Michelle Moonshine didn’t know she was a musician—she thought she just liked music. “When I was 16, I went to a music festival and met a bunch of people like Tony Holiday and Talia Keys,” she says. “I was like, ‘Wow.’ It was the first time I’d ever seen real live music, so after that, I would sneak into Hog Wallow to see their shows, then I started hanging out with Tony Holiday and watching him play all the time and I started playing guitar and singing.”
It turned out, she’s a bit of a prodigy. She started sneaking into the bar around October and picked up a guitar for the first time in December. She had her first gig on St. Patrick’s day a few months later. And not long after that, she was on tour with Holiday. MacLeod says her advice to anyone who wants to play or compose music is simple. Do it.
Moonshine has been a working musician for eight years—she quit her last 9-5 job to pursue music full-time the week she found out she was expecting a child four years ago. “I played the whole time I was pregnant,” she told Salt Lake magazine, as her son sat beside her watching cartoons on her iPhone. “I played until December and I had him on January 1. I had a big belly and a guitar and he would just kick and kick and kick.” Her music still bonds them, she says. “If he doesn’t like what I’m listening to he tells me to ‘Play a mommy song’—he wants to listen to my music all the time.”
It’s hard to describe Moonshine. Her voice is equal parts Gillian Welch and Alison Krauss. Even Moonshine isn’t sure how to explain it. “I used to say honky-tonk but without a drummer, we’re not that,” she says. “I say Americana now. It’s a blend of everything. It’s super safe.”
What she and her bandmates—guitarist John Davis and bassist Bronk Onion round out the trio—lack in drummers, they make up for in songwriting. They primarily perform original tunes, though, she says they don’t rule out covers. “I’ll ask for a list of ten songs from people and if I like the tune I’ll learn it and then I know it forever,” she explains. “We even did Beyonce for someone walking down the aisle at a wedding once.”
“It just makes sense to me,” she says of her music. “It’s kind of crazy how everything came together. All my friends were doing a lot of drugs—two of them died and a bunch went to rehab. I was in the same boat and then I started playing music. Music saved me for sure. It’s an obsession.” —Christie Marcy
See more Small Lake City Concerts here. Salt Lake Magazine’s Small Lake City Concerts were produced by Natalie Simpson of Beehive Photography and Video.
