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Faces: Life in the Fast Lane

By Arts & Culture
Aug 01st 2013

johnprice-so13

John Price’s life reads like an action movie script, complete with an escape from Nazis, intrigue in exotic countries and very fast cars.

Originally from Germany, Price (born Hans Joachim Praiss) fled the Holocaust with his family as a child in 1939. “All Jews had to wear yellow stars on our clothing—those are the things you remember,” he says. He also remembers Kristallnacht, when Nazis stormed through Berlin, destroying Jewish-owned shops. “We went to Panama—the only country that would take us in where we could get a visa,” he says. In 1940, the family finally made it to New York.

Price later moved to Salt Lake City to study geology at the University of Utah. After earning his degree in 1956, he started J. Price Construction Company, which led to many other businesses, including Salt Lake Hardware.

In 2002, Price, a friend and supporter of Pres. George W. Bush, became US Ambassador to the African island nations Mauritius, Seychelles and Comoros until 2005. He and his wife Marcia helped fund the Utah Museum of Fine Artsbuilding.

Now writing on world issues for the Washington Times and other publications, Price still travels to Africa and is an advisor for his son Steve Price’s Price Realty Group. Through it all, he’s held a passion for vintage cars.

“My first car was a Ford Victoria from 1950, and I cherished that car,” he says. “I bought a new [Chevrolet] Bel Air in 1955, and when I could afford a little more, I bought a 1956 Cadillac Eldorado convertible.”

Now he acquires cars for display at the Price Museum of Speed in Salt Lake City. The museum houses 30 vintage race cars from around the world, including land-speed-record challengers and antique race cars dating back to 1904. The capstone of the museum’s collection is the Mormon Meteor III, which Utah racing pioneer Ab Jenkins drove to set 94 endurance records—12 still stand.

Price says when he first approached Jenkins’ son Marv about buying the Meteor, the car was in the Jenkins’ home. Jenkins and Price became friends and began restoring the car to run on the Salt Flats. “I wanted him to get behind the wheel because he knew more about the car than anyone,” Price says. The motor was finished a year later in September 2008. “It was like music.”

Jenkins, who was 88, died that month. Instead of attending the funeral, Price kept the appointment he’d set with Jenkins to take the car on the Salt Flats. “I drove the car seamlessly,” Price says. “I was daydreaming Marv was with me. I was shifting through the gears, and I felt at one time, Ab was with me.”

Touring the museum on 600 South in Salt Lake City is by appointment only and requests can be made by calling Price’s office. “We always invite people who have something to do with racing and racing history,” he says. Shirley Muldowney, the first woman racer to hold a top fuel dragsters license, was a recent visitor.

Price tells the story behind each vehicle, but he won’t reveal the price tags. “I don’t look at them as value,” Price says. “It’s immaterial.” But he offers a hint: “It’s more than $100 . . . per car.”

Call 801-478-0309 or visit pricemuseumofspeed.org for more info or to request a tour of the museum.

The Rest of the Story

John Price’s autobiography When the White House Calls; Speed: The Art of the Performance Automobile, a book featuring race cars exhibited at the Utah Museum of Fine Arts; Boys of Bonneville, a film produced by Price Museum of Speed telling the story of Ab Jenkins and the Mormon Meteor III.

By: Jaime Winston

Review: Emmylou Harris and Lyle Lovett at Deer Valley

By Music

It was a night for believers at Deer Valley on Thursday night. Maybe you believe in the God that was mentioned in Lyle Lovett’s gospel-heavy set with his Large band, or you believe in the voice of Emmylou Harris, who I believe may actually be an angel sent here to Earth—or perhaps you’re more like me and you just simply believe in the healing effect live music has on the soul. No matter. It was all there Thursday night.

At nearly 6:30 on the nose, as people still were filing into their seats, Emmylou Harris came onto the stage with her three-member band. There was no announcement. There was very little reception from the crowd (in fact, the large group of people in the row ahead of me stood through the first three songs of her set, but I digress).

It was seven songs in, after a stunning version of Simon and Garfunkel tune, “The Boxer” that she even said her name. “I’m Emmylou Harris, by the way,” she told the crowd, who by that point had at least started paying some attention. “Just in case y’all thought I was just some girl up here singing. Some girl? I’m 69! I’ve been doing this a very long time.”

emmylou

At 69, she’s still beautiful enough to take ones breath away, with that shock of white hair, those high cheekbones, those doe eyes and that lilting southern drawl that turns into a singing voice that is somehow both feathery and soulful. Harris is the real deal, and backed by a band that includes two women she said she’s toured with since 1985.

Her setlist included “Spanish Dancer” a song she recently recorded with Rodney Crowell but noted was penned by Patti Scialfa, “She’s married to that guy Bruce Springsteen,” Harris quipped. “Orphan Girl,” “Here I am,” “Her Hair Was Red,” and “Red Dirt Girl,” which she told the crowd was not based on her own life. “I had a very happy childhood,” she said, “So I made some stuff up.”

For the encore, Harris started with “After The Gold Rush” by Neil Young, who she called a “Great Canadian philosopher,” and finished with “Bright Morning Stars,” with tremendous, spine-tingling harmonizing from her band. Saying she’d written the song during a time that the events of the world seemed difficult to take, Harris said, “I still believe. I believe in people. I believe in goodness.”

I don’t know about all that. But I know that I believe in Emmylou Harris.

After what Park City Institute’s Terri Orr described as the quickest set change ever, and as the sun was setting and the crowd had finally settled down, it was time for Lyle Lovett and His Large band to take the stage.

Ever the classy southern Gentleman, Lovett and His Large Band (and, by the way, it’s not just a clever name—it really is a large band) are always dressed in suits and ties, and they were joined onstage last night for their opening songs by nine members of Salt Lake City Mass Choir, a Utah-based gospel choir (I know. I know. Sometimes the jokes just write themselves. But trust me, these guys were good).

lovett

Starting with the rousing gospel “I’m a Solider in the Army of the Lord” with the Mass Choir and Francine Reed joining Lovett on vocals, Lyle and His Large Band certainly set a tone far different than the calm and reflective one that Emmylou Harris built before him. This was a more celebratory, raucous trip through musical genres. Because lets be clear: Lyle Lovett defies genres. He’s a little bit country, a little bit rock-and roll, a little bit folk, and a little bit spoken-word beatnik poet with a generous heaping of stand-up comic thrown in for good measure.

But, last night at Deer Valley, the set list was heavy on gospel for the first three songs, then transitioned to a more classic Lyle Lovett, before bringing Emmylou Harris back onstage to reminisce about the late, great, Guy Clark and to sing a couple of his songs.

Throughout the set, members of the Large Band came and went, until at one point, when just Lovett and fiddler Luke Bulla remained onstage and Lovett quipped, “Where the heck is everybody?” Lovett and his band appear to have a rapport—Lovett walked the audience through each member of the band, and how long they’d been touring, where they were from and usually with a short story of some sort.

Once the band returned, they hit on all the songs expected at a Lyle Lovett show, “If I Had a Boat,” “Here I Am,” “That’s Right You’re Not From Texas,” and “She’s No Lady” all came in at that point in the night.

But when Lovett, who built in plenty of his moments for each member of his band to shine throughout the evening stepped aside and allowed Francine Reed to take over for a minute, magic happened. A soulful powerhouse, when Reed sang “Wild Women Don’t Get the Blues” and then followed it up by reminding the crowd that it was written in 1924 and first performed by an all women jazz band, the crowd went wild.

Then the choir came back. Earlier in the night, Lovett had said of them, “We sent them the music a few weeks back and when we got here they know it better than we did.” While a slight exaggeration, clearly, the Salt Lake Mass Choir was having a great time on that stage and holding their own with some world-class musicians.

When Lovett told the crowd about his long-lasting relationship with Emmylou, he said that he learned that “you have to be very careful when inviting me over, because I will show up.” It was clear last night that the crowd at Deer Valley was glad he showed up there.

Photos by Stuart Graves

Keeping Up With the Cocktails – Martine Cafe

By Eat & Drink

It seems that every month there is a new cocktail bar or restaurant opening in Salt Lake City. This is great news for foodies and cocktail nerds, and over the past two years or so, I have seen first-hand the cocktail consumer become more and more educated about the beauty of a well-crafted cocktail. Because of this, the Salt Lake City imbiber is expecting more from local bartenders — both from establishments that are new and passionate about craft cocktails, but also from those restaurants and bars that have been around a while. Truth be told, if you aren’t keeping up with the trends, you’ll get left in the dust.

Martine Cafe has been a Salt Lake City staple for over 15 years. If you consider the growth that Salt Lake City has been through in both the food and cocktail scene, I can only imagine what it has been like trying to keep up. However, a recent trip to Martine completely impressed me and it is obvious that they are doing whatever they can to continue to be leaders within the ever-changing food and beverage culture.

Martine’s cocktail menu features classics — that is, craft cocktails that are used as the building blocks for nearly all other creative cocktails that bartenders shake up. Without a knowledge of the classics, building a new cocktail with balance and perfected flavor profiles can be difficult.

CorposeReviver2

Try the Corpse Reviver #2, above, (Beehive Jack Rabbit Gin, Lillet Blanc, fresh lemon, Cointreau, Absinthe rinse. The perfect cocktail for a hot summer day!) or the The Old Cuban (Abuelo Anejo 12 anos Rum, Mint, Lime, Cava).

OldCuban

You can also get a classic Boulevardier, Old Fashioned, or Manhattan. But that doesn’t mean they aren’t branching out. One of my favorite original cocktails right now is The Slow Burn (left, below), created by Martine manager Greg Fritz, (Knob Creek Bourbon, Aperol, Lillet Rouge, Bitters Lab Habanero Bitters). It is light and easy to sip, with a hint of spice that adds a wonderful complexity. In my sister’s words, “I just want to drink a few of these and talk about life.” Yeah, that is the response I can imagine most bartenders want to hear.

Slow Burn and Old Cuban at Martine

As a cocktail enthusiast and writer, it is pretty easy for me to know quickly if a bar program is resting on its laurels (pre-made, purchased mixers anyone?)….or if shaking (ahem, OR stirring) up new bevvys is an important part of their persona. And, the bar programs that are incorporating both classics and originals are the ones that get me really excited; it demonstrates a knowledge that I personally want my bartender to have. I would definitely check out Martine for a great cocktail — and it only helps that the food is pretty exceptional too.

Check out their Instagram feed for more info on cocktail specials and menu changes! @MartineCafe

Martine Cafe, 100 South 22 East, Salt Lake City , 801.363.9328

Review: Josh Ritter and JJ Grey at Red Butte

By Arts & Culture, Music

Two great acts co-headlined Thursday’s show at Red Butte Gardens: Josh Ritter and JJ Grey & Mofro.

Josh Ritter

Ritter’s warm, deep voice has a raw quality that’s interesting and appealing. The singer-songwriter recorded his latest album in New Orleans, and that influence shows up wonderfully in his style.

Although Ritter’s voice and guitar skills really seem suited for folk music, at Red Butte he delivered on his claim that his music can be “rock and roll with lots of words.” His songs are packed with beautifully written lyrics that vary from funny social commentary (“Jesus hates your high school dances”) to heartbreaking (“My new lover… she only looks like you in a certain kind of light when she holds her head just right”) to downright poetic  (“I like my lightning sweet”).

After Ritter had played a few tunes, an audience member shouted “Welcome Back!” This crowd loves their hometown boys, even if they do come from a little farther north.

“I grew up in Moscow, Idaho,” Ritter told the crowd halfway through the set. “Utah was the most exotic place I knew. This is an absolutely beautiful place to play.” Cue cheers.

Ritter ventured into different musical genres – sometimes folk, sometimes more jazz/blues – but somehow it didn’t translate into an identity crisis. His catchy, nostalgic, rootsy sound was dance-worthy and right on target. I was excited to see Ritter ditch the band for a solo rendition of “Snow is Gone.” This song showed off his soulful voice and pure talent on the acoustic guitar.

JJ Grey

JJ Grey & Mofro kicked off their set with a blues sound, switched halfway through to Southern rock, and threw some jazz in there, too. I loved every minute.

Grey, a Jacksonville, Florida native, turned on the Southern charm in between songs with a gushing of “Thank y’all”s and passionate storytelling that deserved choruses of amens and hallelujahs. The combination of his voice and his band sounded like what real biscuits and gravy tastes like. Yep, I went there.

The guy next to me said that Grey was “multitalented” when he busted out the harmonica, and he was so right. Grey and his band put on a show that really let you lose yourself in the music. It was an upbeat and soulful performance that could have taken place in downtown Memphis.

“We don’t ever know what’s gonna happen next,” Grey said by way of introducing a roaring blues number. “We’re gonna play something funky.”

Grey and the band added lively solos from the tambourine, trumpet, trombone, piano and electric guitar to close out the night.

“Red Rock Testimony” fights for Bears Ears

By Adventures, Outdoors

A new book, Red Rock Testimony: Three Generations of Writers Speak on Behalf of Utah’s Public Lands, hopes to influence the Obama administration and Congress as they make decisions about southern Utah’s public lands. Copies of the book have been delivered to the Obama administration, every member of Congress, and public lands managers at the Bureau of Land Management, National Park Service and the United States Forest Service.

This issue was brought to the national spotlight in October 2015 when five southwestern Native nations proposed the creation of Bears Ears National Monument in southern Utah. In May of this year, Native American tribes and their supporters rallied to oppose the Utah legislature’s move to denounce President Obama’s designation of the national monument. Public land arguments have been in the news since the Bundys’ takeover in Oregon and Representative Jason Chaffetz’s Public Land Initiative.

The book’s 34 contributors are writers from different backgrounds, races and generations who all agree on the spiritual, cultural and scientific importance of protecting the proposed Bears Ears National Monument. The book’s contributors include: Charles Wilkinson, the preeminent scholar of public lands and Indian law, Navajo Poet Laureate Luci Tapahonso, Utah’s first poet laureate David Lee, MacArthur Fellow Gary Paul Nabhan, writer-philosopher Kathleen Dean Moore, former Secretary of the Interior Bruce Babbitt, former Utah state archaeologist Kevin Jones, millennial essayists Anne Terashima and Brooke Larsen, Ute Mountain Ute tribal councilwoman Regina Lopez-Whiteskunk, former members of Congress Mark Udall and Karen Shepherd, bestselling essayists David Gessner and Lauret Savoy and recent Utah Bureau of Land Management Director Juan Palma

A website called redrockstories.org was also created as part of this project. The site encourages interactive submissions celebrating redrock country and promoting protection of public lands.

This is not the first time a testimonial work of literature has attempted to influence government decisions. In 1995, a work titled Testimony: Writers of the West Speak on Behalf of Utah Wilderness influenced President Bill Clinton’s decision to proclaim Grand Staircase-Escalante National Monument the following year.

A press release for the book stated, “These redrock writers have created a community chorus, a montage of hearfelt words that includes Native and Hispanic voices, warnings from elders and challenges from millenials, personal emotional journeys and lyrical nature writing. These pieces address historical context, natural history and archaeology, energy threats, faith, and politics. Together, they offer a remarkable case for restraint and respect in the incomparable redrock landscape of southern Utah.”

bears ears quote

“Red Rock Testimony” fights for Bears Ears

By City Watch

A new book, Red Rock Testimony: Three Generations of Writers Speak on Behalf of Utah’s Public Lands, hopes to influence the Obama administration and Congress as they make decisions about southern Utah’s public lands. Copies of the book have been delivered to the Obama administration, every member of Congress, and public lands managers at the Bureau of Land Management, National Park Service and the United States Forest Service.

This issue was brought to the national spotlight in October 2015 when five southwestern Native nations proposed the creation of Bears Ears National Monument in southern Utah. In May of this year, Native American tribes and their supporters rallied to oppose the Utah legislature’s move to denounce President Obama’s designation of the national monument. Public land arguments have been in the news since the Bundys’ takeover in Oregon and Representative Jason Chaffetz’s Public Land Initiative.

The book’s 34 contributors are writers from different backgrounds, races and generations who all agree on the spiritual, cultural and scientific importance of protecting the proposed Bears Ears National Monument. The book’s contributors include: Charles Wilkinson, the preeminent scholar of public lands and Indian law, Navajo Poet Laureate Luci Tapahonso, Utah’s first poet laureate David Lee, MacArthur Fellow Gary Paul Nabhan, writer-philosopher Kathleen Dean Moore, former Secretary of the Interior Bruce Babbitt, former Utah state archaeologist Kevin Jones, millennial essayists Anne Terashima and Brooke Larsen, Ute Mountain Ute tribal councilwoman Regina Lopez-Whiteskunk, former members of Congress Mark Udall and Karen Shepherd, bestselling essayists David Gessner and Lauret Savoy and recent Utah Bureau of Land Management Director Juan Palma

A website called redrockstories.org was also created as part of this project. The site encourages interactive submissions celebrating redrock country and promoting protection of public lands.

This is not the first time a testimonial work of literature has attempted to influence government decisions. In 1995, a work titled Testimony: Writers of the West Speak on Behalf of Utah Wilderness influenced President Bill Clinton’s decision to proclaim Grand Staircase-Escalante National Monument the following year.

A press release for the book stated, “These redrock writers have created a community chorus, a montage of hearfelt words that includes Native and Hispanic voices, warnings from elders and challenges from millenials, personal emotional journeys and lyrical nature writing. These pieces address historical context, natural history and archaeology, energy threats, faith, and politics. Together, they offer a remarkable case for restraint and respect in the incomparable redrock landscape of southern Utah.”

bears ears quote

2016 Summit Challenge for Bicyclists of all abilities

By Outdoors

The National Ability Center is hosting its annual Summit Challenge on Saturday, August 27 in Park City. The Summit Challenge offers three different bicycle road courses for cyclists of all abilities. All Summit Challenge riders with a disability, which is typically one in every five riders, register and ride for free.

“Featuring typical stand-up road bikes and adaptive hand bikes, the Summit Challenge brings friends and families from all over the nation together to experience the resilience and power of the human spirit through each rotation of the bikes’ tires,” said Gail Loveland, National Ability Center’s executive director. “With support vehicles and variety of routes including our three-mile “Discovery Loop”, this exciting event promises to serve up a challenge for a wide range of cycling levels, ages and abilities.”

Every rider receives a gift bag, plus free bike tunings by White Pine Touring and Cole Sports beginning at 6 am, breakfast from Wasatch Bagel, lunch and beverages from Uinta Brewing and live entertainment at the Summit Challenge Event Village throughout the day. The 102-mile ride begins at 7 am, the 52-mile ride at 9 am and the 16-mile ride at 10:30 am. Rider entry is limited to 800 people and is likely to sell out. Registration for the event is available online at summitchallenge100.org with early bird pricing available through July 1.

Proceeds from the Summit Challenge benefit the National Ability Center, a Park City chapter of Disabled Sports USA and a US Paralympic Sports Club.