Less than twelve hours after the four best male tennis players in the world competed for over nine hours in…
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Visar Morina's fourth feature film, Shame and Money, opens with a request for money. Not that much, we might think,…
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In her landmark 1987 book Borderlands/La Frontera: The New Mestiza, Gloria Anzaldúa wrote: "For men like my father, being 'macho'…
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Filipiñana is a slow burn, a film that feels like it's constructed of very beautiful still images, lacquered, lugubrious, and…
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The Ciudad Juárez of Suzanne Andrews Correa's La Cazadora/The Huntress is a city overwhelmed almost to paralysis by fear. The…
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Pachuco, like pocho and Chicano, entered the American lexicon in the twentieth century as a term of derision. Not a…
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Neighbors Violette and Florence are in parallel ruts. Violette is tied to her Montreal apartment, on maternity leave. At the…
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Laura Casabé’s second feature is a worthy engagement with the social-sexual horror fiction of celebrated Argentine author Mariana Enriquez, whose…
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Georgi Unkovski’s thoroughly entertaining DJ Ahmet brings us a familiar story of country mouse-city mouse teen romance inventively recast in…
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Flora Lau’s labyrinthine second feature LUZ takes place in a near future, or perhaps an alternative present, in which the…
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