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Discover Salt Lake magazine’s Arts & Culture section. Here you’ll find stories and reviews about local arts, music, film, theater and great events to help you explore the vibrant arts & entertainment communities along the Wasatch Front and Wasatch Back and across Utah.

From our music writers, you’ll find local show previews, festival reviews and interviews with artists. We are also your premiere source on all things Sundance Film Festival. Peruse our archives for film reviews, event roundups and more!

The Beehive State is buzzing with Arts & Entertainment activities, find an event that fits your interest at Salt Lake magazine. Between live performances, arts festivals, craft courses and visual art events, there is bound to be something that fits your interest.

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Aladdin’s Magic Carpet Flies into the Eccles

By Arts & Culture

Who can’t relate to the story of the orphaned and outcast Aladdin, rummaging his way through life with high hopes of something better? And then there’s Jasmine. Her black hair is glossy, her tan, flawless, with a waistline as epic as a flying carpet ride. And she has a pet tiger?!

AladdinDisney’s Aladdin at the Eccles Theater

April 25 – May 12, 2019

Best Availability:
-Matinee May 2 at 2 p.m.
-Weeknight performances May 2 – 9
-Sunday evenings in May at 6:30 p.m.

Tickets and info here 

If you can’t resist these two, all you gotta do is steal a magic lamp and give it a polish and your wish will be granted. Disney’s Aladdin is coming in its Broadway musical form to the Eccles Theatre, for a run from April 25 through May 12, 2019. It’s a whole new world, baby.

And, Aladdin is just one of many ways that Eccles is bringing Broadway to SLC. We can also look forward to upcoming shows such as the 20th-anniversary tour of RENT, The Book of Mormon musical (how appropriate) and School of Rock (minus, Jack Black).

Can’t watch what you don’t know about. Learn more of SLC’s shows and events here.

Aladdin

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Utah Arts Festival Music Lineup Annouced

By Arts & Culture

Can it be? Has another year gone by? Yes. The Utah Arts Festival is coming, again. The surest sign of summer in SLC and the folks at UAF just rolled out the music line up for 2019. So picture yourself paying too much for beer at Library Square, as is tradition, and decide which of these shows you will be sipping your drinks at.

Utah Arts Festival The Slackers will be kicking things off on June 20th bringing their Ska, Reggae, and Soul blend to Salt Lake City. They are deeply rooted in ska and bring a unique “Jamaican Rock n’ Roll” sound that sets them apart.

 

 

The Steel Woods will follow on Friday June 21st. They are labeled as a southern blues-rock band with a little bit of R&B, country, gospel, bluegrass, blues, folk and metal sprinkled in there.

Utah Arts Festival Caroline Rose will be closing out Friday night with a lot of instruments, a sense of humor, and some angsty pop music.

Saturday, June 22nd Christine Lavin grace us with her musical roots of contemporary folk music. Based out of New York City, Lavin has recorded numerous solo albums and has also done some work with other female folk artists.

Head for the Hills will be play the Amphitheater Stage on the 22nd. They are rooted in bluegrass but have been pushing for more futuristic sounds. Their music is a little bit of jazz, indie, hip-hop, soul, and folk that have all been mended together to create a very, well, whatever that mix makes. Just go.

Utah Arts Festival The Festival Stage will play host to Tinsley Ellis, the Southern blues-rock guitar wizard. This bona fide “guitar hero” will bring the heat.

Hot Buttered Rum ‘s  five amazing musicians will bring the jam on string-bass, fiddle, guitar, banjo, mandolin make up some of the incredible sounds this group has put together. Get ready for some twirlers and noodlers in the pit.

Utah Arts Festival

MarchFourth will close out the festival on Sunday the 23rd. They are an explosion of brassy funk, rock, and jazz. This will be a performance delivered by 20 performers on stage. Yes, 20 people will be up on stage.

Get tickets and info about under the Utah Arts Festival link.

See all of our A&E Coverage here.

 

Go West with Modern West’s New Space

By Arts & Culture

Experiential. That’s the new buzzword in art galleries and exhibition spaces. It has various degrees of interpretation—from Meow Wolf in Santa Fe to the pumpkin environment of Yayoi Kasuma, but the basic idea is the same: Instead of approaching art as something to look at, art is conceived as something to interact with. Actually, to be in.

Mountain West Gallery

LEFT TO RIGHT: Tylor Pilcher, event manager; gallery owner Diane Stewart; gallery director Shalee Cooper; gallerist/curator Liberty Blake

Book it, Diane : A Taschen Library

Besides Modern West’s gallery, the space will also feature a Taschen Library, one of only a handful in the United States. The high-quality art, design, architecture and photography books from this publisher are nearly works of art in themselves. Stewart has plans to bring in Taschen authors and feature discussion groups about various topics.

The traditional white-walled gallery will probably never go away, but as usual in Salt Lake City, the art dealer and connoisseur Diane Stewart is the first one to breach the veil.

“Our lease was up. It was time to move,” she says. Impressively, in a town that only dips its toe in visual arts, her downtown Modern West Gallery needed to expand. Currently, it occupies 4,000 square feet; the new space has 10,000 square feet.

As of April 6, Modern West will be housed in an old brick engineering building on 700 West. It’s on the historic register and when I visited, the industrial windows and brick walls were not quite a work in progress that I could recognize. But Stewart has it all in her head. She is not just moving her gallery; she’s reconceiving it. “Expanded boundaries means expanded imagination,” she says, and she has traveled to Art Basel, Seattle Art Show, Palm Springs Art Fair and Meow Wolf to feed her vision.

“These are the moveable walls,” she says, indicating a pile of rectangles on the floor. She will be able to essentially rebuild the gallery according to the exhibit. The new space will have a courtyard for events and placing sculpture, and has room for showing the work of more installation artists and video artists. “We’re expanding the ways we’re showing art,” says Stewart. “We want our shows to be more thematically oriented. And we want to expand our mission to be more inclusive of patrons, collectors and artists. A lot of our collectors don’t live in the state.”

Stewart sees Modern West as embracing and representing a larger idea of the American West—Western in the broadest, cultural, historical sense. And she has the further ambition for a gallery that will not just show artwork, but nurture artists. “I want it to be a gathering space for artists and collectors. I want to create a community,” she says. “Economic development follows creative, not the other way around.” 

Modern WestFine Art, 412 S. 700 West, SLC, 801-355-3383

See all of our visual arts coverage here.

Subscribers can see more. Sign up and you’ll be included in our membership program and get access to exclusive deals, premium content and more. Get the magazine, get the deals, get the best of life in Utah! 

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FanX Spring 2019 Day One: Scaled-back, Still Massive

By Arts & Culture

FanX, Salt Lake City’s big pop culture fan convention, returned to the Salt Palace Convention Center for its slightly scaled-back spring 2019 event — two days of instead of the usual three, no carnival-like press conference, no panels at the Vivint Arena, fewer A-listers. Of course, even scaled-back, FanX spring 2019 is big. This weekend, fans are meeting stars like John Cleese, Zachary Levi and Alice Cooper (yes, really); dressing as their favorite characters and meeting the geniuses who invented them; buying work from local and traveling artists; and discussing deeply important issues, like whether or not Thanos was right in Avengers: Infinity War (he was). FanX runs through April 20.

My first day of FanX spring 2019 was pretty big, too:

FanX Spring 209

Me and my new friend, Garrett Wang. I mean, a two-minute interview makes us friends, right?

After my first coffee cup, I was granted the opportunity to chat with Garrett Wang (Ensign Harry Kim, Star Trek: Voyager). After a long break from Hollywood, 2005 to two weeks ago, Wang says he’s excited to go back.

While new projects may be on the horizon, he looks fondly on his time on Voyager. One of his favorite moments was filming the pilot episode, Caretaker. “Going on location to the various places we went to, it was a very exciting time, just getting to know the actors that I would end up being friends with for the next seven years.” Wang added that he’s appreciative of Crazy Rich Asians, since the film has opened doors for more Asian male leads.

Fan-favorite artist at the convention, Camilla d’Errico, was also up for a chat.

Hanging with Camilla d’Errico at FanX spring 2019

This year, she is showing off her new mermaid coloring book, along with other new merchandise, including pins and clothing featuring her artwork. Yesterday, she held a panel on artwork for coloring books. You can meet d’Errico and check out her surreal, bubbly pop art at booth 413, or browse her Etsy store.

Going from two stars to a third, I grabbed a coffee and headed to John Cleese’s panel, where the comedic legend didn’t pull punches. “It’s quite nice being old, because you just don’t give a fuck,” Cleese said. “Climate change? Who cares?” Clearly, Cleese doesn’t. Over the course of his panel, he roasted the Utah Jazz for their contradictory name, President Donald Trump for having “never read a book,” and even his former Monty Python colleagues, mentioning that Michael Palin’s travel programs have been “ass-achingly boring.” However, Cleese only had good things to say about his work with Megan Mullally on Will & Grace. For more of Cleese’s blunt humor, see his Las Vegas show in November.

FanX Spring 2019

Maybe the best part of FanX is what you see when you’re on your way somewhere else. Between interviews, panels and cups of coffee, I met incredible artists, took a peek at nerdy fun like a court room to get a final verdict in nerd disputes and the KidCon princess tea party (read our write-up on KidCon), and marveled over fans’ intricate costumes.

FanX Spring 2019

Sharyl Sykora as a drow from Dungeons & Dragons. Sykora uses her cosplay to raise money to fight multiple sclerosis.

FanX Spring 2019

Local artist Megan Jimenez of Burning Elegance shows her wood-burned art at FanX spring 2019.

FanX spring 2019

A princess tea party at KidCon

FanX spring 2019

The family that cosplays together stays together.

FanX Spring 2019

Groot at FanX

FanX Spring 2019

Chalk art outside the Salt Palace

The day ended just as wonderfully as it started, with a Hogan’s Hero dog and beer at Fat Jack’s Tap House, directly across the street from the Salt Palace.FanX spring 2019

One last thing: The cleanest set of bathrooms at the Salt Palace seem to be the ones just north of the vendor hall on the lower level, near the area fans are taking photos with celebs. All of that coffee led me to use pretty much all of them.

Look for a recap of day two from our writer Johnny Max Thomas.

Read all of our FanX coverage here.

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The Butterfly Biosphere and Why You Need To Go

By Arts & Culture

Most magical of creatures. It’s hard to believe butterflies are even related to earthbound insects and harder to believe they start life as a tiny worm-like caterpillar. Their metamorphosis is one of nature’s miracles. The Butterfly Biosphere at Thanksgiving Point is made up of roughly 40,000 square feet—about 10,000 of that space is the butterfly conservatory where you will find yourself amidst hundreds, some days thousands of bright-wings. Butterflies fluttering around and above you, even landing on you—your chance to befriend a butterfly.

3003 N. Thanksgiving Way, Lehi, 801-768-2300. thanksgivingpoint.org

Subscribers can see more. Sign up and you’ll be included in our membership program and get access to exclusive deals, premium content and more. Get the magazine, get the deals, get the best of life in Utah! 

Two Exhibits Examine The Race to Promontory

By Arts & Culture

One of the defining moments in American history happened 150 years ago. In Utah. The completion of the transcontinental railroad joined the two coasts of the country, setting the stage for future history. The Utah Museum of Fine Arts celebrates the moment with an exhibit “The Race to Promontory” until May 26. The Utah State Capitol has another exhibit—including the Golden Spike—on display until May 12, 2019.

Race to Promontory


Subscribers can see more. Sign up and you’ll be included in our membership program and get access to exclusive deals, premium content and more. Get the magazine, get the deals, get the best of life in Utah! 

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Ballet West’s ‘Onegin’ Soars

By Arts & Culture

April 5, 2019, was opening night for the Utah Premiere of Ballet West’s Onegin choreographed by John Cranko, based on the verse-novel by Alexander Pushkin. This story of story unrequited young love with tragic consequence had its 1965 world premiere in Stuttgart, Germany.

Ballet West’s Creative Director Adam Sklute says, “Onegin is considered by many to be one of the world’s greatest ballets, and it is quite an honor for Ballet West to be granted permission to present it.”

Onegin will run April 10–13, 2019
Where: The Capitol Theatre
Matinee: April 13, 2019.
Tickets and info: Go to balletwest.org

Set to music by Pyotr Ilyich Tchaikovsky (naturally), leads Arolyn Williams as Tatiana and Rex Tilton as Onegin were excellent for this tragic ballet. Rex Tilton portrayed a mix of brooding and angst throughout the evening and when partnering Arolyn in the first pas de deux danced with convincing love and tenderness. Rex is an athletic dancer who is powerful, light on his feet and yet grounded and solid. Jenna Rae Herrera danced the role of Olga, Tatiana’s sister, the love of Onegin’s best friend Lensky, danced by Joshua Shutkind. Joshua was a standout for me; I believe he is a rising star for Ballet West.  Joshua and Jenna’s pas de deux was a celebration of young love and happiness, and they had lovely chemistry as partners.

Musical Director Jared Oaks brilliantly took on a score that is both technical and fast-paced.  As an amusing side note, the old characters who attended Tatiana’s Birthday party were captivating as well. Christopher Rudd and Sayaka Ohtaki were hilarious as a couple, and it was hard to not watch them instead of what was going on center stage.

With staging by Jane Bourne, the costumes and scenery were on loan courtesy of The National Ballet of Canada. The ombre colors of the skirts of the ballroom dresses and tights were captivating and with red drapery and glistening large chandeliers; you felt as if you were guests at the Prince Germin (Lucas Horn) Ball.

It’s most unique aspect was that while a “classical” ballet, Onegin was choreographed in the ’60s, which adds a modern feel with unique lifts, use of the hands, and difficult choreography and leaps. Very much worth attending, Onegin ended with a standing ovation and much applause from attendees.

See all of our dance coverage here.

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We Got Spiritualized at The Depot

By Arts & Culture, Music

Last Friday, April 5, 2019, at the Depot was a mix of ingredients that made for what felt like a tepid 20-year high school reunion. The show was at 8:30. Doors opened at a responsible 7 p.m: more than enough time for the audience to filter in and take one of the metal seats splayed throughout the hall. There was a lot of flannel-wearing, middle-aged sophisticates engaging in fluttery chatter and laughter. A bartender circulated the room, taking drink orders. Even the drunken heckler who kept screaming some inane phrase considerately wrapped up his spectacle and was escorted out after a few minutes.

Photo credit: Charissa Che

Instead of a Spiritualized show, were we at a lounge with a live band? A cozy graduation? A PTA assembly? One couldn’t be totally sure.

Spiritualized

Photo credit: Charissa Che

Singer/guitarist Jason Pierce came out in sunglasses and went straight to his slightly comfier-looking chair at the far right of our periphery. At least for the first three-quarters of the show (before I left) he did not once acknowledge the people who came to see him, or engage at all with us or his own band – who was scattered on the other side of the stage. Upon recollection, he didn’t turn his head at all. The right side of the room watched his back the whole time. Eyes on his lyrics, he strummed his electric guitar as some neat colors swirled behind him (one nearby observer likened it to a Windows screensaver: not entirely inaccurate). Behind Pierce were three backup gospel singers who conveyed more emotion than everyone else. Too bad they weren’t at the fore of the show.

Spiritualized

Photo credit: Charissa Che

Maybe Pierce played aloof to maintain an aura of mystery about him? Was that a brand he had to uphold? Again, one could only guess. Before half his set was through, the metal seats had largely been vacated by their previous occupants. Some people socialized at the bar and others were just gone.

Photo credit: Charissa Che

There’s the good kind of “weird” show, where maybe the frontman is eccentric but still engaging. Then, there was this one, which seemed to be more of a casual gathering of people who happened to like the same band, the band, who happened to be passing through, so why not, and a good ol’ fashioned time where people could sip their Bud Lights while relaxing their backs and catching up. Which is cool, if that’s what you knew you were heading into. But if you were heading to a venue that is typically known for putting on rock and indie shows with standing room, a feeling of community, and just general excitement, this was not going to be your jam.

Spiritualized

Photo credit: Charissa Che

To peek more pics from the show, go here. (They were taken sans a photo pit, and therefore with as much possible effort without impeding any of the seated audience’s view. Perhaps they adequately convey the vibe described above.)

See all our music coverage here.

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“Jazz and Other Drugs” Brings Local Utah Talent to the Fore

By Arts & Culture, Music

Jazz and Other Drugs” was a pleasant way to start off this past weekend. On Saturday, April 6, 2019, friends, family, and local music fans gathered at the Sugar Space to watch six of Utah’s gifted jazz musicians showcase their talent. The occasion was simple: to celebrate instrumentalists and singers (and as a bonus, boost the visibility of Asian American musicians) in the community. Thanks to curator-emcee-performer Brandan Ngo, audiences were privy to a cozy and communal experience.

I interviewed Ngo and singer-guitarist Amanda Lau (who sang a kickass cover of “Rubber Ducky,” mind you) post-show to pick their brains about what brought on the show, why it mattered, and what we might expect from them in the future. The show also featured the stylings of the Merry Kim Kim Trio (keyboardist Jon Kim; cellist John Kim; drummer Aaron Merry), Drew Olsen, Alex Bowen, John Bergquist, and April Kerr. Check them all out in action here.

Brandan Ngo and the Merry Kim-Kim Trio. Photo credit: Charissa Che

Can you tell me why this show was conceived?

Amanda: Brandan! His passion for music and involvement in other local productions motivated him to create his own show. I like to think this concert was his dream come true, the first of many shows I hope!

Brandan: I’ve always wanted to make music, and put on a show with talented musicians, but for some reason it seemed like an unattainable goal for many, many years. I was always waiting for the opportunity to present itself to me; waiting for permission from “people in charge” to grant me a path to go out and perform.

This show is actually a result of a fortunate sequence of events. My friend April Kerr, who is featured in this concert, put on her own concert sometime last year to promote the release of her first ever album. It was an incredible night full of talented friends. Walking out of that, something started fomenting at the back of my mind. I had just watched my friend put something amazing together out of her own volition. It was a novel idea and still quite exotic to me. After months and months of auditioning and searching for opportunities, and after one particularly nasty audition, it finally clicked. If I want to see myself on stage so badly, then I need to put myself on stage. Nothing is stopping me from creating my opportunity. My voice teacher, Keri Hughes, was a great catalyst in getting this concert idea going as well. I knew I wanted to do it; she’s the one that affirmed I’d be crazy not to.

Amanda Lau. Photo credit: Charissa Che

What do you hope to leave your audience with?

Amanda: The joy of jazz!  

Brandan: I hope to leave my audience with a spark and a hunger to create something of their own; the same spark I left with after leaving my friend’s concert a year ago. Good art should inspire you to consume more art; great art should inspire you to create it. I hope at least one person in my audience leaves to finally write that song or take that photograph or choreograph that dance.

John Kim and Aaron Merry. Photo credit: Charissa Che

Tell me a little about the pieces you’ll be performing. Why did you choose them for this occasion?

Amanda: ‘A Love That Will Last” by Renee Olstead – I sang this at a wedding last year, but at the reception, I couldn’t hear myself and I was so nervous that I forgot an entire verse! I cherished the opportunity to play this song again in a more intimate and forgiving setting. I sent Brandan a link to the song and right away, he said “Yes, do this one!” and put it on the set list. Later, he offered me to sing a second song and I said “Yes, if you’ll have me!” I was so thankful, I could literally jam all day, all night. But I was so indecisive on what my second song should be. I kept wavering back to ‘Rubber Duckie’ by Ernie (yes, the Sesame Street one). It’s one of my fun, guilty pleasure songs. When I told Brandan I was thinking of playing this song, I was worried he would think it’s too weird. But instead, he was 100% supportive and said “Yes, do it!” 

Brandan: My first real exposure to jazz was in junior high. I don’t remember how I stumbled upon it, but Bobby Darin’s “Beyond the Sea” was a tune that [I] took to… right away. Like many things about your personality, you never quite know why something sticks with you or resonates with you. But I never grew tired of it. I felt it would be fitting for my first concert to be a night of jazz music. This night [would] feature a selection of jazz standards, pop, showtunes, and a few originals. Mostly songs about love and heartbreak, as jazz is wont to [be about].

Left to right: Drew Olson, Alex Bowen, and John Bergquist. Photo credit: Charissa Che

What’s your musical background?

Amanda: I’ve taken 12 years of classical piano lessons ever since I was 5 – thanks mom! In high school, I was in marching band as a clarinetist and in a jazz band as a pianist / xylophonist. I only started singing at the beginning of college, when I bought my first guitar on eBay and would casually practice chords in my dorm room. I do have one original song, called ‘Outcast Your Light,’ which is a hip hop track I wrote for a school project. Calling music my hobby feels like an understatement; even though it’s not my chosen career, music has always been a big part of my life. Every now and then, I get to sing at weddings or community festivals, which is always a treat and a fun way to keep up with music.

Brandan: I have been singing in choirs since high school. I was in the University of Utah Chamber Choir from 2013 to 2015, and went on tour with them to France where we placed 1st in two international choir competitions. I’ve also been doing musical theatre around the valley for several years, including a couple shows at Hale Center Theatre. I’m also a novice ukulele player and a very very very novice drummer. 

April Kerr and John Kim. Photo credit: Charissa Che

What would you like to see in the SLC music culture that is not currently there?

Amanda: More Asian American representation across different genres of music! 

Brandan: This is actually my first venture into the life of a local musician as opposed to an audience member, so I have a limited perspective on what the culture needs. From what I’ve seen, there are already a handful of great venues here for small artists to share their art and create opportunity. In [the] future, I hope to see more of these small venues popping up that are working for the artists and the community.

Jon Kim. Photo credit: Charissa Che

Going forward, where do you hope to take your talents? Any shows planned for the future?

Amanda: I would love to be part of more shows just like this one! I love a cozy, relaxed setting. It feels like home, or my favorite coffee shop. I’d love to collaborate with other musicians, like my younger brother Matthew, who is in his own band, Joker’s Hand! No shows in the future… yet. 

Brandan: There’s nothing like creating live music with talented artists for receptive, supportive audiences. I hope to keep singing, and more importantly, I’ve found I want to keep bringing artists together who have maybe never worked with each other before. I want to put artists on stage who never dreamed they’d ever find the opportunity to stand behind the microphone. I hope to be able to contribute to an already thriving local artist scene where everyone inspires everyone else to keep making music, on their own or with each other. As for shows planned for the future, I want to meet more musicians and artists, so I’m certain that means putting on more shows.

Jon Kim, John Kim, and Brandan Ngo. Photo credit: Charissa Che

Check out more pics from “Jazz and Other Drugs” here.

See all our music coverage here.