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Chalk One Up for Foster Care Families

By Arts & Culture, City Watch

For Doug Young, the Utah Foster Care Chalk Art Festival is a family affair. Over the past decade, he and three of his kids have created chalk art for the festival on a somewhat annual basis, while his wife Jennifer cheered the team on. The festival means more to him than just spending the day leaving masterpieces on The Gateway streets with his family though. The street painting festival also honors foster care families, and children, like those his family welcomes to their home.

Tastemakers 2019

Don’t miss Salt Lake magazine’s Tastemakers 2019, it’s two-days filled with tasty food, perfectly-paired wine, crafty beer and even craftier cocktails served up by the best bars and restaurants in Salt Lake City.

This year Salt Lake Magazine’s Tastemakers event, which will also be at The Gateway on June 13, 14, is donating a portion of proceeds from the event to Utah Foster Care and Tastemakers goers can also enjoy the Chalk Art Festival.

“We don’t like to say we’re foster parents; we’re a foster family,” says Young, who began caring for foster children about 14 years ago. “It’s brought our biological children way closer together as they’ve pitched in to help care for all these little ones who have been a huge plus in our lives.”

The Chalk Art Festival will be held June 14–16, 2019 at The Gateway in Salt Lake City. More than 130 artists are expected, including Julie Kirk Purcell, known for her 3D work featuring Utah landscapes and native animals.

The Young family, who has cared for about a dozen foster children over the years, typically creates a Disney-themed work of art at the festival. “It’s wonderful seeing the change that can be made in the children in care, and sometimes the changes made in the bioparents (biological parents),” Young says. “That just makes it all worth it.” Most recently, the Youngs cared for a 3-year-old girl named Lyla for about a year and a half. The family adopted Lyla last June.

Jessica Grover, who grew up in a foster care family, will create art at the festival for the eighth time this year. She plans to make a chalk image of Winnie the Pooh rafting down a stream with Piglet and Tigger, while their friends wave to them from a bridge. “It just kind of reminded me of my family,” Grover says. “Me and my siblings would go on adventures everyday, and my life would not be the same if it weren’t for them being in our home.”

Foster Care

Utah Foster Care Chalk Art Festival artist Jessica Grover; photo courtesy of Jessica Grover

Grover, now 23, was 13 years old when her parents decided to welcome foster children to their home. “We had an empty bedroom in our house, and it just felt very empty. My parents felt that it was wrong that it was empty and that our family wasn’t complete,” she says.

Grover says her family brought home an 18-month-old girl whose parents struggled with addiction and were unable to care for her. Soon after, she says the family learned that the girl’s biological mother was pregnant with a second child, who soon became Grover’s second foster sibling. Not long after, the family adopted both of the girls.

One of Grover’s favorite art pieces that she didn’t create at the festival is an oil painting she made of her family’s living room, titled “Homes Need Children.” “It just kind of feels empty, but at the same time, I tried to make it playful, as if there needs to be kids there,” says Grover, who relates the artwork to her her family’s story. “We didn’t do it because we needed more kids; we felt our home wasn’t complete.”

Along with the festival, you can find Grover’s art on Instagram @grover_life.

Read more of our family content in our Kid-friendly blog roll.

Cameron-Trueblood-in-School-of-Rock-Tour.-Photo-by-Evan-Zimmerman-MurphyMade-scaled

School of Rock Review: It Ain’t Woodstock

By Arts & Culture

My main takeaway from Andrew Lloyd Webber’s School of Rock at the Eccles Theater is this: How on earth they found enough classically trained, yet totally able to transform into full on rock gods-type actors, all under the age of 10 is entirely beyond me. The theater made a point to specifically announce that each child is not just standing there with an instrument- each of them was rocking out in real time. And it was amazing. Trust me!

 

Mystic Inscho (Zack) and Leanne Parks (Katie) had their head banging and rock presentation down to a science, while Dylan Trueblood (Mason) looks like he was born to be behind a drumset. Julian Brascia (Lawrence) was the perfect fit for a groovy keys dude, and Sami Bray had her Hermione Granger attitude on lock. And little Camille de la Cruz as Tomika? The crown went buck wild for that not-so-little voice.

School of Rock Tour

School of Rock Tour is coming to Salt Lake City. Photo by Evan Zimmerman-MurphyMade

Going into this show, I was a little concerned about how the casting would approach filling the huge shoes left behind by Jack Black after his performance in the film. He was the perfect painfully casual misfit, and I wasn’t so sure anyone could recreate that role. How did they solve it, you ask? Well… by having Merritt David Janes try his very best to exactly replicate Jack Black. A few modern references to fidget spinners, an attempt at a fortnight dance and a pretty spot-on impersonation of the president helped Janes step out of the shadow a bit, and while his rendition of Dewey wasn’t quite up to par with Black’s, it was pretty darn close.

 

I also had reservations about the humor and music: you just can’t beat those classic lines! But this show knocked all of my doubts out in just a few scenes. The adult characters had the perfect comedic timing, without too much stage-corniness, and the new lyrics (particularly Webber’s new kick-rock ballad “When I Climb to the Top of Mount Rock”) proves that this conspicuous composer really can do it all.

 

But really, though: if anything puts this tour above and beyond, it is that cast of kids. They are everything I wanted to be as a child, and the musical version of School of Rock gets even deeper into the everyday struggles of these kids, and every kid: parents who never listen. Those damn parents! Their soulful little voices, both crooning to their parents ears and melting faces in “Stick it to the Man,” stole the whole show. 

Sami Bray in the School of Rock Tour. Photo by Evan Zimmerman-MurphyMade

I was chatting with a few other press-folk, and one expressed dismay that “the real-life man” took rock and roll and turned it into a musical to make money. He said: “These are the posers Jack Black warned us about.”

 

While there certainly was a more “Broadway” vibe to this script, I don’t know if I agree with that statement. The show wasn’t Woodstock by any means, but it certainly wasn’t The Phantom of the Opera, either. So if you want to see a season-ticket-holding little old lady with a walker bestowing double-fisted “rock on” symbols to a cast of scary-talented elementary school kids, get down to The Eccles this weekend! 

School of Rock – The Musical at the Eccles Theater

May 28-June 3, 2019

  • Matinee performances Saturday June 1 at 2 p.m. and Sunday June 2 at 1 p.m.
  • Weeknight performances May 28-31.
    See artsaltlake.org for ticket sales and showtimes.

See more of Salt Lake magazine‘s arts

and theater coverage here!

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8 Upcoming Summer Cultural Events for Families

By Arts & Culture, City Watch

So, you want to open your kids’ minds and teach them to respect and appreciate other cultures, but you’re wondering just how to do it so close to the city ranked least-diverse in the United States. Well, discouraging studies from personal finance websites aside, you can take your pick of Utah’s many cultural events, including festivals, performances and more…even in Provo.

In an article from Baylor College of Medicine News, Asim Shah, Baylor professor and executive vice chair for community psychiatry, said it’s “extremely important” to teach kids about different cultures. “Kids are still forming opinions, so it is essential that they are taught to be accepting while they are young,” he said.

Festival of Colors

June 8, 2019 – You can celebrate Holi, an Indian festival celebrating the triumph of good over evil and the oneness of humanity, in Salt Lake City. The festival includes dance and musical performances, yoga and covering yourself and others in colors.

Krishna Temple
965 E. 3370 South, Salt Lake City
Festival of Colors Details

World Refugee Day

June 21–22, 2019 – Honor Utah’s refugees and enjoy food, dance, music and art from many different cultures. This year also features an outdoor screening of the film Coco.

Big Cottonwood Regional Park
4300 S. 1300 East, Salt Lake City
World Refugee Day Details

British Field Day

June 15, 2019 – Summer is filled with car shows, but this one focuses specifically on British vehicles. The Liberty Wells Community Council event also promises British food and entertainment for the family.

Liberty Park, Salt Lake City
British Field Day Details

Utah Cultural Celebration Center Concerts

July 1–Aug. 5, 2019 – This summer’s concert series includes shows like Evening in Brazil, Mariachi di mi Tierra with Ballet Folklorico de las Americas and Island Time II with Lavona’s Polynesia.

Utah Cultural Celebration Center
1355 W. 3100 South, West Valley City
Concert Details

NACIP Powwow and Festival

July 24, 2019 – Following Salt Lake City’s Pioneer Day Parade, spend the day with the family in Liberty Park for Native American dancing, singing and food, along with a fireworks show.

Liberty Park, Salt Lake City
NACIP Powwow Details

Wasatch International Food Festival

Aug. 10, 2019 – Diversify your palette with international cuisine, ranging from fine dining to street food, from local restaurants and purveyors.

Utah Cultural Celebration Center
1355 W. 3100 South, West Valley City
Food Festival Details

Festival Latinoamericano

Aug. 30–Sept. 2, 2019 – This annual festival celebrates Latin American cultures with food, artwork and performances, and, in past years, even lucha libre.

Center Street & University Avenue, Provo
Festival Latinoamericano Details

Read more of our family content in our Kid-friendly blog roll.

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Aladdin 2019 – Let’s Talk About the Big Blue Guy

By Arts & Culture

 

Disney has gold to mine; cranking out live-action updates of their classic animated films. Some do well (“Cinderella” 2015) while others, not so much (the “Alice In Wonderland” films). You’d think this would make for an easy job considering much of the work is already done, but Disney is actually in a tough spot; how closely to hew to the original?

See all of our Film coverage here.

Disney seems to take heat either way they turn, with audiences not quite warming to their 2016 take on Pete’s Dragon (even though its among my favorites of their updates) while complaining about even the possibility of a simple shot-for-shot remake of The Lion King (although director Jon Favreau has addressed this even before the update hits theaters saying the rumors are not true). I’m also assuming that the higher the quality of the original, the steeper the challenge for the remake. If my assumptions are correct, then Disney had their work cut out for them with 2019’s Aladdin.

The basic story is pretty much the same, but with an additional 38 minutes of movie, there may be plenty to complain about. Luckily, much of that added screen time is spent on enriching supporting characters and expanding the role of Princess Jasmine (Naomi Scott). This is good news since Scott is a lovely and talented actress who can actually sing (no Beauty and the Beast-style auto tuning needed), and her Jasmine has more to do, even if some of it is undermined by well-meaning characters surrounding her; one of them being the titular hero himself, Aladdin (Mena Massoud). Massoud certainly looks the part but he doesn’t quite have the swashbuckle of his animated counterpart and he can’t sing as well as Scott, which is painfully obvious when they have their famous duet, A Whole New World, among other tunes. Thankfully the dance numbers are pleasing enough to distract from the sporadic subpar singing. Likewise, the practical parkour acrobatics may distract you from silly Benny Hill style speeds during action sequences.

Speaking of distractions, can we talk about the big blue guy in the room?

Although I wouldn’t want to follow Robin Williams, Will Smith does a commendable job as the Genie, but it’s the CGI that trips him up; when he’s blending in with the crowd looking like Will Smith he’s fine… but when he takes on the full blue Genie persona, he looks so weird it’s …distracting. You can’t help but notice how his head is out of proportion to the rest of him, or how his arms don’t quite seem long enough, or how his lips don’t line-up with his witty repartee. Maybe the filmmakers were trying to stylize him after his cartoon equivalent, but I think his blue skin and smoky lower half would probably have done the job.

But if Smith does replace Williams, Gilbert Gottfried is missed as the voice of the parrot Iago, while at least they kept the original voice of the Cave of Wonders, Frank Welker. And although Smith knows how to deliver a line, Aladdin spreads its jokes around the whole cast with supporting characters like Jasmine’s handmaid Dalia (Nasim Pedrad) getting some of the best lines. But those jokes are also spread out over a much longer runtime than the original, a risk for any PG film aimed at young ones. At least they get a Bollywood-style final dance to kick off the credits with nary a reason to stick around to the very end of the roll.

Even so, Aladdin left me feeling that is was …fine (especially considering the amount of trepidation surrounding it going in), but also that it could have been tighter and better. I guess the original 1992 animated version just casts too big (and blue) of a shadow.

  • Aladdin (2019)
  • Genre: Fantasy
  • Runtime: 2 hrs. 8 min.
  • MPAA Rating:
  • Rated PG for some action/peril
  • Director: Guy Ritchie
  • Writers: John August (screenplay by), Guy Ritchie (screenplay by)
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Park Silly Market Expect 200,000 People this Summer

By Community

The Park Silly Market comes out of hibernation for its thirteenth year on Sunday, June 2. More than 200,000 people are expected to join in the madness this summer as local artisans, chefs, musicians and performers transform Main Street into a boisterous festival ground every Sunday from 10:00 a.m. To 5:00 p.m. Revelers should be pleased to know their environmental impact will be minimized through Park Silly’s eco-friendly ethos. All consumable items are sorted into zero-waste stations for recycling, and all food waste goes to feeding lucky pigs in Kamas. Visit the Park Silly Market website to learn more about the market and see the most up-to-date listing of events.  parksillysundaymarket.com

And Park Silly isn’t the only market, see our round up of farmers’ markets around the Wasatch Front and Back.

See all of our community coverage here.


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Kimball Junction What Are We to Do With You?

By Community

Start your day in Kimball Junction with an espresso from Park City Coffee Roasters. Follow with a stop at Smith’s for some dinner provisions before a spin class at the Basin Rec Field House and a slice of pizza from Maxwell’s. The distance covered among all those stops is less than three quarters of a mile, but few would dare tackle such a journey on foot for fear of certain death. 

Kimball Junction is a maze of paint-by-numbers development with an endless sea of asphalt and sidewalks to nowhere. Its isolated pockets of community are notoriously hostile to pedestrians, which is why Summit County’s Neighborhood Master Planning Committee is trying to give the area a redesign.

Kimball JunctionSome would argue the effort’s too little, too late after 30 years of fragmented development. Each individual plot in Kimball Junction ticks required zoning boxes but without any overarching identity. The area was essentially built as a regional shopping center and truck stop—see the endless parking spaces and cornucopia of chain restaurants—but how it falls short is in its evolving space as a town center for the growing majority of Parkites who call unincorporated Snyderville Basin home. The surge of diverse, new restaurants hints at the area’s potential but can’t mask its underlying incoherence. 

Prior to the 2002 Winter Olympics, the Summit County Planning Commission anticipated a surge in residential and commercial development, but pervading local opinion held that Snyderville Basin would remain a rural area without the need for a broader plan. Lo and behold, some 26,000 people now call the Basin home and traffic and development gripes have become the area’s number one export.

“Kimball Junction is the poster child for fear of development, but well-planned development is the opportunity to evolve it into the community you want. We can’t just abandon the area to market forces. That’s what got us here,” says Summit County Community Development Director Patrick Putt. The no development is good development ship sailed long ago; the county has already approved 4,000 single family units and 2.5 million square feet of commercial space, all of which is yet to be built. 

Kimball JunctionThe Neighborhood Master Planning Committee—which is comprised of property owners, elected officials and private residents—unveiled its amended neighborhood plan for Kimball Junction earlier in 2019 to guide the process. “We’re striving to create a people-oriented environment, not one that’s catered to the movement of vehicles,” says Summit County Director of Planning and Zoning Design and committee member Peter Barnes. 

Barnes emphasizes the need for centralized parking facilities and seamlessly-connected, walkable neighborhoods with a logical mixture of open space, businesses and workforce housing to get people out of their vehicles and engaging with each other and their surroundings.“Everyone gets caught up talking about traffic, but there’s no one fix for that,” Barnes adds. “Some components of the plan will help, but frankly traffic issues are secondary to the quality of experience in the community.”

The amended neighborhood plan isn’t a binding document; it’s a starting point. “The plan is a community creed, which we hope will drive neighborhood engagement during the development process,” Putt says. “Planning is the human side of development where we can tap into our imagination of what a better place looks like. We love to hear from people in the community whether it’s directly or at meetings, but we hope they can bring their ideas, vision and inspiration, not only complaints.” 

Therein lies the primary crux of the development debate. Blindly abhorring change won’t fix Kimball Junction. Leaving the area to the development whims of the highest bidders will precipitate issues of exclusivity and inaccessibility familiar to Old Town. “Kimball Junction is the gateway to the entire area and the hub of a rapidly growing population in Summit County. A spectrum of livability that fits a diverse set of needs is fundamental to the area,” Barnes says.   

It’s going to take a wide array of informed, passionate people to drive change. Visit the Summit County website to get educated, get involved and see your ideas come to life in Kimball Junction’s future. 


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Hearth and Hill is Park City’s New Favorite Restaurant

By Eat & Drink

Far from Historic Main Street, a new restaurant row is gaining momentum in Park City. Kimball Junction has long been home to a few underappreciated local mainstays (and a few too many chain restaurants) but a new culinary expansion is taking root and transforming the area. Hearth and Hill, serving contemporary American cuisine—which in this case means everything from the short rib and oxtail tostada to chilled soba noodle salad to an asparagus melt—is the latest addition to the slate.

“The growth of people moving to Park City, and Snyderville in particular, is huge. People coming here from places like New York, Chicago and San Francisco have high expectations of what the dining scene should be,” says Hearth and Hill proprietor Brooks Kirchheimer. “We have an eclectic menu and a boundary-pushing concept, but we wanted a location that was local-centric, which meant we wouldn’t be a great fit on Main.”

Hearth and HillBetween seasonal ebbs and flows and a transitory population with finicky, vacillating tastes, Park City can be a difficult place to make a restaurant stick. Hearth and Hill is meeting the challenge with a staff composed of people with restaurant experience in Park City. Kirchheimer and head chef Jordan Harvey previously worked together locally at Apex in Montage Deer Valley and Zoom on Main Street.

“I’ve been around the block and this is by far the best location I’ve been in,” says Kirchheimer. “At my previous restaurant on Main Street, 90 percent of our customers were visitors. At Hearth and Hill 75 percent are locals, which is exactly what we were hoping for. New businesses are moving in adding vibrancy to the area, and it’s created a sense of community that helps everybody succeed.”

To thrive away from Main Street, a restaurant needs the local community on board, which starts with accessibility. Newpark has more than 300 free, covered parking spots near the restaurant, and hungry Parkites don’t have to battle traffic all the way down Utah Highway 224 to get their food. “We offer online ordering so people can run in and out to pick up food if they’re just grabbing lunch after soccer or skiing. And our location provides an approachable, laid back atmosphere gathering place for families year round,” Kirchheimer says.  

Hearth and Hill is committed to being more to the community than just another restaurant. One dollar from every children’s meal sold is donated to EATS Park City, a local non-profit benefitting Park City students by helping them develop healthy habits gain access to fresh, nutritious food through hands-on cooking classes, indoor and outdoor school gardens, cooking camps and more.


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Post Proposition 2 We’re in Cannabis Chaos

By City Watch

Rocky’s Way
(Or the Highway)

medical marijuanaFormer Salt Lake City Mayor Rocky Anderson has filed a lawsuit on behalf of Proposition 2 supporters that could bring both efforts to legalize medical marijuana—Proposition 2 and the replacement bill, H.B. 3001—crashing down.

Anderson is asking Utah’s Third District Court to restore Proposition 2’s larger, market-led system that resembles dozens of other states and relies on a widespread private market to handle the illicit plant.

He argues the Legislature has taken too much power from the people. He also claims the Legislature does the bidding of the LDS Church, which he says has unconstitutionally “dominated” the process around the issue.

Anderson is working on a third claim that will target a vulnerable piece of the Legislature’s law. He says the law forces state and local employees to violate federal law by working in cannabis facilities.

“That to me is an absolute sure winner,” Anderson says. “For the Legislature to compel anybody to distribute cannabis is absolutely in conflict with federal law.”

Anderson sent a letter in February to more than 100 county officials, searching for a possible plaintiff to join his case. It reads like a threat: “Every dollar spent and every minute devoted to planning for the implementation of H.B. 3001 is an utter waste of precious resources because the law will never—can never—be put into operation.”

Carol almost died last year in a car crash. She uses medical marijuana as part of her pain management plan while her shattered bones heal. The 48-year-old from Weber County fears she’ll lose her job if she uses her real name. So we’ll just call her Carol. After the near-fatal car crash, her friends convinced her to try cannabis as part of her pain management plan.

She’s hoping she’ll be approved for surgery soon, but for the foreseeable future, Carol has been prescribed hydromorphone, a strong opioid medication. Cannabis products—in her case, low-THC-level droplets—help mitigate her need for the opioid and she’s been getting them from Colorado. 

“My doctor said that it helps make me more sensitive to opioids so that I can use less. I’ve been using significantly [fewer opioids] since starting to use [marijuana],” she says. 

Carol is aware of the dangers of opioid addiction, and cannabis has helped her avoid it. But getting cannabis from Colorado is difficult and, right now, a legal liability. And as she’s run out of her droplets, she’s started to take more opioids again to deal with her pain.

Last November, in a state where conservative elected leaders have mightily resisted legalizing the plant, citizens fought to create a medical marijuana program through a ballot initiative. A majority of Utah voters passed Proposition 2, allowing certain people to use medical cannabis and authorizing the establishment of state-licensed and controlled dispensaries. 

But then, state leaders and lawmakers quickly huddled to write a new law to supplant the initiative voters passed.

The resulting bill is unlike any other medical marijuana program in the country. It strictly limits access to a centralized state distribution system for a small number of private dispensaries that the law requires be designed to function like pharmacies. You won’t find any “bud tenders” named Blaze behind a Utah cannabis counter.

Meanwhile, patients in limbo have been asking doctors to write permitting letters to shield them from prosecution. Carol says her doctor is on board with her cannabis use but is afraid of writing her a letter until Utah’s medical marijuana program is assembled. There are too many unknowns, and many doctors are afraid to get involved with the federally illegal plant.

Further muddying the picture, law enforcement agencies are scratching their heads over how to respond to a marijuana bust where the suspect claims medicinal purposes but has no way to prove it. And, the law already faces a legal challenge that threatens to make even more changes and possibly reinstate Proposition 2. (See sidebar: “Rocky’s Way (or The Highway.”) 

These are the growing pains of a nascent medical marijuana program being rolled out by a reluctant state government. Patients are caught in the fog of uncertainty.

Without dispensaries in place under the new Utah Law, patients like Carol will continue buying cannabis locally the old fashioned way, through illegal dealers, or taking trips to neighboring Colorado or Nevada. On the return trip they’ll face the possibility of getting pulled over by the wrong police officer in Utah. 

While it would have taken time for a program under Proposition 2 to get up and running, the citizens’ initiative was much less restrictive than the replacement law. Patients fear that even if and when the replacement law is up to speed their access will be limited. The Legislature called for seven to 10 private dispensaries in the entire state.  Under Prop 2, it was to open eight privately run dispensaries in just Salt Lake County and at least one in every county in Utah. Arkansas, for example, has a similar population to Utah and allows 32 dispensaries. 

But the new law’s supporters say despite the hiccups it’s on the right track. 

“Everybody wants the program to work,” said Connor Boyack, an early Proposition 2 supporter and founder of the Libertas Institute, who later worked on the Legislature’s replacement law. “Whatever issues may present themselves … we’re confident that we’ll be able to work through those issues as they arise.” 

Among cannabis advocates, so few outlets is a major sticking point.

“There are supposed to be 7-10 dispensaries [and] they have to have a pharmacist on duty,” said Christine Stenquist, founder of TRUCE, the group that supported Prop 2 but didn’t agree to a compromise. “Seven dispensaries for a state this large is ridiculous…some of these counties are really, really huge. Who can drive two hours round trip for medicine?”

See all of our politics and community coverage here.


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Yes. Allowed. 22 Dog-Friendly Patios

By Eat & Drink

Patio dining season is upon us, and like you, we love our dogs. Rather than leave them home, here’s a list of 22 dog-friendly patios in Salt Lake where they can come to join. It’s a yes, dear Fido, so let’s get you on a leash and go!

22 Pooch-friendly Patios

While Salt Lake County food regs prohibit animal,—except qualifying ADA service dogs—inside places that serve food, there are a few rules a food-service business must maintain to receive “dog patio” approval. The patio dining area must be cleaned with animal-friendly chemicals, and Mr. Buster’s “Business” needs to be taken care of within 5 minutes.

For owners, let’s keep dogs allowed. Proper owner and dog etiquette include: leash your pup. Don’t put them up on the table or sit them in a chair (even though that is SO cute). Don’t feed them from the table (not even treats) or drop your dirty plate for licking clean. Save that for home. (You know you do it.)

Most importantly, while you may love your canine, other humans paying to enjoy a beautiful and peaceful patio-dining experience may not. (But who could love your dog more than YOU?) If you have a dog (or a kid for that matter) that doesn’t know how to chill don’t ask everyone to put up with Mr. Troubles. Get some take out and go to the park.

Bow-wow appétit!

See all of our food and drink coverage here.

dog-friendly patios

Campfire Lounge is on of 22 officially licensed patios in Salt Lake allowing dogs.

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Bryce Canyon Astronomy Festival

By Adventures, Outdoors

Just look up. The 18th Annual Astronomy Festival, hosted by Bryce Canyon’s Astronomy Rangers and local Astronomical Societies, will be held June 26-29. Experience the grandeur of the earth and the heavens (here’s looking at you, Milky Way) first-hand through provided telescopes and illuminating information from star experts. A special telescope allows you to explore the center of our galaxy, old Sol itself. Introduce your kids to model rocket buildings, learn how light pollution is killing our dark skies and what “night” really means. Make sure to participate in Astronomy Ranger Angie Richman’s constellation tour as she regales attendees with ancient stories about the constellations and how they earned their celestial names; childlike wonder provided free by the universe.


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