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Vice Presidential Debate: Pence vs. Harris

By City Watch

UPDATE: I guess it’s all part of the debacle that is 2020: I just learned that because of a paperwork SNAFU, I won’t be able to attend the VP debates after all. I have heard other local media have encountered problems as well, but that is just hearsay.

I’m once again feeling the futile, helpless anger that has been the main emotion of this awful year. 

 

I’ve never attended or covered a vice-presidential debate before. Have you? Honestly, I’ve not usually even watched them on TV and when asked this weekend who Hillary Clinton’s running mate was, I didn’t remember. (It was Tim Kaine)

(I can’t imagine a more boring political event than Tim Kaine debating Mike Pence.)

Anyway, I’m attending the 2020 Vice Presidential debate tomorrow evening at Kingsbury Hall on the University of Utah campus.

And tomorrow night’s event promises to keep me awake.

I’m not expecting another cluster, like the chaotic yelling match many of us watched nearly a week ago, when President Trump and Joe Biden made a mess out of the very idea of debate. Really, no one but Trump could instigate that kind of debacle.

But the Veep contest is, more than the usual political debate, inherently interesting. Because Vice President Mike Pence and Senator Kamala Harris personify the split in American society, the culture canyon that is dividing us so deeply and violently.

Pence is the classic American politician—an old, white, male conservative who is determined to keep his kind in power. He doesn’t shout out his positions on women’s rights, gay marriage, racial equality, income equality or universal healthcare but they’re there, a fundamental part of him and his history. A history Harris and others are trying to change. Harris’ parents are Black and Indian, she’s a woman—that goes without saying—and she comes from a state that, despite internal conflict, has the most progressive culture in the country. Her attitude is fierce; his is staid. He is protecting his kind’s hegemony; Harris’ life has been a series of “firsts.”

It’s almost ridiculous to sum up the attitudes of these two into simple “right” and “left,” Republican and Democrat.

Just like it’s ridiculous to sum up this country’s division so simply.

I’ll be interested to see how this pair characterize their positions, their beliefs, their hopes and plans for our future.

I’ll be trying to report the whole scene as it happens and I’ll certainly post my not-necessarily-unbiased observations on Thursday.

7pm-8:30 MDT (Salt Lake City, Utah)

9pm EST to 10:30 EST (New York, New York)

6pm-7:30 PDT (LA California)

All the major news channels, including NBC, ABC, C-SPAN, CBS and Fox News will show the debate without commercial interruption. YouTube, Apple TV and Amazon Prime are among the online services expected to stream the debate.

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Slamdance Film Festival Leaving Park City for 2021

By Film, Sundance

The Slamdance Film Festival will not be staged in Park City in 2021, but will instead take place in Joshua Tree, California and online from January 22-28, 2021. For more than two decades Slamdance has screened films concurrently with the higher profile Sundance Film Festival in relatively small the mountain town, but current circumstances with the continued spread of COVID-19 has made doing so this upcoming winter impractical.

Slamdance organizers are viewing the change as an opportunity for evolution rather than as capitulation. “Slamdance ‘21 isn’t about compromise because of the pandemic. It’s about community, accessibility and growth. It’s about Slamdance’s future and the love of independent film,” Slamdance President and Co-founder Peter Baxter said a prepared statement on the organization’s website. For 2021, Slamdance’s in-person experience will be an invite-only, socially-distanced retreat for the filmmakers and industry guests. The public will be rendered virtual attendees, able to watch films and view festival events on slamdance.com and on the Slamdance’s YouTube channel.

While Slamdance appears poised to carry on without slowing down, the departure leaves a significant hole in the cultural fabric of Utah and Park City. The insurgent festival has long served as an important authenticity check on the Sundance Film Festival, which has at times outgrown its “independent” label by becoming increasingly exclusive, inaccessible and mainstream, both for audiences and filmmakers. Slamdance has carried the torch for the rebellious and alternative viewpoints some see missing in Sundance’s modern incarnation. It will be sorely missed, especially during a year in which Sundance has outlined altered plans of their own that will make it difficult for audiences to connect with independent film as they typically do.

The first film I covered from Slamdance was a documentary called The Resurrection of Jake the Snake, which premiered during the 2015 festival and detailed the struggles of iconic professional wrestler Jake “The Snake” Roberts as he tried to reclaim his life after battling personal demons. It will always stick with me— partly because I got to attend a Royal Rumble watch party with childhood idols including Jake himself and “Razor Ramon” Scott Hall—because the film is a haunting depiction of addiction and the difficult fight towards recovery, and is a wonderful encapsulation of the courageous, niche filmmaking that occurs at Slamdance.

As of publication time, Slamdance organizers have not responded to questions about whether the festival plans to return to Park City in the future. Here’s hoping it’s a temporary departure and we don’t lose a beloved celebration of the daring, the different, the weird and the fun for good. Visit Slamdance’s website to stay up to date with the 2021 festival, and check out some of the festival’s previous films here.

Read more of our community coverage here.

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Britt Bakes Bread

By Eat & Drink

During the early morning of March 18, 2020, and prior to the earthquake, Britt Jursik was baking bread in her kitchen. When it hit the magnitude of 5.7 on the Richter scale, she ran towards her boyfriend and together, somewhat bewildered, they crouched under a doorway. Shortly following, and after a brief assessment with no real damage (other than drawers flying open and a hanging light fixture going wonky), she decided to follow through with the original day’s plan to bake and deliver fresh loaves of challah to her promised customers. It was on that very strange yet memorable day, Britt decided to go forward and step off her job in sales—invent a name, purchase the domain and obtain the necessary licenses—and Challah Back Dough was born.

Jursik has always loved to bake. For her baking business, she chose to focus on challah (traditional braided egg bread prepared for the Jewish Shabbat.) Britt explains, “I was attracted to the unique braids. Making challah is a fulfilling, natural and fun way to bake bread. I appreciate cuisine and craft beer and to me, this is a marriage of the two.”

Her variations on challah aren’t “traditional” but delicious and flavorful nonetheless: “OG” whole wheat with a salted crust; Albedo or white bread with honey and egg wash; Rye; the Beet-Ric (beet powder and turmeric added;) and Pretzel. She also makes gluten-free versions and chocolate babka. Preorders are necessary and Jursik makes all the deliveries herself. Britt “doughnates” 10 percent of her bread to charity and participates in local food co-ops.

@challahbackdough

For more food, click here.

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Park City Shoulder Season Has the Cure for 2020 Blues

By Community, Eat & Drink

Shoulder season. Mud season. Not yet ski season. Whatever you call it, it’s a typically dark time in mountain towns. But in a manner completely unrepresentative of 2020, the transitional period between winter and summer in Park City has a lot to be excited about. The lifts will stop spinning later and start spinning earlier. Off-season restaurant closures are getting traded in for value-packed dine-around specials. Less down time with more to do, see and eat. Here’s to shoulder season 2020!

Bike Longer & Ski Sooner

Do This Longer

Forget the dreaded temporary gym membership you won’t remember to cancel because you can hang up the bike later and dust off the skis earlier. Woodward is the relative newcomer in town, but the resort is already making its mark on Park City shoulder season. While Deer Valley and Park City Mountain have shuttered their mountain bike and summer activities operations for the year, Woodward is opening new terrain and planning to keep the lifts spinning October 18. Just this week they unveiled a brand-new bike trail, EZPZ, which features a host of creative line choices and unique wood features suitable for a wide range of rider types from beginners to experts.

Do This Sooner

Once the mountain bike park eventually shuts down, it’s only a handful of weeks until the mountain park opens for winter. Woodward is shooting for a start date of November 13 for skiing and snowboarding, but the truly anxious won’t even have to wait that long. The resort is hosting a rail jam over Halloween weekend to kick the winter season off in style. “First, last, best. That’s the motto we’re trying to embody at Woodward,” says marketing director Andy Miller. While all these dates are projected and conditions dependent, gone are the days of the three-month September to December hiatus. More shredding, less waiting!

Eat More & Spend Less

We’ve all spent way too much time reading food blogs before inevitably overcooking or somehow otherwise ruining a meal lately, so get out and enjoy cuisine made by people who actually know what they’re doing. The Park City Dine About is back for the eighth year running. The annual event, hosted by the Park City Area Restaurant Association (PCARA), is taking place between October 1-18 with dining deals at some of Park City’s best restaurants.

Two-course lunches can be had for $10-$15 per person, while three-course dinners are $20-$40. Those are prices rarely seen in the thin, rarified air of Park City restaurants. “Dine About is always a great opportunity for restaurants to thank the community for their year-round patronage,” says PCARA executive director Ginger Wicks.

Those who aren’t Park City locals can take advantage of lodging specials through PCARA lodging partner Stay Park City. Click here to book your stay, and visit the PCARA website here to learn more about participating restaurants.

Read more of our community coverage here.

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Thanksgiving & COVID: How to Celebrate

By Lifestyle

As of Today, November 23, there are 179,420 COVID cases in the state of Utah and numbers continue to climb. With Thanksgiving just a few days away (a holiday quite literally built on the idea of being in close quarters of friends and family) we wanted to share some tips and recommendations inspired by the CDC and the World Health Organization to celebrate the holiday safely.

The safest way to celebrate Thanksgiving is at home with the people you already live with. The CDC states “Gatherings with family and friends who do not live with you can increase the chances of getting or spreading COVID-19 or the flu.” 

Have a virtual Thanksgiving: I know this sounds kind of strange. I am from Pennsylvania and my entire family is on the east coast which makes getting to them safely incredibly difficult. But instead of dwelling, my family and I have come up with alternative ways to make Thanksgiving fun. We’ve scheduled a time to have a meal together over video chat and are sharing family recipes so we can feel closer while being so far apart. We’re also doing a virtual decoration competition: My sisters and I are virtually showing off our holiday decorations to the judges (our parents) who will choose a winner. Winner gets to rub it in our faces for the next year that they’re the best at decorating.

Virtually watch a show/movie together: Like I said, I am from Pennsylvania, so watching the annual Philadelphia Dunkin Donuts Thanksgiving Day Parade with my family is very important to me. It’s something we do every year together. Luckily, this year I’ll be able to stream the celebration live and virtually watch along with my family. If you’re not from Philly (an easy assumption) you can watch any other annual Thanksgiving celebration, such as Macy’s Thanksgiving Day Parade or A Charlie Brown Thanksgiving or whatever football game is happening that day. There are so many ways to watch along with your family. Use Google Hangouts, Facetime or Zoom– which is lifting its 40 minute limit on free calls for Thanksgiving day. Which means endless virtual time spent with loved ones. Oh and, DISNEY+ offers “group watching” on their streaming platform, which means you and your long distance family can watch any Disney movie together this Thanksgiving.

Thanksgiving COVID Friendly Activities: Celebrate Thanksgiving with the people you already live with. Watch a movie/show (see above!), attempt cooking a Thanksgiving day meal together, and have a game night! May I offer Charades or Pictionary? (Two of the easiest, most fun games to play). If you live close by to family or friends, safely prepare them a holiday themed dessert to drop off at their door, or vice versa.

Host a virtual food drive through the Utah Food Bank: Register as a team captain and encourage your friends, family and coworkers to fill a virtual grocery cart! This is a fun way to stay connected with family while helping others. Or register to run (by tomorrow at 5pm) in the Utah Human Race. All proceeds from the Utah Human Race go directly to help feed Utahns facing food insecurity.

If you are hosting a gathering: Follow the precautions advised by the CDC and the World Health Organization, wear a mask, stay 6 feet apart, wash and sanitize hands often, have guests bring their own food, drink and dining needs (cups, utensils, plates, etc). Keep windows open to help with air flow. If you can, try and have the gathering outside of your home, make it a Thanksgiving bonfire in your backyard! Frequently clean and disinfect surfaces.

Look, Thanksgiving, and the Holidays in general, are going to be different this year. While I am heartbroken that I can’t travel home to see my family, I know the risk of traveling and gathering with people I don’t already live with is far too great. We all have to do our part to keep ourselves, our families and our community safe.

To learn more about the CDC’s guidelines to celebrating Thanksgiving and the holidays safely this year, click here.

For more health and wellness, click here.

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The Bartenders Box: Drinks Delivered to Your Door

By Eat & Drink

Craft cocktails had become a signature drink in Utah—we all knew what orgeat was, expected fresh-squeezed juice, learned to love obscure and local liquors. Even a two-ingredient classic—like gin and tonic—required artisanal tonic and locally made gin. No more Gordon’s and Canada Dry. Speaking of dry, that’s what happened when COVID hit. Except for a few of us who know someone (and here I should give a shoutout to my nephew Adrian Duran) we were back to the basics. Craft cocktails involve a lot of work that goes on before the bartender starts slinging your drink together. So as COVID convinced more people to stay at home and entertain less, locally-lauded barmaster and owner of Top Shelf bartending services Casey Metzger came up with a better idea: The Bartenders Box.

Delivered to your door, the box holds everything you need for a true craft cocktail: fresh-squeezed juices, specially made elixirs, infusions and garnishes (all protected by insulation and a coldpack), a recipe card and even a little easel to put it on while you shake it up so you can hold forth like a real pro. Scan the QR code and watch the video to learn how to get that wrist-snap just right. Each kit is based on a specific liquor—gin, rum, tequila, etc.—and makes at least eight cocktails. Obviously—this is Utah—you provide the booze. A great gift, a great party for two or four, and a great tasting cocktail (cheap at the price) in the comfort of your own home.

Lear more about The Bartenders Box here: thebartendersbox.com

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Movie Night at Redman: Play it Again, Please!

By Arts & Culture

What a glorious thing is a full-size movie screen! I’ve become so accustomed to TV- and computer-sized viewing, the sight of those giant images kind of took my breath away. I’m not kidding.

We were the guests of City Home Collective (and thank you) last night at Redman Studio Motor Cinema. A few containers arranged around Redman’s back lot accommodate a full-size movie screen to create a semi-permanent pop-up cinema as part of Salt Lake Film Society‘s efforts to keep movie-going alive in the time of Covid.

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We watched Casablanca. Yes, again. This is a movie that never ages, the problems of three little people amounting to more than a hill of beans in a world of crazy. Every line has become a meme. And in a drive-in nobody minds if you recite the lines right along with Ingrid and Humphrey and the always-delightful fat man or cry when the French strumpet sings La Marseillaise.

There is a slight dissonance watching Casablanca during these Covid-warped times—everyone in the movie except Rick is longing to get to America, land of the free. You might find yourself thinking, “What?? I think you might head for Canada, instead.”

For more local A&E, click here.

For more information on Movie Night at Redman, click here.

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The Utah Symphony REIMAGINED.

By Arts & Culture, City Watch, Music

One year ago, I was invited to sit on stage and in very close proximity to the entire Utah Symphony orchestra during a rehearsal: On Stage with the Utah Symphony. What a difference a year can make. The 2020 season came with COVID, and our beloved Utah Symphony was forced into exile. What was to be their 80th Anniversary Gala on May 16, 2020, at Abravanel Hall was canceled. The concert was to include two original selections from the Utah Symphony’s inaugural 1940 concert: Johann Strauss, Jr.’s majestic “Emperor Waltzes” and “Moldau” from Smetana’s Má Vlast, as well as Beethoven’s Violin Concerto, to be performed by Joshua Bell, one of the most celebrated violinists of this generation.

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On Stage with the Utah Symphony. Under the direction of Connor Covington, the symphony rehearsed Tchaikovsky’s “1812 Overture”, an American classic, Aaron Copland’s “Appalachian Spring” as well as Tchaikovsky’s Piano Concerto No. 1 with a guest performance from Ukrainian pianist Anna Fedorova.

With six months of silence, the road back to Abravenal has been a slow and thoughtful one. Much had to happen to ensure everyone’s safety, confidence and ultimately bring back to us the reason we attend a Utah Symphony performance in the first place: To enjoy it. Hired in the midst of the pandemic their newly appointed president and CEO Steven Brosvik says, “In our preparation and evaluation to reopen, we took in the recommendations of several experts including epidemiologists and a chemical engineering team from the U, analyzing airflow and optimum safe distancing.” The plans also have included the scaling back of the size of the orchestra to 40 members (strings-only) until a larger stage expansion can take place and limiting the audience to 400 max. “The ticket office has been extremely busy in accommodating to subscribers, Brosvik says, “All people involved have been incredibly patient and understanding.”

“I’ve felt like a little kid who has been promised ice cream for many weeks,” says Music Director Thierry Fischer, “When we were first introduced to the new arrangement and spacing on stage, it felt strange as orchestra members are accustomed to being in very close proximity with one another.” With only one other symphony orchestra reopening in the United States, Maestro Fischer says, “I personally fought to bring about this reopening, and there were many obstacles. It was a long process with many long meetings. It was a fascinating experience allowing questions, concerns, and strong feelings. It brought about a new leadership approach and dimension of collective building, looking at each point of view. It has been incredible.”

Maestro Fischer said, “It’s not about being upset, it’s about making things happen. Our responsibility is bigger. To succeed here we realized that we have to do it totally together and building collectively.”

USUO consulted with Tony Saad and James Sutherland, who as chemical engineering professors from the University of Utah created a software analytical program 10 years in the making to determine the existing air-fluidity (flow) and intake on the performance stage and throughout the auditorium. By testing several different approaches they were able to make their most favorable safety recommendations. With this study in conjunction with other research by a local epidemiologist, the USUO leadership formed a strategy based upon their reports. James Sutherland said, “We often worried about making Theirry Fischer upset with the changes, and if it would still work for them?” Standing close, Maestro Fischer said, “It’s not about being upset, it’s about making things happen. Our responsibility is bigger. To succeed here we realized that we have to do it totally together and building collectively.”

For the most up-to-date information, visit usuo.org and follow on social media. Tickets may be purchased using the new Utah Symphony/Utah Opera mobile app, available free for iPhone and Android. Tickets may also be purchased online at usuo.org, or by calling USUO Patron Services at 801-533-NOTE (6683) or through ArtTix.org.

 

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Hideout Continues to Pursue Annexation of Summit County Land

By City Watch

Hideout’s ongoing annexation attempt of land in Summit County won’t relent. What began with a hastily-signed, clandestine bill—H.B. 359—from a July special legislative session has become an ongoing saga exposing deep rifts in visions for the future of the Wasatch back. On one side are supporters of development being imperative to meet inevitable growth goals for the area. On the other are those who demand transparency and clear public benefit behind building. In the middle is Hideout, a municipality of approximately 1,000 people in Wasatch County which has doubled down on its unpopular effort to annex land from neighboring Summit County.

A quick recap for those who haven’t been paying attention. The aforementioned H.B. 359 was amended with language allowing a municipality to annex unincorporated land across county lines without outside approval. The amendment passed with little to no discussion, allowing Hideout to pursue annexation of land near Richardson Flat. Developers Nate Brockbank and Josh Romney—Mitt’s son, who has since been bought out of development rights by Brockbank—secured a pre-annexation agreement with Hideout to build a Kimball Junction sized development on the land. After intense public outcry and resistance from Summit County and Park City officials, lawmakers who initially supported the bill subsequently repealed it during an August special session, claiming the bill had been misrepresented to them. After a lawsuit by Summit County and an injunction from a district judge, it appeared the Hideout annexation was dead, a special interest project gone awry and exposed to the light of day. But Hideout wasn’t finished.

On September 10, Hideout began a new process to annex land in Summit County during the 60-day window before the repeal of H.B. 359 goes into effect. The revised annexation plan includes about 350 acres straddling Richardson Flat Road, reduced from the 650 sought in the initial annexation agreement. Hideout now has 30 days from September 10 to hold a public hearing, after which it can officially annex the land and determine how it’s developed.

The Hideout Council contends the town requires commercial amenities like grocery stores, gas stations, retail spaces, mixed cost housing and even a school. Hideout councilors and Brockbank insist everything has been done above board, according the letter of the law, arguing the town’s expansion is essential to gaining political legitimacy. Outside observers, however, find the unilateral process unseemly. H.B. 359 was quickly repealed by state legislators upon the public discovering its implications, showing there’s very little appetite for the move from anyone outside of Hideout.

Hideout itself was incorporated under a short-live state law, H.B. 446 in 2008. The town announced a public hearing about the proposed annexation will be held on October 12 and 6:00 p.m. If you have input on the issue of Hideout’s annexation or the way it’s been pursued, make sure to attend. It will most likely be virtual event due to public health restrictions.

Read more of our community coverage here.

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Artist of SLC: When Art Venues Close, Online Sales Can Boom

By Arts & Culture

In the beginning, Issac Hastings found himself in a collective space with a bunch of different artists and thought that being a painter was the only way to go about his work as an artist. Later, wanting to explore other options, he came across a screen printing press shop and was pulled in by the medium of ink, how tactile it was, how altering the layers and amount of ink could change the look, and began to pursue designing his own T-shirts. With his first design, Isaac was invited to set up a table at an open studio event and quickly sold out: IHSQUARED was born. A participant in Craft Lake City for 10 years in a row, for several years he also traveled the arts festival circuit all around the country. Then COVID hit.

And a mural, too..

Evan Jed Memmott and Isaac Hastings pulled out the rollers and brushes to

give their mural at Clever Octopus (2250 S. West Temple,) an upcycled arts and crafts business, a more “screen-printed” look and feel, using a technique that is more common to their method of spreading ink than mural painting. As explained by Isaac, “We were able to achieve texture and dimension, not by shading or traditional spraying, but with only a few colors. The illusion of depth is from the spacing between lines, or from the placement and proximity of dabs or dots of paint.”

Now Isaac sells his original tees and tapestries online—ihsquared.com. Recently he added a tarot deck. And fortunately, while art and music festivals were canceled, online sales continued to climb. For a closed event in Seattle, Isaac announced an exclusive sale for those living in Washington, and the response was favorable, “Folks usually wait to see me in person versus buying online. This was the biggest feeling of love ever, to ll orders and be supported, it was awesome.”

Isaac explains his dark-themed or even frightening designs: “I find a lot of beauty in the increments of life. We’re here as long as we are here—experiences have made me appreciate the life death balance. I love ecosystems, the grim reaper in the form of the vulture to clean up the bones and also allowing things to survive and thrive. Sometimes it’s gnarly and scary, but such is a part of everything.”

For more on artist Issac Hastings and IHSQUARED, visit ihsquared.com

For more A&E, click here.