30-40 minutes, a new player can rally and play,” he says. “Tennis is the exact opposite. On average, it takes me 3 to 4 months before I can get a brand-new player in a match, assuming they do a private lesson 3 to 4 times a week.”

Wayne says pickleball’s party culture doesn’t hurt either, nor does its inclusive ideology.

“It’s a little louder and rowdier, it’s a hangout, you camp out, and many people play all day,” he says. “The culture is more social and the smaller, tighter courts lend to that. Tennis courts are kinda spread out all over the city.”

So, Wayne. Must we choose either “Team Pickle” or “Team Tennis?”

“I see lots of people playing both, I teach both, I promote both, I love both,” Wayne says. “People will honestly corner me and ask, ‘Which one’s your favorite?’”

“Do you really wanna know?” he asks. We really wanna know.

“Tennis,” he says with a laugh, “Nothing’s more satisfying than crushing a forehand.”


See what else tennis and pickleball players have to say about their court-side feud.

Tennis Salt Lake

Tennis Purist Laury Hammel on the Pickleball vs. Tennis Debate

By Lifestyle

Laury Hammel just doesn’t get pickleball’s appeal. “If I hear ‘pickleball is the fastest growing sport’ one more time, I’m going to throw up,” he says. “And then people go around bad-mouthing tennis. Why?”

Laury essentially grew up on a tennis court,  chasing balls at the Salt Lake Health and Tennis Club where his dad was the manager. Decades later he bought the place. 

“My friends would make fun of the little white tennis shorts,” he chuckles. He didn’t care, nor was he surprised when the sport boomed during his youth in the 1960s and tennis courts (and little white shorts) started popping up everywhere. “By the time I was in high school, it was the ‘in’ sport.” 

Laury insists pickleball is a long way from eclipsing his beloved game. “It’s ridiculous to say tennis is elitist therefore I refuse to play,” he says. “I call that reverse snobbery. If you refuse to hang out with ‘tennis snobs,’ doesn’t that make you a snob?”

He points out the tireless work of the United States Tennis Association (USTA) and himself (as a club owner) to bring all income levels into the sport, and insists free courts are not hard to find. Plus, he says, more people globally play tennis, and it has the highest-paid female athletes in the world. Bottom line: tennis isn’t going anywhere.

Still, his buddies try to push pickleball on him.

“I’m confused as to why,” he says. “I want to say: you can pick it up in a day, no one’s sweating—it doesn’t seem to be a very good workout. To me, it’s a hit-and-giggle sport, and yet somehow you’re always getting injured.”

Instead, Laury politely declines and keeps his mouth shut. As a Salt Lake facility owner, he’s even caved and added a few pickleball courts. “Not near the tennis courts, though,” he quickly adds. “That ‘pop-pop-pop’ noise is enough to make you crazy.”

To Laury, tennis is akin to a martial art. “With around 60 different shots, it takes a lifetime to learn: Novak’s elegant swing, Alcaraz’s beautiful drop shot…there’s such an art to it.” He sighs as if sinking into a hammock or smelling a glass of wine. “You can’t say that about pickleball. At the end of the day, tennis is my love.”


See what else tennis and pickleball players have to say about their court-side feud.

pickleball St. George

Pickleball Kid Hunter Aiono on the Tennis vs. Pickleball Debate

By Lifestyle

“I remember thinking pickleball was lame,” Former Southern Oregon University defensive end Hunter Aiono says with a laugh. “Now I’m the president of a college pickleball club.”

Growing up on a steady diet of football, lacrosse and wrestling, the St. George resident says he once tried pickleball during a P.E. unit in seventh grade and wasn’t all that impressed. He didn’t pick up a paddle again until he took a hiatus from college to work while his wife completed her degree, and then jumped back into the college scene. As a non-traditional student at 28 years old, now earning an I.T. degree at Utah Tech University, he says he still had that competitive itch.

“I tried Crossfit, jujitsu…those were kind of a grind and didn’t do it for me,” he says. “When a friend invited me to an open play night at the college’s pickleball club, my first thought was: ‘That junior high P.E. game? No thanks.’ But I decided to go anyway.”

What he discovered that night was more than 100 students smashing, lobbing, volleying and socializing. Some players were learning and laughing, whacking balls mid-sentence and grabbing munchies between serves. Other courts hosted laser-focused athletes, deftly maneuvering the ball with accuracy and precision, cheered by a crowd of onlookers.

“I caught the pickleball bug and it was over,” Hunter says. He immediately joined and within a few years became president of the Utah Tech Pickleball Club—one of the top three pickleball college clubs in the country. Four Utah college clubs rank in the top 10, with national championships happening each November and a few scholarships now offered to promising players. 

As for the shade being thrown at pickleball by tennis players, Hunter says it might be happening in other parts of the country or on social media, but it’s not happening in St. George. 

“Everyone loves pickleball here, no one thinks of it as a cheap imitation of tennis,” Hunter says, citing St. George as an early adopter of the sport. “And while I don’t hate tennis, I prefer the party atmosphere of pickleball. Tennis players can have their ‘gentleman’s sport.’”

Hunter describes a scene of suffocating etiquette as a spectator at the Tennis Open in Indian Wells, Calif. a few years ago.

“I was afraid to cheer at the wrong time, there’s a lot of silence, and you can’t leave or come back to your seat until the changeover,” he says. “I loved watching it, but there were so many rules for fans, I was afraid I was going to mess up.” But with collegiate pickleball tournaments, players feed off fan energy. “Crowds make the difference—they’re rowdy, they let loose and it’s a huge party,” he says. “It’s not a carbon copy of tennis. I think pickleball’s distinct differences will propel it past tennis.”


See what else tennis and pickleball players have to say about their court-side feud.

DSC_2732

2024 Kilby Block Party: Day Three Review

By Music

“This is very nice,” said James Murphy, frontman of LCD Soundsystem, as he looked out at the massive sea of people in the last hour of the 2024 Kilby Block Party, in what must stand as the understatement of the festival. As a first-time Kilby-goer, it was far better than a “very nice” experience; it’s one that, without getting too sentimental right off the bat, I’ll forever cherish. Kilby is a marvelously well-run operation with the strongest and most unique lineup of any major festival this year. I’ll circle back later on why its formula works so well.

But first, the music, and I saw a lot of it Sunday, starting with Utah’s own Little Moon, whose members were riding the high of winning NPR’s 2023 Tiny Desk Contest. The band’s partially gender-nonconforming psych-folk aesthetic was unlike anything else at Kilby, and unlike most acts in modern music more broadly. Watching their whimsical set was like catching an itinerant minstrel show, or perhaps the live performance of a children’s storybook soundtrack. For comparisons, I’d have to reach back to the Elephant Six sound of the late ‘90s, or perhaps to freak-folk pioneer Vashti Bunyan. If these sound like obscure touchpoints, it speaks to how wonderfully different this group is, down to its choice of instruments, including harp to rain stick.

Nothing could prepare the uninitiated for the next act on my list, New York’s Model/Actriz. In what functioned as performance art as much as rock concert, all eyes were on frontman Cole Haden, who leaned into his band’s name by sporting a bonnet, miniskirt, black nail polish, fishnets and platform shoes, and applying lipstick from a beaded clutch. He treated the stairs leading down into the audience like a catwalk, all while performing vocals that ran the gamut from a Robert Smith quaver to a hardcore scream, and spent upwards of 30 percent of the show amidst the audience, which appropriately went bananas, while guitarist Jack Wetmore played jagged shards of Gang of Four-style guitar, and bassist Aaron Shapiro and drummer Ruben Radlauer laid an intense rhythm section. It was surely the most surreal scene that I saw throughout the weekend, and while I don’t usually go for gimmicky acts, this one really worked.

Solid entertainment continued in the form of Choir Boy, another Utah-born band that performs in the synthpop style of the pre-digital 1980s. Singer Adam Klopp has a distinctive, resonant voice perfect for echoing off of arena walls; these guys should definitely be opening for the OMDs and Depeche Modes of the world. “Shatter” was particularly strong, with its saxophone parts and simulated vibraphone adding rich color and texture.

After Choir Boy, I bounced around the grounds a bit, nursing a headache since the morning brought on by too much Kilby, too much sun and not enough water, while enjoying Petey’s crowd-pleasing literate rock and the acoustic folk-rock of Kevin Kaarl, something of a YouTube phenom from Chihuahua, Mexico. I don’t speak enough Spanish to understand the lyrics, but it made for a great acoustic backdrop for a late-afternoon siesta in what little shade was afforded in the blessed VIP section. The music was pleasant and usually rather languorous, until it rocked every now and then.

Thanks to the magic of Advil, I recuperated enough to enjoy Pond’s riveting set at the Desert Stage. Despite releasing some 10 albums, and despite sharing some personnel with Tame Impala, Pond hasn’t really broken out in the U.S. That should change with gigs like this one. Lead singer Nick Albrook is clearly weaned on the classics of stadium-rock theatrics–swinging the mic stand around with glee, clutching the mic cord in his teeth, somersaulting on the ground. Exuding sex appeal–he eventually complied with some audience members’ requests to remove his shirt–he conjured David Bowie, Mick Jagger and Pete Townshend at various times, with some lyrics straight from the glam rocker’s dictionary. (“All that glitters is free.”) The music grooved with the best of them, whether sludgy or bouncy, and was supplemented by the sounds of echoes, sirens and sci-fi effects.

Finally, it was time for Guided by Voices, one of my most anticipated bands of the festival, and one I hadn’t seen live since 2004. Twenty years on, Father Time has yet to catch up with the indefatigable, now 66-year-old Robert Pollard, who still hit all the commanding rock-frontman poses and high kicks for his faithful cult of supporters, of which I am a member in good standing. Announcing they were here to play “rock ‘n’ roll for the kids,” GBV tore through some 21 numbers in an hour. A typical Guided by Voices gig features upwards of 40 tunes, so this show was but a tasty aperitif, with newer compositions like “Jack of Legs” and “Boomerang” landing just as successfully as all-time classic sing-alongs such as “I Am a Scientist” and “A Salty Salute,” Pollard commanding the action like a mad conductor.

As a side note, my GBV gigs of yore usually featured Pollard and some of the band downing an entire cooler of beer during the set, and spraying its contents on the audience. There was none of that here, with the frontman nursing one beer. That’s clearly the right way to go if GBV wants to continue touring and releasing its standard two to three albums a year; I’ll drink to that.

After some much-needed vegan nosh, I spent a rather confused 30 minutes with Ginger Root, a California trio that specializes in, per its own verbiage, “aggressive elevator soul.” Many of the songs had backstories as long as War and Peace, some associated with anime videos and feature films shot by singer-songwriter Cameron Lew that projected behind the band. At other times, a videographer captured the performance for (I think) a live stream, shooting the action in extreme close-ups. Lew kept referring to the festival as the “Kirby convention,” and I couldn’t tell if he was joking. The whole thing felt self-consciously cheezy, self-consciously ‘80s, and very online, and I liked it well enough.

As for the big headliner of the evening, my apologies, reader: I didn’t stay for all of it. Blasphemy, I know, but this was a long weekend, and I slant on the, let’s just say, older side of the Kilby demographic, and I admit to not quite “getting” LCD Soundsystem. That being said, convulsing multitudes is their thing, and they certainly accomplished it, with audiences throughout nearly the entire festival grounds dancing to what amounted to a near-greatest hits set. (Daft Punk was not playing at their house at this show.)

I appreciated the comparably laid-back performance of James Murphy, who dressed more like a stylish doctor than a rock singer. Strobe-lit and disco-balled, his band played with clockwork efficiency in what has become its successful formula: playing songs that you don’t think could possibly become dancier, until they add another instrumental element or two that work the crowd into a veritable frenzy of movement. 
And then it was over, just like that, another Kilby on the books–my first and hopefully not my last. In terms of constructing a great festival, the lineup is always key, and Kilby has cracked the code. The producers’ secret, I feel, is to save money by not going after the bands at the tippy-top of the music festival hierarchy, your Green Days and your Foo Fighters and your Red Hot Chili Peppers, that usually–boringly and predictably–wind up headlining Festivals X, Y and Z. This must free up a lot of cash to book bands one or two tiers lower in name notoriety, but which, in this writer’s opinion, make far better music. I hope Kilby continues to stay defiantly indie and weird. See you next year?

Read more:

Photography by Natalie Simpson, @beehivephotovideo


Find our day one and day two reviews of Kilby Block Party here.

Salt Lake City Events

Your Week Ahead: May 13 – May 19

By Community

It seems as though Utah’s finicky springtime storms may finally be in the rearview mirror—let the warm weather commence! To help our readers make the best of the season, we’ve curated a diverse list of events throughout the week. From classic car shows to cultural festivals, and pup-friendly parties to author showcases, there are pplenty of Salt Lake City events to attend this week. For even more events this week and throughout the month, visit our community events calendar

Monday 

What: Historic Homes of Holladay: A Kathy Murphy Invitational
Where: Holladay City Hall
When: 05/13 at 6:30 p.m to 8:30 p.m 
Named in honor of the late Kathy Murphy, who dedicated her time to supporting Holladay’s art history, the exhibit will feature the works of artists tasked with capturing the essence of Holladay’s historic homes. 

What: 9th Annual Story Crossroads Summit & Festival
Where: Murray City Park
When: 05/13-05/16
A hybrid-style summit featuring 15 story artists, 3 professors and 40 youth and adult story tellers. Through workshops, speakers and virtual lessons attendees will learn how to craft and perform their stories.

Wednesday

What: Psychic Fair
Where: Golden Braid Books
When: 05/15 at 6 p.m. 
Experience readings from Golden Braid’s three gifted physics. Afterward, shop the store’s unique collection of books, goods and more. 

What: Classic Car Show at Valley Fair
Where: Valley Fair Shopping Center
When: 05/15 at 5 p.m. to 8 p.m. 
Mingle with fellow car lovers at this free classic car show held every 3rd Wednesday of the month. The event takes place in the South parking lot between Springhill Suites and All-Star Bowling. 

Thursday

What: Moonlight Market
Where: Church & State
When: 05/16 at 7 p.m. to 10 p.m.
A first-of-its kind grassroots flea market in Salt Lake City that takes place every 3rd Thursday of the month. Come support over 20 local artists, enjoy live music, art installations and sips from Coffee Co. 

What: Ogden Twilight— Phoenix
Where: Ogden City Amphitheater
When: 05/16 at 5 p.m. 
The much anticipated 2024 Ogden Twilight festival kicks off on May 16th with Phoenix, special guest Metric and Beastie Vee. Tickets available here

Friday

What: Living Traditions Festival
Where: Washington and Liberty Square Park
When: 05/17, 05/18, 05/19
The Living Traditions Festival works to preserve the cultural traditions of the community, and brings together over 90 cultures who have made Salt Lake City their home. The three day event is free to attend and features food vendors, live performances and art vendors. 

What: Local Showcase 
Where: King’s English Bookshop
When: 05/17 at 6 p.m. to 8 p.m. 
A mini-street festival set up around King’s English’s quant bookshop on 15th and 15th. The free-to-attend event features a variety of interesting artists, makers and authors who are excited to engage with you about their passion. 

What: Comic Book Signings with the Nerd Store
Where: Urban Arts Gallery
When: 05/17 at 6 p.m to 9 p.m.
The Urban Arts Gallery teams up with The Nerd Store to host a comic book signing with Chris Bodily, Doug Wagner and Travis Romney.

Saturday

What: Always Queer Art Market
Where: Under the Umbrella Bookstore
When: 05/18 at 12 p.m. to 5 p.m. 
Under the Umbrella’s monthly art market features a rotating selection of queer makers and artists. This event is free to attend. 

What: Woodland Fairy Festival
Where: Gardner Village 
When: 05/18 at 11 a.m. to 7 p.m. 
Gardner Village has been transformed into an enchanting fairy wonderland complete with hidden fairy nooks, life-size fairy wings and a charming fairy forest. The festival runs through June 29th and features select events like tea parties and parades throughout the festival. Find the full schedule on their website

What: Bark at the Moon 2024
Where: The Gateway
When: 05/18 at 5 p.m. to 9 p.m. 
The Humane Society invites all Utah dog lovers to bring their pup and enjoy a night of fun at The Gateway. Enjoy live music, food trucks and local craft beer while fido plays around in the splash pad. End the night with a glow-in-the-dark walk at 9 p.m Tickets are $25. 

What: Jazz in the Park
Where: Sandy Amphitheater
When: 05/18 at 2 p.m. to 10 p.m. 
Join Sandy Amphitheater in celebrating their 25th anniversary with a free day of jazz. The showcase features bands from top high school jazz bands, along with food trucks and venue concessions. 

What: 12th Annual SLUG Cat
Where: Saturday Cycles
When: 05/18 4 p.m. 
SLUG Magazine’s beloved bicycle race is back this year with a new alley cat-style twist. The race challenges riders (who can register for $10) to hunt for clues, solve riddles and play games as they race throughout the city. Registration begins at 4 p.m., race kicks off at 5 p.m. 

What: Farm Fest
Where: Wheeler Farm
When: 05/18 at 9 a.m. to 1 p.m. 
Wheeler Farm’s free annual Farm Fest celebrates all things spring with wagon rides, sheep shearing, farming demonstrations and an art market. Bring the whole family to enjoy fun hands-on farming activities. 

Sunday

What: The Bazaar Summer Market
Where: Millcreek Common
When: 05/19 from 11 a.m. to 4 p.m. 
A weekly flea market featuring a rotating lineup of local vendors selling vintage treasures, fashion, jewelry, art and eclectic handmade crafts of all kinds. After shopping to your heart’s content, stay for rollerblading or rock climbing at Millcreek Common. 

What: Wheeler Sunday Market
Where: Wheeler Farm
When: 05/19 at 9 a.m. to 1 p.m 
Celebrate the opening day of the Wheeler Sunday Market on May 19th with local food vendors, handmade goods and more.