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Glen Warchol

The late, great Glen Warchol passed away in 2018. His last billet was on the editorial staff here at Salt Lake magazine but his storied career included stops at The Salt Lake Tribune, The Desert News, The New Times and others. His stories haunt this website like ghosts in a machine and we're always happy to see them. RIP Papa Warchol.

Why Sane Liquor Laws Matter

By City Watch
With the Legislative session on the horizon, we offer the conclusion of Salt Lake magazine’s exploration of Utah’s Byzantine liquor laws.

Utah’s predominately teetotaling Legislature and governor are well aware of the dangers of alcohol abuse and the state liquor monopoly’s skyrocketing revenues—from $156 million in 2002 to $396 million in 2015. But what they don’t understand are the intangible aspects of wine, beer and spirits as a part of food culture, a passion and an art form.

Since the turn of the century Utah’s population has been bolstered by young professional transplants who see drinking a part of a “good life.” Consumption overall is going up and wine drinkers are becoming more discriminating—the national trend is towards higher-price, higher-quality wine. Utah’s one-style-suits-most wine and spirits selection doesn’t cater to a wide selection of interests and palates, which is why aficionados return from places like California and Washington—where stores may stock more intriguing or rare wines—with bottles stashed in their suitcases. Buying wine is just like buying anything else—tastes differ. Some fashion customers shop at Nordstrom, some shop at Walmart.

Joel LaSalle

“One of the things that is sort of intuitive is that visitors come here for convention and leisure travel and they’re a different demographic than the majority of folks who live in the state,” Scott Beck, president of Visit Salt Lake, told The Salt Lake Tribune. “Outside of Utah, drinking is not a moral issue. It’s a social issue.”

 “If we want the highest quality in hospitality, in food and beverage—they go hand in hand,” says restaurateur Joel LaSalle, “especially for visitors and people who are moving here who are foodies. Around the world, everyone knows that great wine means great dining.”

Click here for DABC Smashed in chapters.

Or read the article on our digital edition.

DABC Detox

By City Watch

Editor’s note: When the Legislature meets later this month, they are expected to consider “tweaks” to Utah’s arcane liquor laws. But restaurateurs, bar owners and resort executives say that falls far short of the fixes required to keep the state competitive in bringing in tourists, conventions and developing a robust local dining culture.

In short, the myth, “You can’t get a drink in Utah,” is alive and well.

 

Mike Mower, long-time Republican political operative, hustles down a Capitol staircase to a meeting. “I love it,” he says of his job as Gov. Gary Herbert’s deputy chief of staff. “As a kid in Ferron, I would have never have believed that someday I would be working in this beautiful building.”

Mower is good at his job. You would never guess from his Boy Scout enthusiasm that he was handed the nightmare task of controlling the spreading public rage at Utah’s dysfunctional Department of Alcoholic Beverage Control. On this sunny afternoon, Mower cheerfully explains that the Governor’s Office’s scrutiny of the DABC is just a part of a state-wide efficiency program being implemented by Kristen Cox, executive director of the Governor’s Office of Management and Budget.

In truth, DABC’s problems are vastly more politically perilous. Besides an avalanche of complaints, Mower is faced with DABC Commission meetings at which former employees, wine lovers and even a state senator leveled charges of employee abuse and gratuitous firings, inept customer service, security problems, inventory shortages and arrogant disregard of the state’s tourism economy that depends on providing quality wine and liquor. Utah hoteliers and restaurateurs bitterly complain that after a short period of progress under former Gov. Jon Huntsman Jr., Utah is again the laughingstock of the world for its puritanical and absurd liquor laws.

“The morale at the DABC has never been lower,” says Brent Clifford, retired wine buyer at the agency for 37 years, who has become one of DABC management’s angriest and most knowledgable critics. “Employees feel they are under siege and badgered to constantly do more. And the current leadership is clueless.” Tracey Creno, a police officer who provides security at the Sandy store, complained of intimidation, spying and retaliation against employees. “I’ve had a gutfull of DABC,” she told the commission.

Sen. Karen Mayne, a West Valley City Democrat, tore into the DABC over “email after email” she had gotten from employees complaining of arrogant managers who bully them. Two wine experts quit the Metro Wine Store downtown in protest of their work environment and the decline in quality of selection. “[Selling alcohol and wine] is a skilled craft and should be treated that way,” Mayne told the commissioners at a public meeting. “We [the state] are generating millions of dollars from your business.”
The roiling controversy at the DABC has spread far enough to splatter Herbert.

 

“That’s how I got involved,” Mower explains his role. “If there isn’t enough time for people to meet with the governor, I meet with them. I look to see if some changes need to be made. I said, ‘Let’s get Kris’s team on the ground. Let’s see if there are changes that should be made—operational stuff.’ ”

But Clifford, who resigned in 2012 from the DABC, protesting the agency’s short-sighted shift to profits over quality, and other critics inside and outside of the agency aren’t optimistic Herbert will do much. “Mower’s one of the best political handlers out there,” says Clifford. “Gary Herbert wants the bad press to go away. He wants it to happen before he runs [for reelection]. I don’t believe he’s serious about fixing the issues down there.”

 

Others, including retired DABC Human Resources Specialist Kerri Adams, who has brought the employee complaints to the commission and Mower, also fears the governor’s office is doing little more than letting employees vent, hoping it will mollify them. After all, only the Legislature can make meaningful fixes and Adams and Clifford agree there is little appetite on the Hill for significant law changes to make liquor sales easier.

Click here to continue with DABC: A Peculiar Institution

Or read it in its entirety on our digital edition here.

DABC SMASHED

By City Watch

Mike Mower, long-time Republican political operative, hustles up a Capitol staircase to a meeting. “I love it,” he says of his job as Gov. Gary Herbert’s deputy chief of staff. “As a kid in Ferron, I would have never have believed that someday I would be working in this beautiful building.”

Mower is good at his job. You would never guess from his Boy Scout enthusiasm that he was handed the nightmare job of controlling the spreading public rage at Utah’s dysfunctional Department of Alcoholic Beverages. On this sunny afternoon, Mower  cheerfully explains that the his office’s scrutiny of the DABC is just a part of an state-wide efficiency program being implemented by Kristen Cox, director of the Governor’s Office of Planning and Budget.

In truth, DABC’s problems are vastly more political. Besides the avalanche of complaints, Mower is faced with DABC Commission meetings at which former employees, wine lovers and even a state senator, leveled charges of employee mistreatment and gratuitous firings, inept customer service, security problems, inventory shortages and arrogant disregard of the state’s tourism economy that depends on providing quality wine and liquor. Utah hoteliers and restaurateurs bitterly complain that after a short period of progress under former Gov. Jon Huntsman Jr., Utah is again the laughingstock of the nation for its puritanical and absurd liquor laws.

In short, the reputation that you “can’t get a drink in Utah” is alive and well.

“The morale at the DABC has never been lower,” says Brent Clifford, retired wine buyer at the agency for 37 years, who has become one of DABC management’s angriest and most knowledgable critics. “Employees feel they are under siege and badgered to constantly do more. And the current leadership is clueless.”

Sen. Karen Mayne, a West Valley City Democrat, tore into the DABC Commission over “email after email” she had gotten from employees complaining of a culture of arrogant managers who spy on and bully them. Two wine experts quit the Metro Wine Store downtown in protest of their work environment and the decline in quality of selection. “[Selling alcohol and wine] is a skilled craft and should be treated that way,” Mayne told the commissioners at their April public meeting. “We [the state] are generating millions of dollars from your business.”

The roiling controversy at the DABC has spread far enough to splatter Herbert.

“That’s how I got involved,” Mower explains his role. “If there isn’t enough time for people to meet with the governor, I meet with them. I look to see if some changes need to be made. I said, ‘Let’s get Kris’ team on the ground. Let’s see if there are changes that should be made—operational stuff.’ ”

But Clifford, who resigned from the DABC, protesting the agency’s short-sighted shift to profits over quality in 2011, and other critics inside and outside of the agency aren’t optimistic Herbert will do much. “Mower’s one of the best political handlers out there,” says Clifford. “Gary Herbert wants the bad press to go away. He wants it to happen before he runs [for reelection] next year. I don’t believe he’s serious about fixing the issues down there.”

Others, including retired DABC Human Resources Specialist Kerri Adams, who has brought the employee complaints to the commission and Mower, also fears the governor’s office is doing little more than letting employees vent, hoping it will mollify them. After all, only the Legislature can make meaningful fixes and Adams and Clifford agree there is little appetite on the Hill for significant law changes to make liquor sales easier.

A Peculiar Situation

It speaks volumes about the culture of the DABC that many restaurant, bar and club owners refused to speak on the record for this article. As one put it, “You have no idea of the power of the DABC. They have long memories and they arevindictive.”

But Joel LaSalle, who is an owner of several restaurants and bars and is president of the Salt Lake Area Restaurant Association, was clear. First and foremost, he says, the absurd Zion Curtain requirement must be eliminated. He’s talking about the Legislature’s 2010 requirement that a partition be erected between restaurant patrons and bartenders preparing drinks to  prevent non-drinking customers from witnessing drinks being made. Former Sen. John Valentine, ironically dubbed “Mr. Liquor” as thepoint man for the law changes, the governor and other lawmakers feared that the entertaining spectacle of cocktail mixing would lure children into drinking.

Restaurant owners—and about two-thirds of Utahns surveyed by Utah Policy.com—say the  Curtain should come down. “The biggest single issue is the Zion Curtain because it is a barrier that is sitting out there for everyone to see,” LaSalle says of the partition’s symbolic power. “It’s in our customers’ faces. And it’s an absolute embarrassment for us in serving people coming from out of town.”

From a restaurateur’s point of view, the Zion Curtain is a financial burden, too. LaSalle says the partition at Current cost $16,000 to install. And it impact doesn’t stop there, he says, “It costs us thousands of dollars a month in sales—I can’t seat people at the bar—they don’t want to sit six or seven inches from a glass wall.”

Another absurdity for diners and restaurant owners is the “intent to dine” requirement, which forces restaurant servers to quiz patrons on whether they intend to order food before they can serve them a drink. Like many of the state’s vague liquor laws, it annoys customers and ultimately is probably unenforceable. As one beverage manager  asked, “What can I do if they get up and leave before they order food?”

LaSalle is more to the point: “A judge in a court of law would be hard pressed to go against a restaurateur who said, ‘We own a restaurant, we serve food and they asked for a table—we could only assume food was what they were there for.’

Mower deflects such frustrations by patiently explaining that Utah’s monopolized liquor regulations really are not that much different from the 17 other states that directly control liquor sales. And, he points out, these fixes can only be implemented by the Legislature. “I’m not here to defend or change the liquor laws,” Mower says. “The Legislature will do that.”

But Utah diners, imbibers and restaurants say that’s a simplistic brush off—Herbert is complicit in the status quo. Huntsman obviously was able to push through liquor changes. “Things like this make us look like idiots,” the owner of one of Utah’s trendiest restaurants says of the international perception of Utah liquor laws.

LaSalle puts it more diplomatically: “It’s not very welcoming.” And, he says, it hurts the state’s economy. “We have a convention center, a new performing arts center and huge hotels, yet we still aren’t able to compete with Seattle, Denver, Phoenix or even Portland because this state has reinforced a misconception that you can’t get a drink in Utah.”

Spies and Bullies

Beyond the state’s irrational laws, the DABC has internal problems.—The employees point to arrogant, incompetent managers who spy on and intimidate them,  driving out knowledgable store managers and employees and undermining customer service. A “metrically” guided ordering system has reduced the inventory of fine wines and alcohol. And a budget cut last year exacerbated the situation with poorer pay, dependence on part-time workers and requiring store managers to take on two or more outlets. “The new clerks know zero about wine and liquor,” says one bar owner.

For purveyors of new and unusual liquors and exceptional wines and residents who seek out products not in the stores, the state’s special ordering system that was supposed to allow them to bring in case lots has been a fail. “If you really want to satisfy these customers, you need to hire enough staff, but they won’t,” Clifford says of the issue. “The system was set up to fail.”

Cox says that while some of the allegations are employee “grousing” and finger pointing, “When they’re legitimate, we’ll look at them.” Cox’s office’s review of DABC operations (completed in November but not released before Salt Lakemagazine went to press) may clear up many of the employee problems and customer service issues—including special ordering, Cox says. “It will take effect over 18 months,” she says. “The work is never done.”

Cox explains she wants to instill an efficient, yet compassionate environment at the DABC. “We want to meet customer demand, to be profitable for the state and to have a culture where our employees feel respected and honored and feel like they are contributing and feel like they are paid fairly,” Cox says. But she defends the Legislature- and Herbert-driven “improvements” made six years ago that led to many of the issues the DABC faces now. “There were changes that needed to be made down there. There are people who were impacted by those changes that are upset by the current management. They have made their opinions loud and clear.”

Many of those opinions were about DABC Director Sal Petilos and his team, whom Herbert-appointed Acting-director Christine Giani installed after—what its victims refer to as the “Reign of Terror.” Deputy Director Tom Zdunich, whom employees called Petilos’s “Dick Cheney,” resigned last summer in the middle of the controversy. Mower says a search is being conducted to replace him. But many critics and employees don’t think that any real change is possible at the DABC if Petilos and his minions stay.

Christine Giani declined to be interviewed for this article. Petilos’s Adminstrative Assistant Vickie Ashby put off interviews with Petilos until a week before the deadline for this article, only to report a few hours before the interview that Petilos had taken sick. She explained that DABC Chairman John T. Nielsen, who also had agreed to a meeting, declined to be interviewed without Petilos present.

Mower and Cox were reticent to discuss DABC personnel issues. But when Cox explained the DABC needs effective and compassionate managers who made “employees feel respected and honored,” it seemed fair to ask if Petilos fits that description.

“Yes, I think he’s a compassionate man. He does a good job,” Cox says, after prodding. “He needs to have a strong deputy on the operations side and he needs to work on some of the cultural issues—which I think he is addressing. It’s just this issue of respect. Management needs to respect employees and on the flip side, employees need to realize that management has constraints as well.” Most of all, Cox said she wanted the finger pointing to stop.

Mower and Cox launched a series of “reviews” into DABC operations. Salt Lakemagazine obtained the reports through a Government Records Access and Management Act request, but employee complaints, allegations or suggestions were not included.

Utah’s Alcohol Czar

Utah’s contorted drinking politics are impossible to compare to other states. In the dominant Mormon culture, the consumption of alcohol, like tobacco and coffee, is forbidden. Making alcohol a moral issue produces a backlash from the non-Mormon population, who complain of the puritanical control of the Legislature—and by extension the LDS Church. One indication of how peculiar the subject is is that the media specifically identifies the rare DABC commissioner who is “a social drinker.” (Two of the seven current commissioners imbibe—licensees consider this an unusually progressive panel.) Commissioners are appointed by the governor, and, by law, none can be involved in any aspect of the liquor business. (It is worth noting that the Utah Air Quality Board includes representatives of mining and oil-refining industries.)

On the other hand, Utah’s monopoly on the sale of alcohol brings ever-increasing treasure to state coffers—$396 million in 2015. Though state leaders are regularly jeered as cash-driven hypocrites—lawmakers say Utah’s regulations are it the best way to control alcohol abuse. In any event, Utah’s state booze trust is going nowhere soon.

Critics of the DABC, including Clifford, say that under an overwhelmingly teetotaling Legislature, real improvement in liquor distribution is unlikely because any alcohol consumption is considered dangerous and immoral. Many of the controversial liquor regulations were created under former Sen. John Valentine and former Senate President Michael Waddoups, a Mormon whose wife was seriously injured by a DUI driver. In just a couple of legislative sessions, they turned Huntsman’s so-called liberalized approach to providing alcohol on its head. (Huntsman signed his 2009 changes into law in the New Yorker restaurant’s bar. Core to the liberalization was the elimination of Utah’s “club” law that required imbibers pay to join a private club before they could order liquor.)

As the DABC controversy continues with lobbyists massing this month for the 2016 session, the Legislature has a new point man on liquor laws, Sen. Jerry Stevenson. G.O.P. leaders selected the Layton Republican “Mr. Alcohol”—point man for all drinking laws.

“When John [Valentine] walked in here and said I was the guy, he said it was because I was fair,” Stevenson says. “The selection is an informal thing—he passed the gauntlet.”

Stevenson is a non-drinking Mormon, but has relatives who imbibe and says he isn’t offended by social drinking. Still, he has a steep learning curve ahead. “Two weeks ago, I didn’t know what a flight of beer was,” he says. To get up to speed, Stevenson read Toward Alcohol Control, a 1933 study commissioned by John D. Rockefeller Jr. shortly after Prohibition ended.

If nothing else, Stevenson is frank. “Alcohol is a touchy issue in the state of Utah. [But] I don’t know that Utah liquor laws are that far off center,” he says. “It started with the Olympics—we spend a lot of money welcoming the world. We want people to come. We say we want them to like us—but we really want them to spend their money here. So, we want to make things comfortable for them.”

But the state also is at the low end for DUIs, binge drinking and other alcohol abuse. “We don’t want that to change,” he says.

Stevenson declined to be specific about legislation that may emerge in the session beginning this month, but said his approach to making changes would be piecemeal—a couple fixes—rather than the sweeping omnibus-bill approach that Valentine favored. His goal, he says, to get three alcohol-related bills through.

“There’s a lot of tweaks that could make things much friendlier. But I don’t think we need to wholesale tear things apart and put them back together again. Let’s not choke on the elephant, let’s eat it a bite at a time. Some bills will deal with administration and most of them make sense, and we’ll move them forward under my name,” he says, then jokes: “I don’t think they’ll throw me out of church.”

One of his biggest challenges in fixing liquor regulation, Stevenson says, is that the players—bar, restaurant, distillery, brewery and resort owner—can’t agree on what they want changed. “If you walk into four different places downtown, you get four different conceptions on what needs to be done,” he says. He has spoken with LaSalle and the owners of Alamexo, the Gastronomy group and resort owners. “These are real business guys,” Stephenson says. “They want different outcomes if I run legislation than the people who sell beer and pizza.”

LaSalle says all players agree on one issue: tearing down the Zion Curtain. “I have high hopes for this Legislature,” LaSalle says. “I’m all for working with these people. I don’t think legislators know the harm that is being done [by the law].”

But Stevenson sees the issues more broadly than home-grown restaurateurs and barkeeps. For instance, more than an annoyance to local businesses, he fears some state liquor laws may be causing large resort and restaurant chains to pass over Utah because they run counter to their business models—including forcing modifications of restaurant architecture to meet the Zion Curtain requirement. Stevenson acknowledges that many Mormon legislators may be resistant to liquor law changes, but dealing with the Church of Jesus Christ of Latter-day Saints, he insists, isn’t much different than working with any other special interest. “The church has a set of gentlemen on Capitol Hill who are lobbyists.” Still, he acknowledges, “The LDS Church has a dog in this fight—their welfare program has seen the problems of over-use of alcohol.”

Surprisingly, Stevenson admits that some of the issues at the DABC are, indeed, the result of punitive actions by the Legislature. DABC managers had been “doing things that weren’t quite kosher,” he says of  Giani’s removal of top DABC managers for questionable financial dealings.  When all state agencies were told to take a 7 percent funding cut, Stevenson says, “We had a [DABC] director who basically said, ‘We produce a lot of revenue for the state. We aren’t going to do this.’

“I said, ‘I bet you do’ —we control the pursestrings.”

When state revenues came in better than expected, every agency saw the cuts returned to them—except the DABC. Stevenson admits it exacerbated the problems. “We made an error last year and part of it is my fault,” he says. “For some reason, we kept a half million dollars from DABC. Sometimes the Legislature punishes, for lack of a better word. DABC needs that money back if they are going to operate in an efficient way.” He vows the $500,000 in cut funding, and perhaps more, will return to the DABC.

“We are going to go through this. We are going to sort this out,” he says. “Besides this, I’m dealing with prison relocation—so I can take any kind of bullet you shoot.”

Still, Utah’s alcohol history has shown that Stevenson may be rashly confident.

DABC Misses a Bet

By City Watch

From the beginning Utah DABC insiders have argued that the only real fix for the “cultural” problems at the liquor agency would be a radical change in management.

The state liquor monopoly has been dogged over the last year with employee complaints that they are bullied and spied upon by arrogant managers, who have driven out knowledgable managers. Restaurateurs and resort owners say the system makes it difficult for them to compete with over western cities for tourists and conventions.

Because Director Sal Petilos appears be shielded by the governor’s office, hope rested on whomever would fill the No. 2 position of deputy director. The deputy runs most of the day-to-day operations.

Wednesday, the long awaited announcement was made: Cade Maier was appointed deputy director. He replaces Tom Zdunich, whom many employees called “Petilos’ Dick Cheney.” Zdunich retired in August at the height of the DABC controversies.

Meier is a DABC insider who has worked for the agency as an information technology project manager and a warehouse general manager, making him what critics call “the safe” choice, but not the best choice.

According to former wine buyer and critic of the DABC Brett Clifford, the agency missed a bet by rejecting another candidate who is a liquor and wine broker in the private sector. (Herbert says he wants the state’s monopoly run on a business footing.)

 

“You had a very rare opportunity to pick someone who truly knows the liquor and wine business with an extensive background in the industry,” Clifford emailed Mike Mower, Gary Herbert’s deputy chief of staff. “He is also intimately familiar with the peculiarities of Utah’s broken wholesale and retail system as well the hospitality business. You don’t need another “yes” man—you need someone who can be honest about what’s wrong with the system and knows how to correct bad practices.”

Salt Lake magazine’s in-depth feature on the DABC troubles and Utah’s love-hate relationship with alcohol is arriving on newsstands now.

1 Liquor License Available!

By City Watch
You can ignore phone calls from your landlord.

You can ignore phone calls from the repo man.

You can even ignore phone calls from your ex.

But don’t ever, ever blow off the Department of Alcoholic Beverage Control. Never.

The owners of The Woodshed Bar tried that ploy to their grief.

 

“Someone want to take them to the woodshed?” quipped Chairman John T. Nielson. But he wasn’t smiling.

A compliance officer told the commission that the owners of the The Woodshed Bar, 800 S. 60 East, SLC, never answered their phone or returned his calls to confirm they had gotten the required insurance for their business. (At one point, the wily compliance officer borrowed a cell phone and they didanswer that call. Way bad.)

The upside is: One (1) highly prized, rarer-than-hen’s-teeth, liquor license is available for the more than a dozen tavern-owner wannabes on the waiting list.

If, of course, they’re willing to answer their phone.

Utah No. 1 in Awesome

By Lifestyle

If you’re like us, you’re gritting your teeth that Fodor’s, the uncool travel guide, has chosen Utah as the Top Destination in the galaxy.

That, of course, means our fantastic, somewhat unsullied outdoors will be even more overrun with tracks-leaving, generally obnoxious hominids.

 

Fodor’s pointed to “the newly expanded Park City, the largest single ski and snowboard resort in the U.S.”, “five outstanding national parks,” and “unforgettable experiences like viewing fossils at Dinosaur National Monument, rafting the Colorado River or staying at a working ranch.”

(Fordor’s amazingly didn’t even mention Utah’s peculiar liquor laws!)

SLmag’s recent feature on the Mighty Five national parks (which we had most of the world fooled into thinking were in Colorado or Arizona) gives you an idea of what is at stake. AFAR also put the parks in its top-ten listing worldwide for 2016.

 

On the other hand, maybe the incoming tsunami of tourist cash will convince the Legislature that ecotourism and hospitality, rather than mineral and oil and gas extraction is the way to grow.

 

By the way, if you’re lovin’ on these posters, you can order them and more from the artists themselves. Go to our digital edition, page 83, for the deets.

Details on DABC ‘Deep Dive’

By City Watch

An interview Tuesday with DABC director Sal Petilos and Kristin Cox, director of the Governor’s Office of Management and Budget, gave a deeper look into the recently concluded review of the troubled Department of Alcoholic Beverage Control.

So far, despite a GRAMA records request by Salt Lake magazine, very little has been made public of the the far-reaching probe into the agency’s operations and work culture. Only a one-page summary of what Cox called a “deep dive” into the DABC’s operations—including interviewing more than 120 DABC employees has surfaced.

 

Here are some highlights of the interview:

— Gov. Gary Herbert will propose in his state budget a restoration of the $500,000 cut from the DABC last year. He will also ask for additional funding for the agency. “There will be more money in the budget for compensation,” says Cox, and additional money for operations and “more soldiers on the ground, more man-slash-woman power.” Sen. Jerry Stevenson, who will be the Legislature’s point man on alcohol proposals, told Salt Lake magazine that he also supports restoring the cuts and increasing DABC’s budget.

Those expenditures, of course, will have to be approved by the Legislature.

— The controversial policy of putting one manager over two or more liquor stores will NOT be changed, Cox says: “We stand by the position to consolidate positions—but not unless you also change some of the business practices to streamline management. If you free up what managers do, consolidation is sustainable.”

— Managers will have more input into the DABC’s centralized ordering system that many customers say has reduced the selection to mainly “value-priced” wines and liquors. How much say remains to be seen because store managers will have to convince Petilos of the benefit of their change requests.

— Though many DABC employees and critics say real change is impossible as long as Petilos and his regional managers remain in place, Cox says Petilos, at least, will stay on the job. “I have confidence in Sal’s commitment to employees. I don’t question it,” she says. “Sal is sincere.”

— But the open assistant director position, critical to the DABC’s operations, is about to be filled—and Cox says that person should win the trust of the employees. Former Assistant Director Tom Zdunich resigned at the height of the DABC controversy last summer. “Tom’s gone,” Cox says. “Let’s be honest—I don’t know if I agree with everyone—but he was a point of contention. You are going to have someone new in there with a significant impact on operations and culture.”

— The replacement for Zdunich is being vetted by a panel that includes a representative from the restaurant industry (Gastronomy), a DABC Commissioner, a DABC store manager, a member of Cox’s team and Petilos.

Cox says the changes will take time to play out: “You can come back to us in three months and we can show you some outcomes.”

Viva Mestizo

By Arts & Culture
viva-mestizo

Renato Olmedo-González with Nadia Rea Morale’s Zacuanpapalotls

Renato Olmedo-González, the new director and curator at Mestizo Institute of Culture and Arts, remembers life in Jalisco growing up with centuries of culture and public art. “I grew up with Mexican culture everywhere around me. It shaped me as a child,” says the lanky and serious University of Utah graduate.

“I’ve always loved and appreciated artists—but I’m not an artist. I really don’t like to do things with my hands,” Olmedo-González says seriously.

Still, Mexico’s tremendous cultural heritage, nor even art in general, ever made much of an impression on him until he immigrated to Utah with his mother. As a student at Taylorsville High School—not exactly a center for Latino cultural scholarship—Olmedo-González needed to fill his class schedule and reluctantly took an elective in art history.

“I fell in love with art,” Olmedo-González recalls. “And I immediately found myself attracted to Mexican art. You learn about yourself through art. I learned my history.”

The high school’s superficial art-history course, which spent a day on muralists (Diego Rivera!) and a only few minutes on surrealist Frida Kahlo, spun Olmedo-González’s head around and left him hungry. He graduated from the U of U in spring 2014 with degrees in Latin American Studies and Art History.

As a university student, Olmedo-González connected with the city’s vibrant Latino art community through helping on the Artes de Mexico en Utah’s ¡Viva Frida! exhibit. Some of Utah’s leading Latino artists, including curator, contemporary artist and DJ Jorge Rojas, mentored him. “I’ve learned so much from Jorge; fortunately, he’ll be continuing to mentor me at Mestizo,” Olmedo-González says. “I plan on growing with this opportunity.”

Olmedo-González, aware of his inexperience, is throwing energy into leading the Institute’s gallery. “Mestizo is very important to this community. My goal is to make Mestizo even more respected.”

Many of Utah’s immigrants were forced here by economic necessity, he explains. As the parents work long hours and the children enter American schools, they lose touch with their culture. “Soon the kids have no clue who they are. Pancho Villa, Zapata? They have no idea. But they yearn for Mexico,” he says. “They aren’t accepted here, yet they don’t know anything about where they’ve come from.”

Olmedo-González’s first curation project opened earlier this spring with two mixed media installations, Pentz’s Ithaka 12 and Rea Morales’ Zacuanpapalotls. Both installations explore cultural migration, memory and transformation—through the Monarch butterfly that migrates between United States and Mexico, a trip that takes place over three to four generations.

“Mestizo’s a space not just for art but for discussion of social justice and inclusion,” Olmedo-González says. “It represents a community that is under-represented.” And by that, he doesn’t just mean the Latino community. Mestizo explores through art the beauty and challenges of all marginalized cultures, including gay.

“Art makes you want to get up and change things,” Olmedo-González says. “It can start a conversation that people don’t want to have, but when they are forced to have it—it’s good.”

Coffee, Tea or Culture

Mestizo Institute of Culture and Arts began in 2003 to enrich and celebrate Utah’s many cultures. Since then it has injected vibrancy into Salt Lake’s art scene. Despite its awe-inspiring name, MICA is one of the state’s least-intimidating art galleries; its space on 631 West North Temple is shared with its namesake coffeehouse. Yet, the institute has set a Quixotic goal to connect Salt Lake’s dominant culture and its emerging immigrant communities. Its related programs include Mestizo Arts & Activism Collective, a leadership program for Westside youth in collaboration with University Neighborhood Partners and NeighborWorks Salt Lake. 631 W. North Temple, 801-596-0500, mestizoarts.org

Blade Runner

By City Watch

Knifesmith John Ftizen totes a lethal armory of his art. Right: Bowie and  “Frankenstein” knives. Photo by Adam Finkle.

The moment you see John Fitzen, you know this is a guy from another time and place. A time when people shunned lawyers and courts and settled disputes with Bowie knives. A place where Rob Roy or keelboatman Mike Fink would feel right at home.

“Everybody knows me—that guy with the kilt and knives,” shrugs Fitzen, who is built like a tallish dwarf.

That’s the least of Fitzen’s visual impact. Take the accessories. His right hand sports at least three skull rings, plus a skull-motif bracelet; on his left, a couple of Iron Crosses and a knife-fighting wrist band of thick elephant hide.

Fitzen is proud of being a throwback—a master knifesmith who hand-forges Damascus blades that shimmer like a contour map of iron and steel. “It’s my art,” Fitzen says.

It’s an ancient decorative art that requires engraving, wax castings of brass, silver and gold for pommels and elephant ivory (salvaged from old tchotchkes) for handles.

In the folds and recesses of his leather kilt, Fitzen carries a foot-long fighting knife—beautiful in its ferocity, a stubby all-purpose “rhinoceros” blade, a slab-like “Mini Bully” folding knife—and, after rooting around, he dredges up a Goth-black Swiss Army knife, complete with corkscrew.

But Fitzen isn’t a Luddite. Like Indiana Jones, he knows what happens to the guy who brings a knife to a gun fight. Reaching behind his back, Fitzen unholsters an engraved semi-auto pistol. Its slide gleams with dark waves of Damascus steel. If Highlander should happen to appear in Salt Lake, he’ll claim this .45 as his own.

In the unlikely event the .45 jams, Fitzen is packing two stainless-steel .22 magnum derringers and a taser rides on his left hip. On the back of his belt is a telescoping fighting baton.

In all, Fitzen walks around with 13 pounds of fighting steel, and that’s not counting a skull-chain attached to his wallet that could double as a nasty mace.

“I’m not paranoid,” he says, explaining that his personal armory is simply a mobile sample case. “It sells knives for me. People ask me ‘Why do you carry all that?’ By the time I explain it, I end up selling stuff.”

In a Salt Lake shop, Fitzen makes his blades by hand, folding, forging and refolding up to 600 layers of iron and high-carbon steel into feathery layers for strength and a superb edge. His Skull Knives line sell for $200 upwards to $10,000, which makes sense when he shows you a blade forged from an alloy that contains nickel steel from a meteorite.

Above all, Fitzen is a master of sharpening blades—which, as the growing subculture of knife connoisseurs and collectors will tell you, is as important as the blade itself.

“I’m really known for my edges,” Fitzen says, as he sharpens a blade in his cave-like shop. “I get knives sent to me from all over the world to sharpen.”

Fitzen’s business is supported by a convergence of subcultures, including a growing demographic of young guys who are fascinated by blade lore, history and knife combat. They tend to gravitate toward Fitzen’s Bowies (a nasty weapon made famous by Texas legend Jim Bowie) and “Frankenstein” knives (a brutal blade that incorporates bolts reminiscent of the ones in the monster’s neck). Survivalists embrace Bowies as a basic tool: “These knives are like a Roman short sword. You can do anything with these knives—chop a tree down or shave with them,” Fitzen explains.

Another knife market is in the geekdom of Goth and fantasy addicts, who are drawn to the dark glamour of Fitzen’s art. He creates functional beauty that will eviscerate an orc or saber open a champagne bottle.

“A guy came in who said, ‘I’m the King of the Elves. I want to commission a sword from you,’” Fitzen recalls. “I said, sure. Unfortunately, I later found out he didn’t have the elvish magic to pay for it.”

Click here to visit his business, Skull Knives & The Razor’s Edge, online.

WEB EXTRA>>>Watch our video of Fitzen at work.

Next>>>Shoshone teens create a video game to save their language.

Back>>>Read other stories from our December 2013 issue.